
Game Changer & Make Some Noise

oozey mess
KIROKAZE
noise dept.
Keni
YOU ARE THE REASON
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No title available

#extradirty
Monterey Bay Aquarium

shark vs the universe
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
Cosimo Galluzzi
The Stonewall Inn
Phantogram Three

izzy's playlists!
Fai_Ryy
almost home
seen from Italy
seen from Venezuela

seen from Türkiye

seen from United States
seen from Indonesia
seen from Argentina

seen from Hungary

seen from Kazakhstan
seen from Brazil

seen from United Kingdom
seen from Uruguay
seen from Canada
seen from France

seen from France
seen from United States

seen from United States

seen from Chile
seen from United States
seen from Qatar

seen from Canada
@blood-red-roses
frescos in the villa Santo Sospir, by Jean Cocteau
A SILK HERALDIC RUG, POSSIBLY KASHAN, CENTRAL PERSIA, EARLY 20TH CENTURY
oh my goodness, jason arday...horrifying
Little Red Riding Hood from 'My Book of Favourite Fairy Tales', illustrated by Jennie Harbour, 1921.
In every relationship or friendship worth having, there will be inevitable moments of awkwardness, anger, miscommunication, frustration, or impatience. It’s how each person decides to navigate that that determines how much they care about one another. If you internalize those moments as an overarching statement that speaks louder than all the good times you had with this person, you are practically shooting yourself in the foot. If you decide to walk away at natural moments of friction, either that person didn’t matter all that much to you, or you do care but elect to self-sabotage all moments of connection because you fear abandonment or negative reactions from people you care about. Either way this is unsustainable and guarantees a lifetime of loneliness.
will barnet, "dialogue in green," 1970, lithograph
kinda my favorite thing in the world ?
“The Fifth Knot” (interlaced roundel with seven six-pointed stars), Albrecht Dürer
Politics + whimsy in the late work of Paul Klee
apparently Annie Dillard can be quite convincing because i've decided to publish a Substack instead of hoarding away my thoughts on a recent exhibition of Paul Klee’s work at the Jewish Museum
A soft sculpture carousel horse
impression, soleil levant — claude monet, 1872
📍 musée marmottan monet, paris (17.07.2026)
Burke Mountain, Vermont by Dave Schmidt
Oyster Shell photo: Keith Wallis
Rinko Kawauchi, Halo (2017)