(i) love hypotheticals.
after stratt hires you on as a documentation specialist for project hail mary, you find yourself being more and more drawn to one dr. ryland grace.
(ii) odd reunions.
you wake up late on the hail mary, and grace doesn't seem to remember anything about youâor, your relationship. you don't know how to break the news to him.
(iii) marriage talk.
life on erid is good, aside from the occasionally nagging desire to get married.
miniature space opera series (ongoing):
miniature space opera (i)
as ilyukhina's standby for project hail mary, your social life on the vat faces a lot of scrutiny. your interactions with grace seem to be her primary source of entertainment.
miniature space opera (ii)
after waking up on the hail mary, you're having a difficult time finding your bearings. between your half-memories and the bodies on board, you and grace have a lot to sort out.
mutualism series (ongoing):
mutualism (ch. 1)
out of sheer need for a place to stay, you decide to move in with a friend of a friend. considering you're sort of attracted to ryland makes your living arrangements a little complicated.
(ch. 2)
with fall semester in motion, you have no idea how you're going to keep up living with ryland. he's (shockingly) easy to like and your feelings for him are growing exponentially.
exhibit g.
after re-acclimating to earth life for a whole year, grace comes to your museum on a random monday in the middle of april to view the "project hail mary" exhibit.
mayday.
grace can't seem to get the hang of flying the hail maryâand you're definitely the problem
eridian logic!
your heart-to-heart with rocky leads to a lot of unnecessary teasing targeted towards grace. you can't help itâhe just makes it so easy
close quarters.
physical contact on the hail mary is at a premium. you hold yourself a little too highly to ask grace for help.
holland march:
pine and scotch.
you spend the night over at the march house after tasking yourself with babysitting. your feelings, holly's gossip, and holland's drinking are a worrying combination.
an evening show.
holland is making a big fuss out of holly inviting you to her upcoming school play. heâs pleasantly surprised by the way you show up for the both of them.
stealing hearts.
you spend nights stealing luxury goods in the heart of 1970's los angeles. inserting yourself into your own active investigation proves to be less productive than expected, especially when you start dating the private investigator.
colt seavers:
quiet on set.
on your fourth big blockbuster working together, you find yourself scolding hollywoodâs favorite, tom ryder. to much success, it manages to capture coltâs attention.
jack abbot:
picking favorites.
after taking the same shoddy bus from your apartment to the ptmc, youâre shocked to find your attending on the same line. you start commuting together.
benedict bridgerton:
good company.
benedict bridgerton has a twofold plan: to resolve his brother's rake-like reputation and to delay your entry into the marriage mart. very quickly, you realize that the scheme is much less simple than it's made out to be.
johnny storm:
silk and storm.
you're strung between two livesâfreelance journalist and friendly neighborhood vigilante. one night saving johnny storm unintentionally leads to him pining over both versions of you.
growing pains, 1989.
you take a drive down to philly to spend some long overdue quality time with your hometown friends; your unresolved issues with steve are just as interruptive as anticipated.
gasoline.
overnight in philly means that you and steve don't have much time alone (you both make do). (nsfw)
jud duplenticy:
only over you.
you come to chimney rock for the winter season, not expecting to become acquainted with the new priest of our lady of perpetual grace (nsfw)
sam winchester:
square one (stanford blues).
after years on the road with sam and dean, you finally make it in a circle, back to the beginning: stanford, california. grief is a funny thing.
bosco leroy:
mostly chimes.
in which reader has to work through some unresolved feelings towards bosco after landing in antwerp
Ough. Speaking of the Miami vice jacket (I sent that last ask about the la weather lol) I need to steal that jacket. Itâs so sick. Fluff hijinks ensue ofc bc itâs colt and I am a weak weak man but I just want that fucking jacket man let me have it
YES. yes â the miami vice jacket is literally so badass and also obviously coltâs prized possession.
i definitely think that he gets a little bit of a power kick out of lending it to you (almost in a high school jock kind of way). while he likes to let you wear it when youâre walking home late at night, he also just loves tossing it over your shoulders basically whenever. probably makes a joke about you being his walking coat rack, but the truth is that he literally gets dizzy seeing his favorite person wearing his favorite item of clothing. it could be a territorial thing, but also i have a feeling coltâs loverboy instincts just love the combination. like the miami vice jacket is him and when youâre wearing it, it means heâs with you. probably lets you keep it in the apartment if he has to travel for work. dies if you send him a picture of yourself wearing it.
and the best part about it, besides the fact that it just looks sick, is that it smells like him. a mix of leather, sandalwood, whatever coltâs cologne isâmaybe a bit of musk.
sweetie lovey touchy colt is actually his default setting. and colt is handsyâhe doesnât mind admitting it. he HAS to have his hands on your legs or your shoulders, resting on the small of your back. itâs dramatic, really; he acts like heâs going to pass out if he isnât touching you every now and again (like, on par with needing to breath).
and itâs worse if you guys work together because youâre having to swat him away every time he gets remotely near you. your âno pda on setâ rule drives him absolutely crazy and it just means that heâs going to be glued to you the second youâre home. basically demands that you let him rest his head on your chest and squeeze at your hips. colt loves to kiss at your neck and your collarbone while you guys cuddle upâand if itâs a spooning situation, youâre getting kisses to your shoulder blades and a back massage.
also throwing it out here that colt is. a sucker for temple kisses. ok bye
my favorite thing about newly human!ken is that when you guys start hooking up, you notice a pattern of him trying to groan (performatively) during sex and it virtually always gets reduced to whimpers. send tweet
ik this isnât gonna be as relatable as that last ask but if colt is a furnace thatâs gonna be a problem for me bc so I am I ;-;. Mutual suffering in LA in July. Shoving each other out of the way to get in front of the box fan after being outside for a long time. Wanting so badly to be able to hug him but itâs too fucking hot out aaaagh. Sleeping with the AC on and a fan fucking BLASTING just so we can be somewhat close to each other.
I know caâs heat very well. If you run hot it is HELL brooo you gotta like run your head under the sink or get ice and put it on your neck until it literally melts bc youâre running so hot. But that does give the image of colt in a tank top and shorts with wet hair from trying to cool down.
