Imperial War Museum, Lambeth, London...the new Blavatnik Art, Film and Photography Galleries...
View On WordPress
NASA
almost home
Stranger Things
Monterey Bay Aquarium
Noah Kahan
No title available
Game of Thrones Daily
Xuebing Du

blake kathryn
Jules of Nature
noise dept.
No title available
Cosmic Funnies

#extradirty
The Stonewall Inn
Claire Keane

titsay
2025 on Tumblr: Trends That Defined the Year
h
Misplaced Lens Cap
seen from United States
seen from Israel

seen from United States
seen from Bangladesh
seen from United Kingdom
seen from Bangladesh
seen from Australia

seen from France
seen from Peru

seen from Canada
seen from Belgium
seen from United States

seen from Sri Lanka
seen from Germany

seen from Argentina
seen from United States
seen from United States

seen from United Kingdom

seen from Czechia
seen from Spain
@bhtum1595world
Imperial War Museum, Lambeth, London...the new Blavatnik Art, Film and Photography Galleries...
View On WordPress
The Falklands War 40 years on - April 1982-April 2022 A reflection
My personal recollections of reporting on the aftermath of the Falklands War which started 40 years ago today 2 April 1982
Although I never actually covered the war as a press photographer in the South Atlantic 40 years back…I did manage to get down there just after hostilities had ceased alongside reporter Tim Jones, both of us staffers for The Times of London. It was cold, it was grey and miserable when we touched down in Port Stanley in the midst of a South Atlantic winter. The road in from the airport was a…
View On WordPress
Are we the new history boys and gals ?
Are we the new history boys and gals ?
It seems to me that we merry band of photographers from the press, magazine, documentary or agency world are really the new history boys and gals…it is often said that ‘reporters’ draft the first version of history…but I maintain that it is us who have recorded up front and personal our view of history as it happened in the raw for future generations to enjoy and even maybe learn from.
I’ve…
View On WordPress
…and so, it came to pass that Impact Photos, the picture agency and photo library is no more…it has ceased to exist, it is a dead a defunct photo agency…it is, as co founder Philippe Achache so succinctly put it – PACTIN !!
After many months of saving the library by sorting out more than half a million transparencies in the cold dark miserable garages of Queen Park and getting them back, if wanted, to fellow contributing photographers we decided to have a celebratory wake and lunch combined at The Coach Pub and Restaurant in the centre of uber trendy Clerkenwell, London where many of us either started in the photography business or studied here at the London College of Printing in Back Hill many many moons ago.
It should be noted that any photographs NOT claimed and not sent to landfill ( as several photographers requested ) have been sent to the Bishopsgate Institute near Liverpool Street for historical research purposes only, it must be STRESSED that the photographs can not be used for any commercial purpose including editorial unless the photographer has given express permission…here endeth the legal stuff !!
And without further ado I present a set of pictures taken at our lunchtime gig….I was suitably impressed by the excellent carving and serving skills shown by all when tackling the wonderful seven hour slow cooked lamb and the beautiful fish on the bone, obviously an indication of a lifetime staying and eating in high end expense account hotels and restaurants around the world courtesy of our many masters over the past 50 years !!
Getting together before lunch and not a drink in sight….Top left: Homer Sykes, Pamla Toler and Philippe Achache…top right: Roger Scruton, David Reed and Rick Colis…middle right: Roger Scruton, Homer Sykes and David Reed…bottom right: Peter Arkel, Rick Colis and Piers Cavendish…bottom left: Ben Gibson and Lionel Derimais and middle left: David Reed, Christopher Cormack, Piers Cavendish and Caroline Penn
My group shot made by balancing my new Leica M10 on a chair that was also balancing on a table…with Pamela Morton freelance organiser for the NUJ who arranged our first desist letter to the Impact management…
Homer Sykes directing his group shot
…and Homer’s group shot…photographing me photographing you…gotta be a song in there somewhere !
T-L: Roger Scruton expressing himself to David Reed: middle right Homer Sykes makes art and bottom Petteri Kokkonen shows that you don’t need a proper camera anymore…
Fine food served by some of the best photographers in the business…
…and some of the best photographers in the business show their appreciation of an expense account style lunch that went on for most of the afternoon…a cracking day…maybe to be repeated sometime in the future…
The Impact-Pactin Photos Lunch May 2019 ...and so, it came to pass that Impact Photos, the picture agency and photo library is no more...it has ceased to exist, it is a dead a defunct photo agency...it is, as co founder Philippe Achache so succinctly put it - PACTIN !!
