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KIROKAZE
we're not kids anymore.
Game of Thrones Daily

shark vs the universe

Love Begins
Stranger Things
dirt enthusiast
Alisa U Zemlji Chuda
Peter Solarz
styofa doing anything

Kiana Khansmith

祝日 / Permanent Vacation

JVL
art blog(derogatory)

❣ Chile in a Photography ❣
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Discoholic 🪩
Aqua Utopia|海の底で記憶を紡ぐ

seen from Netherlands

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@bihcoins
Heeyoung Noh (Korean, 1995) - Insomniac (2026)
I’m 400 years old and still on tumblr
by Kitano Tsunetomi.
Sorry it took so long to post this sdjkndsjknksf It's been in two art galleries though so that's cool.
I finished this way before I installed my photoshop recording plug in. So no process video. I actually don't know if I can get a process video out of my super big pieces (this is 18x24" 500 dpi) cause I'm trying to export one right now and it's just freezing lmao.
Anyway enjoy lmao.
Victorian Needle Case, by W Avery & Sons
I am building a life where I smoke weed to initiate a clearer route to my creativity, not to survive the demands of constant productivity.
Aretha Franklin celebrating her 35th birthday in 1977.
MET GALA "Costume Art" Exhibition 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com The idea, curator Andrew Bolton said, is “to reflect on your own lived experience, hopefully to create a connection, empathy, compassion towards each other.” Not only does this interactive element transform a visit to the museum into a small voyage of self discovery, but it is a bodily experience that cannot be replicated digitally. This at a time when humans are being replaced by machines and AI anxiety is pervasive. “The whole show is structured around a typology of bodies, and these are bodies that you see across the museum when you encounter artworks,” Bolton explained. “The simple thesis for the show really is the fact that the dressed body is the connecting thread throughout the entire museum.” What you won’t see anywhere else at the Met are mannequins of diverse body types modeled after named individuals, like those commissioned for “Costume Art.” And this is transformative in many ways. As the scholar Llewellyn Negrin notes in her catalog introduction, not only do mannequins project a beauty standard, but their “dimensions often dictate the sizes of the garments shown, and the garments’ sizes correspond to the idealized proportions of the preferred mannequins, resulting in a mutually reinforcing process that perpetuates the privileging of culturally esteemed body types.”
“Prismiance” (1983) ▦ Edward Zajec ⌘ from Creative Computer Graphics
It's that time of night when I dissect every awkward social interaction I've ever had.
Bruce Pennington