fatalité

blómgun mannkyns //

[brudermord-deactivated20191009]

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[journalforjungspundhegelianism]

Um dem bohrend leeren Dasein zu entgehen, ist ein Widerstand notwendig, dessen Rückgrat die Sprache ist. Noch das stärkste Tier ist unendlich debil.

Theodor W. Adorno und Max Horkheimer: Dialektik der Aufklärung, Darmstadt 1998, S. 284. (via diesebastionbehrisch)

[neo-catharsis]

The Face of Another,  Hiroshi Teshigahara, 1966

[welteinsammeln]

Wir merken oft nicht, daß wir uns von dem Punkt, auf dem wir festkleben, ganz einfach mit aller Gewalt von einem Augenblick auf den anderen abreißen müssen, um weiterexistieren zu können.

Thomas Bernhard: Beton, Suhrkamp, Frankfurt am Main 2008. (via noxe)

[fornaxvoid]

“ Ｍｅｎｋａｕｒｅ “ (2016, Ink Jet on Paper)

[ikumanao]

地-I 地-II

12×9cm

etching

2016

[d-arkdream-s-deactivated2017080]

[thevaultofretroscifi]

[christiesauctions]

[blindmen6]

Stepwise transformations and entanglement.

Escher understood transformation and entanglement before the physicists did.

[lostinpersona]

The Box, Kanji Nakajima (2003)

[blacktout]

When the images of earth cling too tightly to memory, when the call of happiness becomes too insistent, it happens that melancholy rises in man’s heart: this is the rock’s victory, this is the rock itself. The boundless grief is too heavy to bear.

Albert Camus, The Myth of Sisyphus (via blacktout)

[notesfromtheundergroundman]

In a crystal palace it is even unthinkable: suffering is doubt, it is negation, and what good is a crystal palace in which one can have doubts?

Fyodor Dostoevsky, Notes From Underground (via notesfromtheundergroundman)

[sterwood-blog]

Being is essentially alien and strikes against us. We undergo its suffocating embrace like the night, but it does not respond to us. There is a pain in Being.

Levinas, Emmanuel. Existence & Existents. Pittsburgh, Pennsylvania: Duquesne Press, 2003. 9. Print. (via sterwood)

[untrustyou]

L’opéra-mouffe (1958) screen cap 

[lafilleblanc]

Takashi Kawashima

“…Takashi Kawashima is a Tokyo-based photographer who creates images that have ethereal, mysterious and captivating qualities drawing viewers in for further explanation. Kawashima envisions a world absent of humans, post-catastrophic, inspired and informed by numerous natural disasters that have affected Japan in recent years…”

[nise-no]

[dame-de-pique]

Kurt Baasch - Untitled Still-life, 1930s