Chaos watches as the Rebel Angels are thrown into Hell (Milton's Paradise Lost)
by Gustave Doré

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Chaos watches as the Rebel Angels are thrown into Hell (Milton's Paradise Lost)
by Gustave Doré
Unknown, from the Augsburg Book of Miraculous Signs, 1552
Later published as The Book of Miracles
The Maiden’s Lament by Horace Vernet (French, 1789-1863)
Clown nudibranch (Triopha catalinae)
Kazuo Shiraga (Japanese,1924 - 2008)
Kaien ,1999
oil on canvas
Uwe Henneken (German, b. 1974)
Ripening, 2019
Acrylic and pastel on canvas
Alessandro Keegan (b. 1980)
Egregore ,2018-19
oil on linen
kill the tree
how many limbs are left on us? am i holding the bed, or holding the peace for the eighteenth-hundred time? we bury down and grow up like a tree kill the tree. i seek arces of disparity burning a space in which only we can breath. i latch to each sigh that escapes from you
and i swell up at the thought of losing you
all over again.
François-Xavier Fabre (1766 – 1837)
The Death of Abel, 1790.
Percival with the Grail Cup (The Temptation of Sir Percival), Arthur Hacker, 1894
The Wasted Footsteps, René Magritte, 1950
The Silence, Lucien Lévy-Dhurmer
Sadamasa Motonaga
Harry Clarke (1889-1931)
Illustration for Manuscript Found in a Bottle
Gaël Davrinche (French, b. 1971)
“Nebula” series, 2018
Oil on canvas
hard air sheaths the moor the afterglow embalming magnolias — our newest bud to the nightly rite, nipping kisses a sweet salt lick over dandelions bristling shut. look up — it's a big bad noisy star a southwest dark in burnt-denim blends. a white cat dusts between the plumber's wheels. snowdrops pleat and buttercups lip and daises skirt the lawn like mould-freckled bread. limp dock tongues lap perfectly next to nettles and the scrawling reaches of catch-weeds that stitch the barbed fence to my old Secondary. desiccated coconut cakes my teeth, my Vans skidding on chip-shop polystyrene, pocket tissues and February's fallen faces.
British Summertime Begins by billy drake
from “still motion”