Interesting read on Anne's usage of the mythos of the vampire.
And on the dynamics between her characters.
(Quote from 'Prism of the Night: A biography of Anne Rice')

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@justallthecolors
Interesting read on Anne's usage of the mythos of the vampire.
And on the dynamics between her characters.
(Quote from 'Prism of the Night: A biography of Anne Rice')
The plot is a character kind a circling his mind and getting very core center of it, which is, you know...
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i had a vision
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i had a vision
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for your consideration:
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question of the year is are we getting jasper and guy and helen and doris in qotd or not. and it better be yes or else i might do something that will get me on the news
I may be in the minority here, but I honestly think IWTV and TVL were adapted really well.
When I first read Interview with the Vampire, I remember thinking, wow, this is depressing, heartfelt, and deeply sentimental. Then I read The Vampire Lestat and thought, wow, this is vain, performative, and absolutely dripping with yearning without ever actually saying “I yearn.”
I think the show ended exactly where it was supposed to. It leaves us asking questions and feeling like there are pieces missing from the narrative, just like the books do. That’s part of the point.
The characters are all vicious, lonely, traumatized, and completely fucked up. They’re people, but they also aren’t anymore. The ideas of “good” and “bad” don’t really apply to them because they’ve lost their humanity. They’re dead.
The only thing I wish we’d gotten more of is Daniel and Armand, but they’re barely in The Vampire Lestat anyway. Their story really belongs to Queen of the Damned, so I can’t exactly be mad about that.
If you’re bashing a show you once claimed to love because of its nuance and layers, maybe what you actually loved was the aesthetic of New Orleans and Paris, not the story it was telling.
the vampire almond
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