Illustrations by lablanca_roza.
Lint Roller? I Barely Know Her
RMH
tumblr dot com
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ojovivo
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art blog(derogatory)
Fai_Ryy

Origami Around
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Today's Document
KIROKAZE
occasionally subtle
taylor price
2025 on Tumblr: Trends That Defined the Year
Color Me Curious

Game Changer & Make Some Noise
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One Nice Bug Per Day
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seen from Thailand

seen from Malaysia
seen from United States
seen from France
seen from Uruguay

seen from Denmark
seen from Singapore
seen from United States

seen from United States
seen from United States

seen from United States
seen from Australia
seen from Malaysia
seen from Brazil

seen from Türkiye
seen from Australia

seen from Russia
seen from China
seen from United States
seen from South Africa
@bittersweet-afterglowww
Illustrations by lablanca_roza.
Dark August (1976), dir. Martin Goldman
LEPTIRICA 1973 dir. Đorđe Kadijević
The Vampire Lovers
Million dollar man 👰🏼♀️🛁
Aganetha Dyck, The Working Life of Bees: The Sixth Sense, 2008, Beeswax, Honeycomb, Plexiglas Model Farmhouse. Built By Greg Vettel, 13 x 14 x 24 inches. Collection of the North Dakota Museum of Art. In collaboration with a natural beehive; Master Beekeeper, Bob Larimore of Larimore, ND; and beginning beekeeper, Dean Wallace of Lakota, ND.
steinkampf_flower_cakes
How something feels isn’t always how something is. Sometimes what feels like the end of the world is just the end of an era, and what feels impossible is just difficult, and what feels like betrayal is just miscommunication. One of the most important things you’ll learn in life is to not limit the world to your perception of it.
Often when I imagine you your wholeness cascades into many shapes. You run like a herd of luminous deer and I am dark, I am forest.
— Rainer Maria Rilke, Book of Hours: Love Poems to God (tr. Anita Barrows and Joanna Macy)
∼ Ace of Hearts ceramic ashtray
Possible Halloween costumes:
- Irma from Picnic at Hanging Rock, Victorian school girl dress, antique valentines, ringlets, bloody hands.
- Lady Margaret’s ghost from Lady Margaret and Sweet William, medieval or renaissance revival dress, veil, crying eyes, roses and thorns.
- Spiritualist medium Eva Carrière. Black satin, a halo of ectoplasm.
- An art deco version of Saint Lucy, a socialite or actress who removes her eyes to escape a suitor.
- Ballerina ghost, violet La Sylphide costume with silk roses, hollow eyes, palest lips.
- A broken doll after Bellmer and Slocombe, covered in bandages, knee socks and mary janes, a cast, maybe extra limbs.
- Ram horn headband, velvet cape, pentagrams on my palms.
- Sea witch inspired by Malá Morská Víla, with this dress, feather, sea shell and coral headpiece, trident.
- Pannochka from Viy, diaphanous burial gown, a single bloody tear, crown of daisies, a pact with the devil.
- Like Elsa Schiaparelli‘s skeleton dress, thin, slinky and black fabric revealing a distorted spine, ribs, pelvis.
Already this year, as a last moment costume for a witch theme, I wore my deep blue velvet cape with a rabbit mask, after the girls of Summerisle on May Day.
- Luna moth, sheer metallic green fabric wrapped like a toga over an iridescent gold dress, feathery antennae. Wings, pearly and oversized.
- Amanda Feilding, brightly patterned maxi dress, preferably chiffon or velvet, gauze over a recent trepanation, blood running down my face and a sign, “Trepanation for National Health.”
- A character from Italian silent diva films. Lace gown, embroidered piano shawl, flowers falling down loose curls, burnt cork shadowing the eyes and deep wine lips. Maybe a perfume bottle with a poison label, or a mouth bloody from consumption, an unrequited love letter and crystal tears.
- A bloody bride in a stained gown and tulle veil, holding sanguine roses.
- Last year I was a disco vampire, with a high slit black and silver lamé maxi dress, fangs, bat wings, blood on my lips, and an Italo disco soundtrack.
- Daphne turning into a laurel tree, branches coming out of my back, shoulders and arms, leaves scattered over skin, gold braided jewelry and a light airy dress.
Gucci Alchemist Garden perfume oils
‘suffering feels religious if you do it right’