Colt who prefers winter bc then at least itâs a somewhat normal temperature and he doesnât have to spend 100% of the time in a tank top
Do you get me.
nono i QUITE agree. because i really do run warm too.
trust that living with colt during LA heatwave means that your electricity bill goes CRAZY starting in may. there's no way around it, and if i'm being frank, colt will probably INSIST on paying it in full just so you guys can cuddle up (& more, let's be real). he's very for taking cold showers together if you're game. and he's definitely running out to the supermarket or wherever to get you both pint-sized ice cream/gelato/literally anything cold to eat because you both cannot handle the way your place retains heat.
best believe colt loves his hoodies and his miami vice jacketâand he can only really wear those if it's NOT summer, it's nighttime, or he's traveling for a shoot. the only pro of summer heat is that he knows you're checking him out in his tank top and board shorts. you get really dazed whenever he gets all... minimal layers. you can't help it! his arms just look so sweet in the summer. every time he comes to you from the fridge with the ice-cold bottled water, he's definitely watching you check him out. probably lifts up his tank top to wipe the sweat off his forehead just for the show of it.
sending this in at 2 AM bc iâm a freak BUT in response to this:
i just KNOW that colt is a furnace and iâm so sorry to my clingy bf but youâre staying FAR away from me during this heatwave (gah ik how you feel rn đ)
and ughh the way that he has to have a hand on you makes my heart melt but hand holding would be too much for me so interlaced pinkies is the way to go đââïž
this is what iâm saying because colt is great to be around if youâre traveling and basically living out of a hotel for whatever international film shoot. thatâs nice because heâs warm and the AC runs really cold ^^ but when youâre back home and itâs the middle of summer. nonoâcolt is required to stay on his side of the bed. no matter how much he begs you to let him kiss your neck (he claims he wonât even wrap an arm around you, which is always a total lie). so yes, he has to settle for a pinky wrap or maybe he can twist your hair in his fingers. colt is unavoidably touchy.
summary: after years on the road with sam and dean, you finally make it in a circle, back to the beginning: stanford, california. grief is a funny thing.
pairing: sam winchester x gn!reader
word count: 7.9k
tags: fluff and angst, grief, hurt/comfort, past!sam/jess, post-stanford era, mutual pining, friends to lovers, slight jealousy, implied insecure!reader, canon-typical violence, typical supernatural-type plot, eventually resolved romantic tension, spoiler: they kiss, gn!reader
cross-posted to ao3
Itâs the dead of nightânothing but the obscured silhouettes of greenery passing in the dark and the rattling sound of exhaust keeping you conscious. Youâre thirty minutes into this hissing, on its last legs Eagles cassette when Deanâs burner starts ringing off; he cranks the volume knob down before answering. The garbled noise that streams out sounds a hell of a lot like Bobbyâand for that, youâre thankful. After being on the road for a day and a half with no leads, youâre willing to take up anything you can get.
Youâre pleased enough with what you can piece together, something like âbloodbathâ and âninety-mile trip,â until the line goes dead quiet. Dean pulls the screen display away from his ear, just far enough to see that the callâs duration timer is still ticking along. Bobby hasnât hung upâjust⊠hesitant to continue briefing any further. The next intelligible word, in the quick-strung sentence that tumbles out of the speaker: âStanford.â
At that, the entire car goes dead quiet and the air goes stale. Stanford is a bad word, because Stanford means yelling matches; Sam at eighteen, beelining out the parking lot of the one-thousandth dingy motelâa team of one, duffel slung over his back, trampling on gravel to the nearest bus station; leaving and choosing to stay gone.
You canât see much. Sam is stillâprobably chewing on the inside of his cheek and waiting for the other shoe to drop. Dean eyes him warily, before giving a hesitant thanks, hitting the end call button, and tossing it on the vinyl cushion like a bottle cap off a beer. You know generally where the next thirty minutes is going to go: a formulaic argument, where the two of them are competitively nonverbal, until one of them is fed up enough to make the jump and start ragging on the other.
Youâre thrown for a loop when Dean swerves the Impala onto the shoulder of the highway and youâre subject to what feels like whiplash as your body jerks right and grounds you against the door. With the wind nearly knocked out of your lungs, you manage to gasp out a punchy expletive to try and scold Dean. He merely snatches the keys out the ignition.
Sam peeks from over his shoulder at you with an inspectionary check up-and-down, before redirecting his gaze towards his brother. âDean, what are you doing?â he questions. Itâs a simply framed question, but out of Samâs mouth, it sounds like the startup of a lengthy chastising.
Dean raises his hands off the wheel. âNo oneâs gonna see you any different if you tap out, Sammy. We can drop you off and loop back around when weâre doneâno problem.â
âItâs gonna be like any other case. You donât need to bench me just because itâs Stanford,â Sam spews. Dean hangs his head.
âDonât start,â he warns, âYou and I know itâs not just Stanford.â Because Stanford, even after all this time, also means her. It would always trace itself back to JessâSamâs Jess.
It isnât difficult to pick up the furtive effect she has on Sam. Sheâs there when he adds three and a half sugar packets to his black coffee instead of straight creamer, when he latches his Rolex onto his left wrist before he steps out the door, when he avoids any offers of a haircutâbecause sheâd always insisted on doing his hair. No matter how many nights heâd have to spend scrubbing blood out the edges of his fingernails and off the sleeves of his flannels, she was always with him in one way or another.
âDean kind of has a point,â you sigh, scooting out of your corner of the backseat, âYou havenât been back since you left. Itâs an open wound and it makes you⊠vulnerable.â
âKidâs right. Last thing we need is you getting soft and ending up on the receiving end of some teeth-to-neck action,â Dean grumbles obstinately.
âI appreciate the concern. I do. But, Iâm not made of glassââ Samâs defense falls off the second your palm brushes against his back. You clasp your hand around his left shoulder and squeeze the plush cotton of his flannel. You can see his Adam's apple bob in the slightest.
âWe know that,â you tread lightly, âBut, itâs justâŠyou know how this goes, Sam. No room for distractions. Distractions get people hurtâŠâ
â...and worse, killed, I know.â Sam angles his head and you retreat your hand to a more comfortable position finnicking with the zipper on your jacket. In the unlit shell of the car, you make out the traces of a grimace on his faceânamely, the poor attempt Sam makes at trying not to clench his jaw and frown.
