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Film Analysis // Film Discussion and Technique

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The Rashomon Effect Explained — Does Truth Actually Exist?

What is the Rashomon Effect? Akira Kurosawa’s film hit upon a natural neurological phenomenon that goes well beyond cinema into our daily lives, how the effe...

The Rashomon Effect Explained

What is the Rashomon Effect?

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This Film Is An Editing Revolution

"ThisGuyEdits" gets you an additional 10% OFF on FilmConvert Nitrate: https://thisguyedits.com/filmconvertGrab my Secret Editing Hacks for FREE: https://secr...

Requiem for a Dream

This Film Is An Editing Revolution

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When Movie Characters Come Face To Face With A Mirror

What does it all mean?

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Why Roma (2018) Resonates With Us

This film isn't about Cleo. It's about us. 

 Try Cyberghost VPN with my promo link: https://www.cyberghostvpn.com/offer/s...​ /// Music download: http://spikima.wixsite.com/spikima​ Patreon: http://patreon.com/spikima​ Instagram: @ spikima

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The True Color Of 'Moonlight' (2016)

In moonlight, black boys look blue. /// Music download: http://spikima.wixsite.com/spikima​ Patreon: http://patreon.com/spikima​ Instagram: @ spikima

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Better Call Saul // Point of View

POV shots from season 1 to 5 in Better Call Saul.

Music: Concerto for strings in G major, RV 151, Alla rustica - Vivaldi

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How Kubrick, Spielberg, and Inarritu Stage their Scenes

Today’s video is a scene analysis and video essay on staging and blocking your scenes like Spielberg’s Minority Report, Kubrick’s A Clockwork Orange, and Inarritu’s Birdman.

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Barry Jenkins: The Intimate Close-Ups

Barry Jenkins may be the modern master of the close-up shot. Jenkins's close-ups are reminiscent of those crafted by the late, great Jonathan Demme—shallow focus with the character looking directly into the camera’s lens. Take it from close-up aficionado, Paul Thomas Anderson. Anderson once told Jenkins, “I’m very jealous of your close-ups. There’s a long line of people who have really tried to do Jonathan Demme close-ups and I try all the time, but I have to say, you got it right better than anybody.” In Jenkins’s last two features, MOONLIGHT and IF BEALE STREET COULD TALK, the close-ups seem to transcend the narrative of the films. Time seems to stand still as we gaze into the eyes of the characters. They are intimate and profound, and they are simply pure cinema.

Films used: Moonlight If Beale Street Could Talk

Music: “New Life” by Nicholas Britell

Copyright Disclaimer:
 Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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Pedro Almodóvar’s Obsessions (III): Art

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Pedro Almodóvar’s Obsessions (II): Circles

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Pedro Almodóvar’s Obsessions (I): Red Color

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Driving & Dying: Point-Of-View Shots In Mad Max

Edited by Rishi Kaneria (@rishikaneria) Music by Girl Talk

Footage taken from: Mad Max Mad Max 2: The Road Warrior Mad Max Beyond Thunderdome

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Red & Yellow // A Wes Anderson Supercut

A supercut examining Wes Anderson’s use of the colors red and yellow.Edited by Rishi Kaneria (@rishikaneria).Music by Mychael Danna.

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How One Movie Achieved Visual Perfection | Film Perfection

If you've been following the film side of Youtube long enough, you've most likely heard the phrase 'Every Frame A Painting'. Today, let's take a closer look at one of greatest cinematic visual films ever made, 2015's Macbeth, in order to find out what filmmaking techniques one can use to make a movie worthy of the phrase Every Frame A Painting. https://twitter.com/Filmento

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Hannibal. Without people.

a made compilation of scenes from the entire first season of Hannibal and removed everything that had people in it. I present you… Hannibal. Without people

Music by David Firth: http://www.fat-pie.com/locust

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Why Props Matter

A look at the hidden power of film props. And how filmmakers use the everyday (and not so everyday) objects in their scenes to enhance cinematic storytelling.

Written, edited, & narrated by Rishi Kaneria (@rishikaneria).

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C. Nolan’s DUNKIRK - From Archives To Movie