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Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)
Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)
Shelley Duvall glamour shots, early 1970s 🕯
Duane Michals, Shelley Duvall, 1980
Kenneth Cobonpue: Bloom Chair (2009)
all about lily chou-chou (2001)
Sogumm & Keumbee: 소금비 (Salt Rain)
she's in a better place now (her bedroom)
青空の下で
Björk (2000) Ph. Warren du Preez
Fenton Handpainted Glass Fawn
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Gab Bois: Film Collection (2022)
sissy spacek in carrie (1976) dir. brian de palma