Hello new world out there....
Hello new world out there….
I think, but I’m not sure, that I’ve created a blog for myself…if I have, let me introduce myself, very briefly.
I’m a photographer, some may argue here, but it’s what I’ve been doing for the past 40 years. I have worked for the Times of London and The Independent and am now a freelance, which means I do a lot of cooking and gardening.
I’m also about 25 chapters into my ‘Book’, a series of self…
View On WordPress
The Velvet Revolution - 30 years on 1989 - 2019
The Velvet Revolution – 30 years on 1989 – 2019
My account here of photographing and reporting the fall of communism in what was Czechoslovakia back in the winter of 1989 is based on a chapter in my book, ‘…and then the Prime Minister hit me…’ http://impress-publishing.com/and-then-the-prime-minister-hit-me.html
Czechoslovakia, Prague,1989 during the Velvet Revolution, the fall of communism in Eastern Europe. A photograph of Lenin and the…
View On WordPress
Berlin – 30 years on…thoughts and recollections – November 1989 – 2019
Berlin – 30 years on…thoughts and recollections – November 1989 – 2019
Thirty years ago, 1989 really was a tumultuous year in geo politics maybe the most confused, exciting and historically important since the end of WWII in 1945, certainly for me as a working news photographer for The Independent 1989 was one of the busiest and most important years in my working life.
The European elections of late spring morphed into covering the post Tiananmen Square fall out in…
View On WordPress
I make no apology for re publishing my short obituary about Sally first published on the British Press Photographers Association-BPPA site last week.
I have included photographs taken with permission from her son Trevor Soames at Sally’s funeral held at Golders Green Crematorium, north London on Sunday 13th of October 2019. There are also some page copies of her work published in ‘Manpower’ in 1987 by Andre Deutsch-ISBN 0-233-98111-X
Sally Soames who worked as a photographer for The Sunday Times for more than three decades died aged 82 at her home in north London on the 5th of October 2019.
Sally, like many of her generation had no formal training as a photographer, starting out by winning a photography competition run by a London evening paper. She was noticed by the Observer where she contributed work during the 1960’s before being taken onto the Sunday Times before the decade was out. She stayed on her beloved paper for more than 32 years working for esteemed editor Harry Evans and design maestro Edwin Taylor, reluctantly retiring due to problems with her knees and as black and white analogue film photography gave way to colour and subsequently digital image making.
Sally told me in the early 90’s that she was scouring London and buying up all the Nikon FM2 film cameras that she could find once she had been told that her favourite camera wasn’t going to be made anymore. I don’t think Sally and modern digital technology would have got on together, so a good time to call it a day.
Sally was a pure image maker, the eyes were everything, get the eyes sharp and you will have your reader, she said to me once. She would talk her subject into submission if he or she proved to be reluctant to have their photograph taken. She charmed and cajoled, often writing to her subject in advance of the photography session as well as reading their work if an author, or watching their films or plays if an actor. She saw herself and her work as the equal of the writer and the written word when covering an interview, not for Sally the three minute photo-op session dictated by a hovering PR, which is now seen to be the norm, Sally demanded and got as much time as she needed to produce her work.
Although Sally did specialise in portrait work for the paper, producing some of the most eye catching imagery to grace the pages of any newspaper in the land she was also a dab hand on the political scene. I personally worked alongside her on many occasions, Sally on the ST and myself on The Times at many a political conference during the 70’s through the 80’s. I was always surprised to see her visual summation of the week in her paper, normally a quiet reflective moment caught with fuss, just a fine quality image that would make you think a while.
I also worked alongside Sally in Israel whilst covering a general election in June 1981 featuring Menachem Begin and Moshe Dyan, both of whom she had entré to with one phone call. Her portrait of General Dyan on the Golan Heights ranks, IMHO, as one of her finest images. She introduced me around to those that mattered and arranged passes and some access to this then relative green horn, but that was just so typical of Sally, she would help just about anyone but especially new guys and gals on the block…there is a long line of news photographers working now who all owe Sally a great debt of personal gratitude, myself included.