He was supposed to be a pallbearer. He should have beenâbut Sam at twenty-two was too naive and too hellbent on vengeance to give himself time to grieve. You know he regrets it; you can see it in his eyes, right beside the pleading attempt at getting you on his side.
âFine! Fine. Just⊠let us do most of the heavy lifting,â you cave. Now, itâs Deanâs turn to whip around, brows furrowed. He tosses a short-lived scowl in your direction before pivoting himself back to face the windshield.
âYou forget your backbone in Nevada?â he probes sarcastically. You flick the back of his head in retaliation and he yelps, flinching at the contact and rubbing his scalp gingerly. Sam holds back a snort.
âDonât be an asshole, Dean,â you utter, before slinking yourself back into your corner of the backseat.
âFine. If things go sideways, donât say I didnât tell you so,â he mutters, before sliding the keys back into the ignition, placing his right hand at twelve oâclock, and cruising the Impala back onto the road. Sam hauls his arm over the backrest of the front seats to pull your hand into his as a silent thanks. His grip is warm and you can feel the calluses on his palms brush your knuckles. Dean sneaks him a sideways glance as he reaches to crank the volume up. The Eagles blast and Samâs hand is taken away as soon as itâs given.
â
Your fingertips brush against the hilt of the knife under your pillow as soon as you feel a soft nudge to your side. Youâre just about ready to make a sizable gash into whatever miserable vermin thatâs descending itself upon youâuntil you crack your left eye open and take in the blurry visage of Sam, knelt-down with his left index finger pushed to his lips. His hair is damp, hanging in nibs over his forehead, and his everyday woodsy cologne comes in strong to your senses. You hand inches away from your stashed blade.
âJust me,â he murmurs, before pointing behind you, where Dean is sprawled out, stomach-downâtangled in sheets and hanging half off the pullout couch in the corner of the motel room. Then, he brandishes the Impala keys hanging off his right index finger with a gentle chime. âCâmon. Letâs get a bite to eat.â
The morning air in Stanford is frigid and fresh as the two of you slink out the door of the motel room and into the Impala. You arenât surprised by the ârefinedâ state of it all; itâs exactly what youâd expect from a university townâespecially, from a private university town: excessively clean and meticulously maintained. Even the motel is nicer than what the three of you are used to; there isnât a trace of peeling, thirty-year old wallpaper, murky tap water, or stale air. You can rest there reveling in the acute feeling that no part of the room will push your development of a terminal lung disease. Itâs a dream.
As you settle into the shotgun, Sam tosses something light onto your lap. âPocketed it from the lobby,â he says, sliding the keys into the ignition. The Impalaâs motor purrs to life.
You look down at a tacky, cheaply-printed local newspaper. Itâs got something you think reads âThe Stanford Gazetteâ strung along the top in an insufferable serif. The headliner on the front page, above the fold, reads: BODIES FOUND IN STANFORD MAUSOLEUM IDENTIFIED. âTwo freshmen, one sophomore, all male and all found dead on site after being missing for a week straight,â Sam recalls.
âSounds like hazing gone wrong,â you counter, tossing the paper on the dash as the Impala pulls out of the lot.
âThatâs what I thought at first too, but get this: each victim was disemboweled.â It rolls off the tongue simple and easyânothing new.
âOccultâcoven, maybe,â you start, â...or Baby Frankenstein.âÂ
âFunny.â Sam gives you the ghost of a smirk without taking his focus off the road. You like it when he drivesânervous about making even a millimeter-long scratch on the paint, but acting like heâs never the wiser. He continues, âIt should have been virtually impossible for them to get in. It isnât like a regular cemetery where you can just come in with bolt cutters. Theyâve got it monitored. Guards, cameras⊠theyâre careful,â
âGotta love old money,â you roll your eyes.
âLucky for us, theyâve put the whole place under lockdown now and theyâre restricting access to the whole area,â Sam professes, âSomething tells me theyâre not gonna buy the FBI shtick. Weâre gonna have to go old school and sneak in after hours.â
âSeems simple enough. Tonight, weâll go in, vet the place, and get out.â
Pinned to the passenger seatâs window, youâre feening for a decentâno, affordableâbite to eat; the thought of a nine-dollar latte makes you want to hurl, and itâs been the only option for the five blocks of restaurants and cafes Sam has driven you past. At the sight of blue and red neon, you perk up. On the corner, two blocks ahead, lies a classic American diner that looks far more like what youâre used toâa beautifully trashy beacon of comfort. âThat looks good,â you point expectantly.
âHuh.â The flatness of his tone makes you tilt your head. In your peripherals, you see Samâs eyes glaze over with something wistful. He looks at you like youâve just run his dog over and you have to fight to hold back a flighty, nervous chuckle.Â
âNot in the mood for diner food?â The Impala comes to a grinding halt at the next stop sign. Samâs hands are gripping tight onto the wheel, but it isnât enough to fight the tremor running through them. You wait for him to catch back up to you and stumble out of a response. âNoâitâs, uh, where I took Jess on our first date.â There it was.
You bite your lipâcursing your luck and regretting not having gone for an overpriced meal two blocks back. Youâre just about ready to shoot out an apology before Sam pulls up next to the nearest vacant meter and shifts the Impala into park. Then, he sets his right hand on your knee. âDonât sweat it. Thereâs no way you couldâve known.â He gives you a reassuring smile, and you give him one back. Apology accepted.
Youâre inclined to feel grateful for Samâs empathy, but youâre preoccupied in your attempt to calm the profusely flustering heat radiating itself out of your cheeksâbecause his hand is still clasped over your kneecap and heâs still looking over you like heâs searching for a reason to stay there. When he doesnât find it, he reels back. âThey make great breakfast. Letâs go.â
During the walk from the Impala to the diner, you keep a footâs distance away from Samâlike getting too close will cause some type of unprecedented calamity. He doesnât try to close the gap.
â
âI wanted to take her somewhere nice. Like, some upscale Italian place where the waiter would come up with the towel, pop the cork⊠and weâd drink and eat like a normal couple on a normal first date.â
âAnd you ended upâŠhere?â The diner isâŠtraditional. On your left, a framed photograph from the seventies of a woman, sitting on the shoreline with nothing but a scantily see-through swimsuit cover-up hangs on the wall. On your right, the pass-through window into the kitchen gives you the peek of five-pan pile-up and grease-ladened stovetops. Between, thereâs Sam, who gives you a sheepish look before fixating determinedly on the flimsy menu on the table in front of him. âClassy, Sammy.â
âIt was on a whimâher choice. She practically had to drag me through the doors to get me to go in,â he justifies quickly.
