Chungking Express (1994) dir. Wong Kar-wai

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Chungking Express (1994) dir. Wong Kar-wai
Chungking Express (1994) dir. Wong Kar-wai
Collateral (2004). Dir. Michael Mann.
One night you will wake up and discover it never happened. Itâs all turned around on you. It never will. Suddenly you are old. Didnât happen, and it never will, because you were never going to do it anyway. Youâll push it into memory and then zone out in your barco lounger, being hypnotized by daytime TV for the rest of your life. Donât you talk to me about murder. All it ever took was a down payment on a Lincoln town car. That girl, you canât even call that girl. What the fuck are you still doing driving a cab?
Collateral (2004) dir. Michael Mann
The Color of Money (1986) dir. Martin Scorsese
The Color of Money (1986) dir. Martin Scorsese
You gotta have two things to win. You gotta have brains and you gotta have balls. Now, you got too much of one and not enough of the other.
The Color of Money (1986) dir. Martin Scorsese
Five Easy Pieces (1970)
If a person has no love for himself, no respect for himself, no love of his friends, family, work, something - how can he ask for love in return? I mean, why should he ask for it? â Five Easy Pieces (1970, dir. Bob Rafelson)
Batman Returns (1992) dir Tim Burton
Jessie Ware for Whatâs Your Pleasure?. Photos by Carlijn Jacobs
Red in the films of Martin Scorsese.
Mean Streets (1973) Alice Doesnât Live Here Anymore (1974) Taxi Driver (1976) New York, New York (1977) Goodfellas (1990) Cape Fear (1991) Kundun (1997) Bringing Out the Dead (1999) The Aviator (2004) The Departed (2006)
Space Lion, The Seatbelts, Cowboy Bebop
âMy name is Jordan Belfort. Not him. Me. Thatâs right. Iâm a former member of the middle class raised by two accountants in a tiny apartment in Bayside Queens. The year I turned 26 is the head of my own brokerage firm I made 49 million dollars, which really pissed me off because it was three shy of a million a week.â
Do you like Hideo Kojima?
His early work was a little too âneo-tokyoâ for my taste, but when Metal Gear Solid came out in â97, I think he really came into his own - both commercially and artistically. The whole game has clear, crisp cinematography, and a new sheen of consummate professionalism that really gives the gameplay a big boost. Heâs been compared to Shigeru Miyamoto, but I think Hideo has a far more bitter, cynical sense of humor.
In 2004, Hideo released this, Snake Eater, his most accomplished game. I think the best part is right before fighting The Boss, a cutscene so long most people probably just skip it - but they shouldnât skip it! Because itâs not just about the brutality of modern geopolitics, and the reckless ways that governments spend soldierâs lives, itâs also a personal statement about the Metal Gear series itself! Hey Tumblr!