The Shepherd’s Dream, Henry Fuseli (Johann Heinrich Füssli), 1793
Alisa U Zemlji Chuda
Mike Driver

Janaina Medeiros
trying on a metaphor
he wasn't even looking at me and he found me

@theartofmadeline
NASA

blake kathryn
DEAR READER

titsay
dirt enthusiast
noise dept.
Three Goblin Art
No title available
Today's Document

JBB: An Artblog!
Cosmic Funnies

izzy's playlists!
YOU ARE THE REASON

if i look back, i am lost
seen from Türkiye
seen from Japan

seen from United States

seen from United States
seen from South Africa

seen from United States

seen from Japan
seen from Türkiye

seen from Malaysia
seen from United States
seen from Netherlands
seen from Malaysia

seen from United States

seen from Türkiye

seen from Indonesia
seen from South Africa

seen from United Kingdom
seen from United States
seen from United States

seen from Brazil
@bleakweeks
The Shepherd’s Dream, Henry Fuseli (Johann Heinrich Füssli), 1793
jacob sewell behind the scenes of ‘gummo’, 1997
BUFFALO ‘66
VINCENT GALLO
Model: Annie Noelker
Der Kuss (The Kiss) by Gustav Klimt
1907-1908, Oil and gold leaf
Dark rainy night in Ostiense
Leica IIIg on Ilford XP2 400 film.
He’s very tired. He made love to me all night. Possession (1981) dir. Andrzej Żuławski
“I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don’t know what to say.“
Paris, Texas (1984)
Cinema without people: Paris, Texas (second pass, interior shots) (1984, Wim Wenders, dir.)
Cinema without people: Paris, Texas (first pass, exterior shots) (1984, Wim Wenders, dir.)
Paris, Texas (1984) - Green & Red
Wim Wenders / Robby Müller
Paris, Texas (Wim Wenders, 1984).
tiffany haddish/maya rudolph buddy cop movie where they have to catch timothee chalamet after he steals the sistine chapel. directed by paul thomas anderson
“I suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more…” ― André Aciman, Call Me by Your Name