âThat afraid of all-American burgers?â
âIt wasnât really the food.â He tosses the menu down. âIt was just⊠Stanford was supposed to be different. No motel-jumping, no vamp-huntingâŠâ
ââŠno twenty-four hour diners.â Sam gives you a tight-lipped nod; youâre right on the money. âBut Jess didnât want to spend all the money on a posh one-and-done; she kept on insisting that we should choose a place weâd actually wanna come back to.â
âThatâs sweet, Sam,â you mumble quietly.
âWe would always sit in that corner booth in the back. We were supposed to go there again on our anniversary, beforeâŠâ he trails off. He fidgets at the worn-out plastic corner of his menu. âI spent three months prepping a down payment for an engagement ring.â The admission comes out foreign and reluctant. He was going to marry her.
You view yourself a little bit more lowly in that moment because of how selfish it is to even feel that way, but itâs true: you donât have the capacity to provide the type of normal Sam wantsâor, needs. Surrounded by the laminate booth seating and the chrome-plated tables, you feel embarrassed by the state of yourselfâbecause it all feels so homely. Being tainted by the hunterâs lifestyle isnât something you can change; it turns gore into work and bars into spas. Itâs not something you can just wash off. Deep down, you know Sam is just as lost. But, it doesnât change the fact that he tried. He left once. Youâre sure he can leave again.
âItâs good to still want that, Sam. You shouldnât give up on it because of how things turned out.â You dance around the word marriage like youâre incapable of saying it out loud. âI bet youâll end up with a med student doing her residency in the middle of some hospital center in⊠Oregon or something. Maybe sheâll even teach Dean to suture better.â You reach under the strap of your tank top to feel the stitching on your right shoulderâcompliments of a rugaru in Phoenix two weeks prior.
âMaybe she will,â Sam agrees, mustering up a strained grin. You believe what youâre telling him, and you think he might too, and maybe thatâs why youâre unsettled by the thought of it actually happening. He points his index finger up at you, âIs it healing okay?â
Deanâs good at a lot of things and being light-handed isnât one of them; itâs a given that the gash is still sore to the touch. âHeâs done a worse job before,â you consider, tilting your head, âBetter to end up patchwork than dead, right?â
âLet me do the next one,â Sam blurts. His offer hangs in the air. Itâs hard to say no to him, especially when you know itâll heal faster and look less like a five-year-oldâs chicken scratch. âYou really donât have to,â you insist.
âWhy not?â
âYou wouldnât want to deal with it. I mean, itâs a mess with the blood, and I get squeamish,â you list, grasping at straws. Itâs all white lies; Sam does Deanâs stitches and heâs patient enough not to mind the fussing. What bothers you the most is the hour-long span of time where heâd have to be all too close to you and your bare skin.
âIâve seen way worse,â he reminds you, âAnd, there isnât gonna be a med student anytime soon. Just me.â You wish anytime soon had meant ever, but youâve already come to terms with the fact that Sam will inevitably fall in love with another sweet girl. It might be better to take whatever you can get while you still can.
âIâll think about it, Sam,â you negotiate. Heâs satisfied enough with the half-answer to leave it be. Just in time, the waitress comes to serve your orders on a tray balanced atop her palm. Youâre grateful for the reprieveâletting free a breath you didnât know you were holding in.
â
Youâre a step in through the motel door, your key and to-go bag bunched up in one hand, when you notice the pullout couch is folded back up and Deanâwide-awake and dressedâis sitting right on it, pulling his boot up onto his right foot. You feel Sam nearly tumble onto you; his large frame presses against the back of you before hastily pulling himself away from you and mumbling out an apology. The motel room feels ten times warmer.
Dean beams, looking warily between you and Sam, âWell, arenât you just two peas in a pod?â
âWay to ruin the surprise,â you scoff, passing through the doorway and swinging the takeout onto the coffee table. You clamber onto the plush couch like a teenager caught sneaking out and sink down beside Dean; Sam keeps himself tethered to the nearest bed, tossing his pack on the duvet.
âPlease,â Dean raises his hands out ahead of him, offended, âHeard you take off an hour and a half ago. Took you two long enough.â He goes to fiddle with the knot youâve wound tightly to bind the takeoutâuntil he gives up and flat out tears the plastic. The styrofoam container he pries open reveals a crisp burger and fries; customarily, Dean goes to town.
âDo you even enjoy your food, Dean?â Sam narrows his eyes. Dean swipes at the ketchup in the corner of his mouth with his thumb like itâll make him look any less messy than he actually is. Mouth full, he slurs, âThis is me enjoying it.â
âItâs like Iâm watching a coyote chow down on a dead deer,â you mutter, passing him a napkin. He takes it with a low hum, fusses with it for a second, and then discards it on the table haphazardly. âPoor, poor Bambi,â you click your tongue.
âAt least Iâm not nibbling away at grass,â Dean shoots back, pointing his half-eaten burger in his brotherâs direction. Now, Sam raises an eyebrow in offense, somewhat unimpressed, and Dean is otherwise unaffected. âLet a man eat.â
It takes about another minute for him to choke down the rest of his food, before he takes to the napkin again and achieves a more decent attempt at cleaning himself up. âA little birdie told me you put in requests for a couple of autopsy reports.â Bobby, of course. âWorth our while?â Dean inquires, gathering his mess into the ripped to-go bag and stuffing it into the empty trash can in the corner. He brushes his hands together.
âDefinitely our kinda gig,â you confirm, âWe should ask around. School like this? Everybody knows everybody; figure someoneâs bound to know something.â
â
You take it back. Interrogations are a bust, because all youâre getting is hearsay.
First, the three dead students are, like you assumed, pledges forced to camp out overnight. Then, theyâre environmental science students trying to get an analysis of cemetery soil contamination. The closest you get to something even hunt-worthy is Leland Stanfordâthe schoolâs founderârising from the dead and ripping the three boys to shreds for disturbing the resting place of his wife and son. Itâs a working theory Sam shuts down before it can run very far; students carry events every year at the mausoleum for Halloween, meaning if the rumor had any weight, deaths wouldâve started far earlier.