She had a heart felt affinity with Israel, being born Jewish (born Winkleman), and when based there during the Yom Kippur War between Israel and a coalition of Arab States led by Egypt and Syria in October 1973 she was recalled by Kelvin Brodie her Sunday Times picture editor (and a former top flight news photographer) as it was deemed by the ST management as being too dangerous for Sally to stay after the death of ST correspondent Nick Tomalin. The group of Arab commandos who stormed the beach outside her Tel Aviv beach front hotel made the point more emphatically. She returned to Israel a week later to cover the km101 peace talks.
Sally may have been slight of frame and stature but she was strong and a fighter…Sally never ever gave up, she always found a way to achieve what she wanted, with a gushing smile, a hand hold, a squeeze and it must be said a fair bit of feminine schmoozing…Sally really was one of those unique individuals who was a friend to many, a mentor to many more and a bloody good photographer…oh, and a really nice woman. RIP Sally
Page copies from Sallys book ‘Manpower’
Ray Wells Picture Editor at The Sunday Times
A small group of photographers say their farewells to Sally at Carluccio’s, Sally’s favourite hang out near her home in north London.
Sally Soames Photographer, Journalist Mother, Grandmother, Mentor to so many and Friend to many more… 21 January 1937 – 5 October 2019 I make no apology for re publishing my short obituary about Sally first published on the British Press Photographers Association-BPPA site last week.
…and so, it came to pass that Impact Photos, the picture agency and photo library is no more…it has ceased to exist, it is a dead a defunct photo agency…it is, as co founder Philippe Achache so succinctly put it – PACTIN !!
After many months of saving the library by sorting out more than half a million transparencies in the cold dark miserable garages of Queen Park and getting them back, if wanted, to fellow contributing photographers we decided to have a celebratory wake and lunch combined at The Coach Pub and Restaurant in the centre of uber trendy Clerkenwell, London where many of us either started in the photography business or studied here at the London College of Printing in Back Hill many many moons ago.
It should be noted that any photographs NOT claimed and not sent to landfill ( as several photographers requested ) have been sent to the Bishopsgate Institute near Liverpool Street for historical research purposes only, it must be STRESSED that the photographs can not be used for any commercial purpose including editorial unless the photographer has given express permission…here endith the legal stuff !!
And without further ado I present a set of pictures taken at our lunchtime gig….I was suitably impressed by the excellent carving and cutting skills shown by all when tackling the wonderful seven hour slow cooked lamb and the beautiful fish on the bone, obviously an indication of a lifetime of staying and eating in high end expense account hotels and restaurants around the world courtesy of our many masters over the past 50 years !!
My group shot made using my new Leica M10 balanced on a chair which in turn was balanced on a table…not for the faint-hearted…next time a tripod me thinks ! Pamela Morton Freelance Organiser from the NUJ, on the right foreground, deserves special recognition as it was her letter directed to the Impact Photos owners that stopped the collection going to landfill all those months ago.
Caption courtesy of David Reed
Early arrivals at The Coach enjoy the late spring sunshine and not a glass of wine to be seen…not very European ?
Top left: Homer Sykes, Pamla Toler and Philippe Achache. T-R: Roger Scruton, David Reed and Rick Colis. Mid right: Roger Scruton, Homer Sykes and David Reed. Bottom right: Peter Arkel, Rick Colis and Piers Cavendish. Bottow left: Ben Gibson and Lionel Derimais with middle left: David Reed, Christopher Cormack, Piers Cavendish and Caroline Penn.
Some excellent serving skills shown here, learned over the years at some of the worlds most exotic restaurants courtesy of our many masters as we travelled the globe on our wonderfully generous expense accounts…great days
Some fine group shot photography here from Homer Sykes and myself…if you can’t see the camera…then the camera can’t see you….
Happy snap time with Roger Scruton, Homer Sykes and bottom picture Petteri Kokkonen
Photographers always work on the principle that this could be their last food for hours, days or weeks if the phone starts to ring and you have to dash out of the door on assignment….so, lots of very clean plates here…also pudding was beckoning !!!
A cracking day spent with some of the best photographers in the business…maybe we can do it again sometime…well done Philippe, David and Lionel who organised the bash.
The Impact-Pactin Photos Lunch May 2019 ...and so, it came to pass that Impact Photos, the picture agency and photo library is no more...it has ceased to exist, it is a dead a defunct photo agency...it is, as co founder Philippe Achache so succinctly put it - PACTIN !!
