Powerless structures FIG.13 by Elmgreen & Dragset.
Noah Kahan
Mike Driver
Not today Justin

bliss lane

❣ Chile in a Photography ❣
Stranger Things
Cosimo Galluzzi
Keni
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
Xuebing Du
art blog(derogatory)

roma★

Jar Jar Binks Fan Club
No title available
Sweet Seals For You, Always
untitled
Misplaced Lens Cap
h
No title available

seen from Malaysia
seen from T1

seen from United States

seen from Türkiye
seen from Brazil

seen from United States
seen from Malaysia

seen from United Kingdom
seen from United States
seen from Sweden

seen from South Africa

seen from Indonesia

seen from South Korea
seen from Türkiye

seen from Malaysia

seen from Malaysia
seen from Russia
seen from Bangladesh

seen from Türkiye
seen from Australia
@benedictederamaux
Powerless structures FIG.13 by Elmgreen & Dragset.
Francis Alÿs - Cuentos Patrióticos (1997)
In his wanderings through his adopted home country of Mexico, Belgian artist Francis Alÿs (b. 1959) addresses the topic of urban power structures in his video Cuentos Patrioticos, which plays out on the Zócalo, Mexico City’s main square. The square was laid out by the Spanish conquistadors as an emblem of their victory over the Aztecs and has repeatedly been the scene of demonstrations of power. In Cuentos Patrioticos we see a man taking a sheep on a lead in a circle around the large flagpole on Zócalo square. With every ring of the bell more sheep join the bellwether. Sheep are gregarious animals and accordingly, at the sight of the strange parade on this square so steeped in history, the automatic temptation is to see them as blind followers.
Julius von Bismarck
From the book How to make electronic music, by Russell Drake and Ronald Herder with Anne D. Modugno, 1975
Jimmie Durham, Himmel und Erde mussen vergehen, 2000, rock, shirt
Richard Wentworth.
Joseph Beuys, zeige deine Wunde, 1974/75
Cut - Francis Alÿs
Frances Scott http://frances-scott.co.uk/
Matthew Higgs
Picture (2006)
Patti Smith - Mountain, Iceland (2006)
Untitled, oil, dirt and pastel on canvas, 180 x 140 cm, 2017
http://struanteague.com/2017
Sam Contis http://samanthacontis.com/
François Morellet.
John Baldessari - Wrong (1967)
Brancusi - Colonne sans fin, 1918
Adrián Montenegro