To top it all off, youâve just about had it with Deanâwhoâs manning an ambitious, one-man mission to screw a metaphysical philosophy T.A. Sheâs a tried-and-true office sirenâslim lenses and pressed pinstripes. Dean parrots back âKantâ to her in a poor play off words, and she minds it minimally, because heâs biting his bottom lip and eyeing herâŠwell, everywhere. As soon as she bats her lashes after fifteen whole minutes of banter, Dean is crossing his fingers behind his back and twirling them in a circle: a signal for you to get the hell out of Dodge.
You and Sam ditch him in a heartbeat, chirping out short and cordial goodbyes to the professor before making a beeline down the hall. Out of earshot, Sam jeers, âThatâs one way to kill time.â Heâs right. In a way, Dean is smart to find something to occupy the next couple of hours, till sundown comes and the three of you can step onto the mausoleum grounds. Better that than sitting on your ass with nothing to do.
You pull at Samâs sleeve and point to a pair of double doors opening and closing intermittently with the bustling of students exiting an afternoon lecture. âYou ever have a class in that one?â
âClose, actually. I had a gen-ed art history class inâŠâ Sam trails off, picking up the pace to an identical set of doors three down and facing across from your original guess. âThis one, I think.â You get on your tiptoes to peer through the gridded windows and see nothing but vacancyâenough empty chairs for two-hundred or so students.
âDoesnât look like anyoneâs gonna be in anytime soon,â you say, before gripping onto the handle and swinging the left door open. Sam tilts his head in intrigue and you direct your hand for him to enter in.
Side-by-side, the two of you amble up the stairs and sidle into the back row. The hinges on the cushions creak in resistance as you unfold them open and cross your legs over the backseats ahead of you. Itâs calm hereâno traces of imminent danger, just silence.
âI used to sit closer to the middle,â Sam discloses, âover⊠there-ish.â
 âHalfway point between blending in and actually paying attention. Good pick,â you reply, nudging the tip of your boot into his sneakers. He nudges right back. âDo you miss school, Sam?â
He leans his head back to look up at the ceiling. âLike hell. You?â
âSometimes. But, itâs easy to make up for it in our line of work, isnât it? All the archival work, and the lore, and the symbols, and the spells. We never stop learning with this stuff.â
âWe never stop fighting, either,â he says, bringing his head back up. You donât deny it; you have enough healed wounds, on top of the fresh ones, to corroborate his claim.
âItâs like⊠every time I try to get out, something pulls me back in, right? Maybe Stanford was a flukeâsomething I was never meant to have.â You donât enjoy it when he talks like this. Itâs cruel and coated with self-blame the way he blurs what he thinks he deserves with what heâs âmeant to have.â Sam persists, âItâs always either someone elseâs blood on my hands or my blood on someone elseâs. Most people just nick themselves from paper cuts and weââ
âWe donât,â you affirm. Heâs eyeing the bandage on your shoulder. You remember the searing heat that had buried itself into your flesh when the rugaru plunged its nails into you and kept on pulling. You knew youâd be okay because it didnât feel quite like dying, and Sam was clinging to your side as soon as Dean had lit the sucker on fire. You blotched his flannel red; he had to scrub it out in the motel sink the next morning.Â
âI meant what I said, Sam. Even after all is said and done, itâs still good to want good things.â
âDo you?â Sam mutters.
You donât know how to give him a straight answer. Hesitantly, you settle on: âAll the time.â
Itâs subjective. Sam wants white picket fences, but you? Youâre satisfied enough with the smaller stuff⊠long drives and berry pie, bar crawls and pool hustling. Moments when youâre able to slow down and take it easy are like batteries to keep you running.
Out of all the good things worth considering, Sam takes first place. Itâs Sam, when itâs late into the night and heâs pouring you a cup of hot coffee to keep you awake for research. Itâs Sam, when he invites you to lay on top of his bed and channel surf on shitty CRT cable television. Itâs Sam, when he insists on letting you toss on his Carhartt when your jacket gets soiled.
Or, like now: when youâre crammed into tight lecture hall seats with your shoulders brushing against each other, and heâs scanning over your face like heâs trying to get a read on you. As soon as you turn your head to face him, he seems apprehensive. His breath catches in his chest like he knows. Heâs too observant. It might be the one thing about Sam you actually spite. Maybe, the longing in your face is clear, and your refusal to admit anything is even clearer. You donât want to start something that, for his sake, you just canât finish. It makes you wonder if it was easy for Sam to love Jess, not because she was normal, but because she was uncomplicated.
The thought is enough to make you ignore the warmth pooling in your stomach and whip your phone out of your back pocket and tap away with shaky hands. âWe should findââ
ââDean, yeah,â Sam cuts you off, angling his face out to avoid your gaze. His shoulders tense as he crams his hands into the pockets of his hoodie.
â
Deanâs in a chipper moodâenough to whistle the entirety of the way from the motel after packing the trunk and back towards Stanford. Youâre sure if you were back on the highway, heâd be blasting the speakers loud enough to crack them straight down the middle; you thank God heâs opting for the stealthier choice of the two. The radio silence between you and Sam must be getting to Deanâs head too, because heâs fishing desperately for a conversation starter.
âAwfully quiet,â Dean remarks. His head tilts up to look at you through the rearview mirror, even though he can only see your still silhouette.
You can only sigh out, âYou learn a lot about Descartes while you were gone, Dean?â
âHer first name is actually Nora,â he replies matter-of-factly, âand she has a P.h.D.â Sam scoffs. Itâs the first real reaction youâve heard him have in the past hour.
âThatâs not what I⊠never mind,â you concede, âDid you get her number or not?â
Dean raises his right hand off the steering wheel, waving it toward you. You turn on your phone and set it to the highest brightness; sure enough, her number is scrawled across his skin in black marker. He chortles, âScore.â
Dean continues to drum his fingers on the wheel as he rolls the Impala into a lot beneath a brush of overhanging trees; the mausoleum is a ways away, a stark white Greek-like structure erected out of the cement and blocked off by bright yellow police tape. You identify two beaming lights swinging around the perimeter as security makes their rounds down the walking paths.