Copying all those tens of thousands of transparencies and negatives
Copying all those tens of thousands of transparencies and negatives
If like me you have been a working photographer for many years then you are bound to have thousands, maybe tens or even hundreds of thousands of colour transparencies or B&W negatives festering away in a filing cabinet, out in the garage, up in the loft or maybe under the bed.
If you have been a contributing photographer to a photo agency that has now folded and have been inundated with hundreds…
View On WordPress
The International Driving Permit
The International Driving Permit
Gavia Pass (Italian: Passo di Gavia) (el. 2621 m.) is a high mountain pass in the Italian Alps. It is the tenth highest paved road in the Alps. The pass lies in the Lombardy region and divides the province of Sondrio to the north and the province of Brescia to the south. The road over the pass (SS 300) connects Bormio to the northwest with Ponte di Legno to the south and is single track most on…
View On WordPress
Impact Photos Library is no more...
Impact Photos Library is no more…
Impact Photos agency and library is no more…it is a dead library, it is finished. Impact, as co-founder Philippe Achache put it so succinctly is ‘Pactin’…and is now in hundreds of cardboard boxes in a lock up garage in Queens park NW London awaiting collection by the nearly 400 contributing photographers from over the past 40 years.
The Queens Park garages where more then half a million…
View On WordPress
Stuart Heydinger-the South Pole and Back
Stuart Heydinger-the South Pole and Back
George W. Warhurst was my mentor, sidekick and sometime saviour while I was at The Times from 1975-1984. George, or Bill as he was known to all, was a greatly undervalued photographer. His somewhat dishevelled appearance and kindly diffident manner belied his inner strengths and tenacious spirit. His hair seemed to go in all directions at the same time and he was never without a small cigar on…
View On WordPress
0.55 My Magic PSA Number
0.55 My Magic PSA Number
18 months after having my somewhat invasive Brachytherapy treatment for Prostate Cancer written about in earlier postings…and having certain levels of anxiety along the way I have been offered a discharge from Addenbrooke’s Hospital in Cambridge.
Which means I’m better…or as better as I will ever be.
I’m sure you will be relieved to know, this is not a selfie, but a picture taken from the…
View On WordPress
Glynn Griffiths my wonderful friend, a friend as close as a brother, my touchstone in all matters of life, has died. Glynn was 67 and leaves behind his beloved daughter Georgia and Annie his soulmate.
Glynn at my book launch in the Hoop and Grapes pub just off Fleet Street, London, May 2016
Glynn had just started out on the next stage of his eventful life. He had his sculpture studio in Cheltenham where he made so many of his impossible dreams involving mother-earth and man-made come to life.
Glynn Griffiths Art Exhibition at the Parabola Art Gallery, Cheltenham, England. Work by the artist Glynn Griffiths ( seen in blue shirt, long hair ).
Glynn Griffiths Art Exhibition at the Parabola Art Gallery, Cheltenham, England. Work by the artist Glynn Griffiths ( seen in blue shirt, long hair ).
He recently bought a campervan before buying ‘Haddie’ his beautiful house boat moored at Hebden Bridge. For the first time in many years he had his entire ‘Art Book’ collection out of packing cases and on shelves waiting to be read….in short Glynn was chilled out and happy.
Glynn Griffiths with his daughter Georgia at his Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths with his daughter Georgia at his Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
I knew Glynn for nearly 30 years since he came to this country from his native South Africa with his wife Annie back in the mid 1980’s. He came from Jagersfontein a small town in the Free State and trained as a photographer on the Cape Times. Although his yearning was for the Veldt of South Africa, he was a British subject, and proud of his family roots in South Wales.
Glynn in the Canary Wharf Indy offices in the 1990’s
Glynn was an established photographer of some note in SA and upon arriving in London he had little trouble getting photographic assignments from the British press based then in Fleet Street. He started ‘shifting’ for the London Evening Standard while living with Annie in a campervan parked up on the South Bank in the centre of London. Before long a photo editor recognised Glynn’s ‘artistic photographic’ talents and suggested that his style of photography would be more suited to the newly launched ‘Independent’ newspaper.
Glynn was taken aboard the fledgling ‘Indy’ first as a freelance and then onto the staff. He covered the usual gamut of assignments for a daily national newspaper: portraits, hard news, overseas stories and soft features.
Following the Kings Cross fire tragedy where over 30 people died Glynn made one his most definitive images of Kwasi Afari Minta, who was severely burnt but survived. The picture won Glynn a first prize in the prestigious World Press Photo Awards.
