The person you most admire in this world
masturbates wildly when in solitude
YOU ARE THE REASON
sheepfilms
DEAR READER
Aqua Utopia|海の底で記憶を紡ぐ
Keni
Jules of Nature
TVSTRANGERTHINGS
occasionally subtle

#extradirty

if i look back, i am lost
todays bird

Janaina Medeiros

shark vs the universe

Product Placement
Claire Keane
Stranger Things
cherry valley forever

Love Begins

No title available
I'd rather be in outer space 🛸

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@bibliographics
The person you most admire in this world
masturbates wildly when in solitude
SatoMasochism, Peter Sato, Tristan Corbiere, Penthouse January 1980 [intox]
Budi Satria Kwan
THE PATH LEADS TO FOREVER
Loie Fuller by Kolomon Moser, 1910.
John Alcorn, Reclining Nude 1968
Karel Teige, frontispiece and title page for the book of poetry, S lodi, jez dovazi caj a kavu, (With the boat that Brings Tea and Coffee) Konstantin Biebl, Prague, 1928.
Franz Wacik, 1909 for the Austrian magazine, Die Muskete
Franz Wacik poster, 1912.
Koloman Moser, chromolithograph poster, Thirteenth Exhibition of the Vienna Secession, 1902.
Gwendolyn Brooks
Cover of Bauhaus journal number 2/3, 1928.
Herbert Bayer's 1925 typeface
Josef Albers stencil type
Hand of the Mysteries, illustrated by Augustus Knapp in Manly Hall's "The Secret Teachings of All Ages"
Veiled Figure—No. 2, New Orleans, 1940, Clarence John Laughlin
from the Visual Studies Workshop Print Archive
www.vsw.org
Alison Knowles, Journal of the Identical Lunch (1971)
"Described in "The Century of Artists' Books" as "a journalistic acount of a series of performances of a single piece. The book begins with a description of 'the identical lunch' which consists primarily of 'a tunafish sandwich on wheat toast with lettuce and butter, no mayo, and a large glass of buttermilk or a cup of soup.' These were eaten 'many days of each week at the same place and at about the same time.' After this description, and a reproduction of a restaurant check for the same (total, with tax, $1.68, for two) there follows a series of accounts of the performance of this 'identical lunch' by Susan Hartung, John Giorno, Dick Higgins, Vernon Hinkle, and others. Many of these accounts have dates, some identify the place and circumstances and difficulties or rewards of the performance. The accounts are recorded in different formats - perhaps by the original performers - using typewriter, typesetting, handwriting, and so forth. The book collects records of lunches which both are and are not identical."