As soon as Dean snatches his keys out the ignition, Sam begins reaching for the handle of the car door and is quickly interrupted by a loud click. The chromium nail at the corner of his window is down; the doorâs locked. His hand draws back, and from the backseat, you can see him shoot out a huff of annoyance. He pulls up on the nail andâclickâit goes down. Dean locks it again. âSlow your roll, dude.â
âDean.â Sam says his name like a warning shot. He pulls up on the lock. Click. Dean locks it again. Sam is slack-jawed. âWhat are you, five?â
âThreeâs a crowd and someone needs to keep watch,â Dean says, tongue in cheek. âDonât worry, Sammy. Iâll crack the window open for you.â With that, he swings his door open and shuts it softly.
âOh, thanks.â Sam grumbles something that sounds like âassholeâ under his breath. After pulling yourself out the backseat, you mouth an apology to him from the outside of the passenger's seat window. He gives you a short wave and you turn on your heels to catch up with Dean, whoâs already a yard away on the grass.
â
The glow of lamp posts lining the nearby residential streets are getting dimmer and dimmer the further you and Dean trudge across the lawn. The soles of your boots are sinking down into the muddy grass in faint, unrelenting squelches.
âWhatâs goinâ on with you two?â Straight to the point. Dean has a parental, chiding edge to his voiceâlike you havenât been carrying out your weekend chores.
âItâs nothing.â Youâre lying through your teeth.
âBull. One second, youâre all buddy-buddy. The next, you canât even speak to each other,â he recounts, before stopping in his tracks. âDid you two screw?â
âNo! We didnât screw, Dean. Jesus.â You flatten your palm against his back and push him to keep moving.
âWhat, then?â
ââŠDid you know that he was going to propose to Jessica?â
 âNo.â He mulls it over, tugging on the leather cord around his neck. âI only met her the one time. Chick was, like, model-level gorgeousâway too good for him.â
Youâve seen a photo of Jess, printed on glossy photo paper and tucked into the front page of Johnâs hefty leather-bound journal, which doesnât see the light of day unless Sam or Dean need to extract it out the trunk of the Impala for a push in the right direction.
She has a gray Stanford sweatshirt onâbig red âSâ tucked behind a redwood tree across her chest. The fabric of the sleeves are pooling at her wrists as she grasps her fingers into either side of a crisply clean U-Haul box. It's practically a dress on her. It has to be Samâs, even though youâve never seen him wear it beforeâlost in the fire, maybe. Jess was gorgeous, like Dean says; in the picture Sam saves, sheâs got blonde beach waves and a wide smile and she looks kindâlike she wouldâve understood if Sam had told her the whole truth. He just⊠couldnât.
âIf he wanted a way out, she was definitely it,â Dean avows. It was an opportunity that came and went faster than Sam could appreciate it.
Wordlessly, the two of you are near the backside of the mausoleumâwhere two female sphinxes carved delicately out of limestone are making a dominion out of their shared vigil. You scour the lawn around you to make sure there arenât any unwanted guards, before ducking under the nylon tape barricading them off. Light on your feet, you hug to the nearest corner and scale the side; the mausoleum is identical from front to back, save for the engraved placard and the gated-off door that prevents you from simply strolling right in. You kneel down on one knee at the mausoleumâs double doors and pull a pair of tacky lock picks out of your back pocket to breach the gate.
âAnd here I thought Stanford was going to be a problem for Sam.â Dean probes further, âNow Iâm traveling with two unhappy campers.â You glance up at him, before aiming your attention back towards the gate and sliding the picks into the lock ahead of you. The floral accents of the decorated metal press cold impressions into your forearms.
âI just⊠I told him he shouldnât give up on it. Apple-pie life, I mean.â
âNow, why would you do that?â Now, Dean looks downright appalled. You expect it as soon as the words leave your mouthâbecause you know Deanâs version of a good thing is living on the road like you have been; Winchesters and Co. is all he thinks heâll ever need. You canât make out a good estimation of his features in the pitch black of night, but youâre sure heâs got a sour scowl on his face.
âHe wants it, Dean. And, deserves it,â you whisper low, before jostling the pick in your right hand until you hear a click and a half.
âSo, heâs still planning on moving on. And youâre wondering where that leaves you.â
âNo, I know where it leaves me,â you deny. âWith you. Until either one of us drops dead, obviously.â Youâve come to terms with how Sam will retire and the two of you will carry on without him. You donât hate the thought of taking the shotgun seat and changing the cassettes when he tells you to.
âIs that what you want?â
The outer gate creaks open, leaving the doors unprotected for you to slip in quiet and shut them behind you. For a moment, youâre stalling just outside of them, because you just arenât sure if it is what you want.
âYou donât have to spare my feelings,â Dean asserts, raising his hands out in front of him, â I might be a simple guy, but Iâm sure as hell not clueless. And youâre not subtle either, goo-goo eyes.â Youâre itching to clench a fist and plunge it right at Deanâs left arm.
âGoo-goo is a stretch. Get in,â you dismiss him briskly. Dean shuffles in and you follow right behind him. Itâs even harder to see inside the mausoleum and you can hear Dean fiddling around in his jean pocket.
âHey, you could play pretend as long as you want. Little piece of advice? Samâs a smart cookie. Heâs probably just waiting for a signâŠâ Deanâs words die in his throat as he switches on his flashlight. He gulps. âItâs like the goddamn Red Sea washed through here.â
Itâs an apt description. Every surface is saturated in coagulated guts. You wouldnât be able to tell that any of it was meant to be white if it werenât for the mausoleumâs exterior. Evidence flags are sprinkled evenly across the floor, and there isnât a single sanitary inch of ground to tread upon. As Dean pans the light across the room, you think you see a cavity in the marble. You nudge his hand back and reach out to aim it between the tombs.
âDean? Does it look like someone could fit through there?â
â
Itâs a miracle you arenât claustrophobic, because the brick-lined steam tunnel youâre traipsing through single-file is narrow and stuffy with mildew. By ear, youâre tailing the rattled, feeble  groans of another college kid being ripped up and feasted upon. Sam is tired of scrunching his shoulders smaller and walking with his chin tucked down, and Dean isnât doing much better.
âIt just had to be Dig-Dug,â Dean gripes, âFrigginâ hate ghouls.â
âLetâs just focus on chopping the thing so we can get the hell out of here,â Sam derides from behind you. You wish you had jammed yourself in front of the pothole and down the ladder before Dean rather than after him; then, maybe, you wouldnât have to silently handle the feeling of Sam boring two holes into the back of your head with his eyes.