Kwasi Afari Minta
In 1988, he covered the Clapham rail crash close to his then home in south London where 35 passengers died. His powerful picture was the first to cover the entire front page of the paper, Glynn had well and truly arrived and made his mark. He became known for his quiet observational intelligent photography and was trusted to make ‘something’ from nothing. In October 1989, he was sent to cover the San Francisco earthquake where over 60 died and thousands were injured. During just a matter of hours on the ground he produced a fine coverage resulting in a front-page news picture and a back-page photo spread.
Glynn covered the transitional elections in Namibia and South Africa. He spent time on Mount Athos communing with the monks and making a fine set of quiet contemplative images there but perhaps Glynn’s most recognised and almost certainly his most favoured photograph was of Nelson Mandela at his final election rally in Cape Town during the first all-race South African elections in April 1994.
Nelson Mandela photographed by Glynn and published by Gerry Brakus in The New Statesmen in 2013
Glynn was one of the sweetest most charming of men in the tough world of news photography. He made friends with most that he met…I have never heard a bad word against the man, few can be as well liked in our business.
Glynn Griffiths on the left, with on the back row, David Sandison, myself Brian Harris, Mykel Nicolaou, and Guy Simpson and Lauries Lewis in front…photographed by my son Jacob S. Harris at the Kalamzoo Club in London.
Photograph of Glynn with his Independent Newspaper photographer friends at one of our London based memory lane evenings. L-R: Back row unknown, Nick Turpin, John Voos, Glynn Griffiths,member of the band,Craig Easton in glasses. Front row: Laurie Lewis, Brian Harris, David Sandison, Kay Richardson, Guy Simpson and Tom Pilston…photographic selfie made by precariously balancing my very expensive Leica M9 on a wine bottle.
A charming quiet evening in an Italian eatery in Camden, London with Laurie Lewis on left, Glynn Griffiths, Guy Simpson and John Voos…I’m behind the camera
Glynn and John Voos catching up at yet another photographers night out in London
Independent Newspaper Foreign Desk 30th Anniversary Party at The Frontline Club, Paddington, London. 6 October 2016
A collection of photographs showing Glynn top left at the 30th Indy Foreign desk bash at the Frontline Club, with David Sandison at my book launch, at a gallery gig in east London where Glynn showed off his major piece made from nails and scorched wood and meetin’ and greetin’ at yet another opening…
After leaving the Indy in the late 1990’s to once again pursue a freelance career Glynn took up freelance picture editing and left London with his family to live in Cheltenham.
Glynn Griffiths Art Exhibition at the Parabola Art Gallery, Cheltenham, England. Work by the artist Glynn Griffiths
Specimen 1101, Beech, polypropylene rod, pyrographic markings at the Parabola Art Gallery, Cheltenham, England. Work by the artist Glynn Griffiths
Glynn Griffiths Art Exhibition at the Parabola Art Gallery, Cheltenham, England.
Glynn became frustrated with the limitations as to what he could achieve visually just by using a camera…photography per se began to bore him, photography was merely the means to an end and the end became the motive for Glynn’s next endeavour.
In his early 60’s Glynn went back to school…to Wimbledon College of Arts where he studied for an MA in Sculpture. His work involving ‘mother nature and handmade product’ was challenging to the uninitiated. His references were the deserts of his homeland in South Africa, he was excited about dry bones, a feather, a scrap of wood or iron weathered by the elements which he used in assembly’s contrasting with Perspex, cable ties, nails and hardware bought from his local store.
He sold several pieces, one piece made to order for a client in America and more through various galleries in London and Cheltenham. In the mid 2000’s he was awarded the Clifford Chance prize and exhibited in their Canary Wharf offices receiving much praise for the scope of his work.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
Glynn Griffiths with his daughter Georgia at his Exhibition-Growth, ‘Gravity & Balance’ at The Horse Box Gallery, 50 Grosvenor Hill, London.
In the mid 2000’s when both Glynn and myself were going through our own personal crisis we both talked our problems through with long conversations as he commuted by motorway from Cheltenham to London…I called them our M4 chats. We started a photo-exchange where once a week we would make a photograph, print it and write something on the print about our thoughts for that day. We kept this going for over two years and I have over 100 original Glynn Griffiths photographs and drawings all signed and annotated…some of my most precious possessions.