Soon enough, the tunnel deposits into a maintenance room chock full of grime. Thereâs a sliver of moonlight pouring in from a grate above down below. Front-and-center, a twenty-something year old is crucified across a corrugated pipe with metal wire wrapping his wrists; he must be on deathâs doorstep, because his face is ashen and his stomach is pouring with guts you think are supposed to stay inside. The ghoul is huddled at his feet. From the back, she doesnât look like anything more than a girlâginger and mousyâbut you can hear her gnawing away at pulpy flesh like itâs her last meal.Â
âYuck,â you whisper. Dean jabs you in the side with his elbow.
She turns slow. Blood sloshes off her palms and splatters onto her shoes. The tip of her nose down is coated rouge, and her smile seems rabid. Her left hand is full with kidney, so she opts for using her wrist to smear away the mess. It doesnât help.
âI know you, pretty.â she perks up, taking a step towards Sam. You shoot out in front of him, unlatching the machete strapped onto your right leg. The ghoul gives you a giggle and stays put. âYeah, yeah⊠Blondieâs boyfriend.â Samâs eyes narrow. Jess.Â
âI picked her up at Holy Cross. Pretty charred, hard to swallow, but the face?â She whistles, âCame in handy. Boysâthey're so easy.â You feel him lurch forward behind you, but you grasp tight onto the fabric of his hoodie. He puts up a little resistance but doesnât try any further.
âIf it makes you feel better, Sam, I left most of her.â
You push Sam back and swing your machete over your head; it slices down straight between the eyes, breaching her skull. It's a brash and bitter action you know wonât amount to muchâbut youâre infuriated for Sam and wonât let him do it himself.
The ghoul takes a step back, letting the kidney fall. The machete is still lodged into her head and she tugs the hilt from your hand with a jerk. Then, she plucks it out and tosses it aside like itâs a cheap butter knife. âBetter luck next time.â
Dean charges nextâpinning her against the closest wall. You take the time to swipe your machete up off the floor and use it to cut the half-dead kid loose. The wires across his wrists slink onto the floor. He nearly slumps to the ground, but you scoop him up and over your shoulder. âThere ya go, bud. Come on.â
Sam is a deer in headlights glancing from you to Dean; when you realize heâs ready to choose the latter, you holler. âTake him.â You donât wait for a response, grabbing Samâs wrist and practically discarding the kid onto him. You walk lighter without having to bear his dead weight over your neck.
âNo heavy lifting, Sam. Get him out of here.â Sam halts at your demands, reluctant and bewildered. He should be allowed to take the thingâs head off. You splay your hand across his chest and give him a soft, âGo.â
As soon as heâs traveling back down the tunnel where you came from, you turn around and find Dean on the floor; the ghoul has him on his back and sheâs straddling him with his hands pinned over his head. âYouâre the brother, right? Dean?â she spits venomously, âLittle Jessie did not like you.â
âThis would be hot under any other circumstance,â Dean coughs out. She looks pleased and reaches to pull a chunk out of him.
As soon as her fingertips are brushing his chest, you swipe up the discarded wiring on the floor and wrap them around your hands. âNot so fast, you sick freak.â You slip it around the ghoulâs neck and haul her backwards. She lets out a muffled retch and Dean slips from out under her.
The wire digs into your skin tighter and tighter as she struggles against you, breaking skin and slicing the meat of your palms. It smells like copper and only makes the ghoul thrash harder. With a quick maneuver, you cross your arms and yank hard.
Schlick. Her head tumbles onto the floor and comes to a rolling stop.
Dean brushes his hands against his jeans. âWhenâs the last time you got a tetanus shot?â
â
Youâre careful to keep your hands away from the cushions while youâre propped up on the motel couch. Deanâs off in the shower and Sam is eyeing your hands with remorse as he lays the contents of his first aid kit across the table. Theyâre indented with too many lacerations to count.
âLeast thereâs nothing to stitch,â you offer.Â
He doesnât decide to humor youâonly tears the wrapper of a hydrogen peroxide wipe and slides the sheet out. âDonât move. Sâgonna sting.â You hiss as he dabs it on your skin. It seeps in searing and youâre fighting not to flinch away from him.
Sam does the bandages next. He holds your hands like glass as he wraps each four times clockwise, tears the linen, and smooths it down to make sure it sticks. You take his fixation on your palms as an invitation to look him over. His browsânearly shielded by his bangsâare furrowed with concern and the corners of his mouth are downturned into a frown; itâs sickly sweet how careful heâs attending to you like this. You canât help but utter a âsorry.â
âWhy are you sorry?â he asks gently. Now, heâs looking at you with a softened expression that makes you feel even worse. âYou didnât do anything.â
âBut, the ghoulâŠâ It desecrated her; you donât want to admit it out loud, because you think itâll worsen the blow.
âThereâs nothing we couldâve done. And, you killed the damn thing anyway. I should be thanking you,â Sam assures.
âJessicaââ you start.
âJess is⊠gone. Sheâs gone, and itâs okay. Iâm okay.â He scoots closer to you to massage his thumbs into your wrists. âBut youâŠâ Covertly, heâs feeling for your pulse: a reminder youâre still there.
Thereâs a lull in the conversation because youâre not saying a thing and he isnât either. His eyes trail down to your lips. You whisper his name like a prayer under your breath.
Heâs moving to say something, but he can only swallow down his words. Sam tries againâthis time, by dragging his fingertips tenderly from the side of your jaw to your chin. Itâs out of your control the way your body sways closer to meet him like a moth to a flame.
He gets in one awkward peck on your mouth before you push him away, flustered.
âYou canât, Sam,â you sustain, âToo much happened today. I donât want you to kiss me just because youâre being rash.â It isnât a decent enough reason, and heâs not taking it. He looks determined; he can tell thereâs things you arenât willing to tell him.
âIâm not. Iâm kissing you âcause I want to.â
âYou shouldnât.â
âI shouldnât kiss you? Or I shouldnât want to?â
âBoth.â You know it would delay his retirement, telling him the truthâsaying you love being around him and you might even love him. You know Sam. He would want to stay by you just to figure out if anythingâs there between you two. But, itâs cruelâkeeping him where he isnât meant to be. âYouâre not gonna have a cookie cutter life with me, Sam.â
âThatâs it?â He sounds amused. âYou donât want to kiss me because we arenât gonna have a house and a dog?â
âBlood, Sam. Itâs always the blood. It follows us everywhere and it doesnât stop following us, and  thisââ you motion briskly, âIf it works out, then youâre stuck in itâbecause I canât give up hunting. I donât want to.â
âThen, let me be stuck.â
âItâs not fair to you.â
âIt is,â Sam urges, âI want to be with you, blood and all.â
âYouâll regret it.â Your voice drops off before you can make the full sentence:Â Youâll regret it if I die.
âIâve lost too much already to regret wanting this.â He lost Jess. Heâs not willing to lose you before he can even have you in the first place. Samâs right, like usual. Life is shortâand even if you kick the bucket in a day, or a month, or a year, it wonât change the fact that itâs you and him, âtill the end of the road.
âItâs good to still want good things,â Sam parrots. âThis is a good thing. Iâm not asking for perfection.â
This time, you kiss Sam first. His lips brush against yours and itâs like heâs trying to take his time with youâtesting the waters like he isnât sure about the best way to please you. Itâs trying your patience, and it makes you press more firmly into him. He must take the hint, because he starts pulling at the back of your leg to coax you onto his lap.
There, youâre sinking deep into him, melting against his touch. Youâre keeping your balance using your forearms on either side of his head, and brushing your hands in mellow strokes through his hair. He keeps you steady, in return, by wrapping his hands around your waist. He hums into you, content. You feel hazy.
You split as soon as you hear the shower shut. You press your forehead to his for just a moment, feeling your chests rise against one another, before scrambling off of him. âCareful, your hands,â he mutters, letting out a breathy laugh.
Dean doesnât have a need for the pullout couch that night, and he doesnât complain a lick about it.
â
During your final stop before leaving Stanford, you find that Jessica Mooreâs grave is loved. She is loved. The lillies lined atop her headstone in pink glass vases are new, and the water feeding them is clear. Thereâs candles, too, that look like theyâre lit every so oftenâbut never long enough to let the wax touch the surface. âShe wouldâve torn me a new one for not making that interview,â he admits.
âYou say that like itâs a bad thing.â
âNot at all. She just rooted for me, hard.â When you look at Sam, his eyes are sparkling with amusement. âSound familiar?â
You reach for his hand and he runs his palms against the stiff, scratchy fabric of your bandages. You nod, âGood to know weâre all on the same team.â
It doesnât look like how Sam thought it would when he left in November. Itâs polished graniteânot brown, but a bluish, light gray. Jessâs picture is blown up bigger and thereâs two angels flocking either side of her. He doesnât have flowers for her. His Stanford sweatshirt is folded up and tucked under his shoulder. He places it down flush against her headstone. He kept it after all that time at the bottom of his duffelânever thinking it was ever really his.
god awful how hot it is at night rn but iâm comforted by the thought of laying on opposite sides of the bed and having late night chats with colt seavers. maybe only brushing hands but the thought of cuddling up is unbearable.
iâm completely sure that holland starts to get fed up (heâs never actually fed up) with you pavloving him into getting hard every time you spit on the ground. but he is a LITTLE irked by how cocky you get every time heâs trying to conceal that rising tent in his pants. really, he wishes youâd wipe that shit-eating grin off your face every time you look him up and down. heâs not a piece of meat! (yes he is. he loves it)
and like the very professional PI that he is, he thinks youâve got to have some kind of weakness. he needs to level out the playing field, so sometimes he pulls out this mental list of kinks he suspects you might be into.
it takes him probably a week to figure it out. because holland has this tendency to slap your ass as a jokeâwhenever he wants you to know youâre looking really good, or if you solve something really smart on a case. he gets all smug about it, even smugger when you scold him for doing it. thereâs a particular day when the two of you are walking down the sidewalk, he lays a sharp slap on the back of your bootcut jeansâand the way that you pause mid-sentence and whack him on his bicep tells him EVERYTHING he needs to know.
nsfw below the cut, 18+, minors mdni â
â
so youâre in bed, riding holland under the thin cover sheet of his bed. he decides heâll test in one timeânot even that hard, he doesnât want to freak you out. youâre really laying it into him, fingers ran through his hair as you rolls your hips.
he lays a soft smack to the flesh of your ass, brows knitted. and then he you let out a strangled moan like heâs never ever heard before. and holland can feel the way you squeeze around him real tight. itâs reactive. holland practically cums right then and there, heavy groan rising out of his chest, except he looks up at you and sees that youâre mad. really, really annoyed. and then holland gets a little bit meek, immediately backtrackingââbaby, iâm sorry, i thought iâd try something new.â and youâre a little strict, halting with your hands moving down to his chest, âno. i know what youâre doing. and itâs not gonna workââ
and holland smacks your ass again. this time, a little harder, and the sound of his palm practically echoes around the room. you suck in a deep breath, moan swallowed down, clenched around him in another reactive squeeze. holland looks down and sees that mess pooling where heâs buried into you. and he lets out shaky sigh.
then, holland is getting you on your stomach, ass up on the bed. heâs kissing your shoulder, making sure itâs good for you, and as soon as he hears your muffled âmhm!â pressed into his pillow, holland carries it out. his discipline is⊠a little shocking; heâs got a good rhythm plowing into you, laying a good spank every minute or so. after this night, he thinks heâs never seen you cum that hard. great to knowâalso, feels successful getting back at you for the spit stuff.
especially when you seem to get a little bit more worked up than usual when he teases you with a smack on the ass in public.
itâs a bit of a nice change, considering you always take the lead on things (cases and also the sex). hollandâs so in love the second you agree to lay stomach-down over his lap, and heâs getting you to count to ten as he lays spanks down with his large hand. he alternates between this and stroking your ass in a soft, soothing manner, then reaching down between your legs. thereâs something cathartic about seeing you get all sore, murmuring about how cold his pinky ring feels, and seeing how soaked youâre getting from the entire setup. itâs like heaven.
I needed to say this okay. Mutualism was like the best fic Iâve read in months tysm for writing it omds
THIS IS SO SWEET !!! comments like this sooo make my day and iâm rlly happy youâve enjoyed it so far đđ very high compliments anon so TYSM !!