I asked Glynn to help me photo edit my auto-biographical book in 2014-5. We spent several days in the cold of my garage going through hundreds of proof prints before getting my selection down from and unmanageable 2000 images to an almost manageable 3-400 photographs.
Glynn editing down the thousands of images to a manageable 400 plus for my book…we finally got it down to less than 200.
Some months later myself Glynn and designer Professor Phil Cleaver spent many 18 hour days and nights moving images and words around on screen and in hard copy before finishing my project at the printers. Not a bad word was said, not an argument, just complete calm…without Glynn I would still be shuffling my work about completely lost in the confusion of editing.
Glynn and ‘pooch’ editing Brian Harris’s book ’…and then the Prime Minister hit me…’ with Professor Phil Cleaver of et-al Design
Glynn at Geoff Neal Printers in Feltham, west London checking the print quality
Glynn had many who loved him: fellow photographers, editors, photo editors, his family and friends in South Africa, his drinking pals in Cheltenham, Glynn was not a drinker – preferring a half pint of beer or a glass of red wine with some good conversation and fine home cooking
Glynn Griffiths enjoying our wonderful Lasagne and several bottles of Montepulciano at our home in Thaxted…watched by his new best friend, Thelma
Glynn mellowing in our home with Thelma…the other cat
…Glynn was the arch polymath, he was a photographer, an artist, a sculptor, a cartoonist, a photo editor
Some of Glynn’s wonderfully dry wit showing through in his cartoons
…he could mend things and make things… only a month ago producing a fantastic sculptural piece consisting of a hill of bicycles that occupied a roundabout in Cheltenham to celebrate a Round Britain Cycle Race.
Glynn was just so many things…he was in fact a renaissance man through and through, with his ‘hippy’ clothes and ponytail, his grey beard and funny hat.
Striking a pose as W.G. Grace
Only a couple of weeks back he came down from Hebden Bridge in his motorhome to help me celebrate my 65th birthday in Southend-on-Sea with my partner Nikki and my son Jacob. We enjoyed the ‘best fish and chips in the world’ and walked the ‘prom’…we enjoyed the penny arcades and Glynn was happy.
Glynn with Nikki, myself and my son Jacob in Southend-on-Sea for my 65th birthday…on the prom prom prom…and in the penny arcades…September 2017
He followed us home to Thaxted and we spent the night putting some red wine away and the world to rights…in the morning I cooked breakfast, bacon, toast, eggs and baked beans. Glynn asked me why I stored my tins of baked beans upside down in the store cupboard. I replied that if the tins were upside down in store, when you opened them the beans were at the lid end and they all came out in one hit rather than having the hunt the last of the beans out with a spoon. He thought that was one of the most wonderful of ideas and in his last text to me a few days later he thanked Nikki and I for our hospitality but most of all he thanked us for showing him how to store his baked beans, he said it’s always wonderful to learn something new at 67!!
On the morning of the 16th of September I helped Glynn pack up his campervan with a case of Adnams Claret and a couple of large A2 size photographic prints from me to him as a present for all his hard work on my book. He said he was finally going to get around to reading it now he had the space and time. He drove out of the car park in Thaxted en route to the Tate Britain in London where he could park up for the weekend for free…and that was the last time I saw him.
My dear friend Glynn, I will miss you so much but I am privileged to have known you…you lovely gentle guy. RIP.
My friend Glynn Glynn Griffiths my wonderful friend, a friend as close as a brother, my touchstone in all matters of life, has died.
Death of a Princess
Death of a Princess
Death of a Princess….20 years on
The Funeral of Princess Diana at Westminster Abbey, London, Britain. Her flag covered coffin is taken into the abbey followed by L-R, Prince Charles, Prince Harry, Earl Spencer ( her brother ) Prince William. COPYRIGHT PHOTOGRAPH BY BRIAN HARRIS ©
I am neither a royalist or a republican but the death of Diana, Princess of Wales on 31st of August 1997 affected…
View On WordPress
Prostate Cancer...six months on...
Prostate Cancer…six months on…
Celebrating my new low all singing and dancing PSA numbers with Jacob and Nikki and a bottle of Champagne
To say the past months have been pretty darn stressful would be a major understatement and I must say a heart felt thanks to my partner Nikki for putting up with me during this time.
Following on from the Brachytherapyoperation on my Prostate last November in Addenbrooke’s Hospital,…
View On WordPress