
Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
★
todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
No title available
Show & Tell
hello vonnie

Love Begins
No title available
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS
seen from Uzbekistan

seen from United Kingdom
seen from Türkiye

seen from Germany

seen from United States

seen from United States

seen from Italy
seen from Brazil

seen from Canada

seen from Netherlands
seen from Kazakhstan

seen from Romania
seen from Philippines

seen from Romania
seen from Netherlands

seen from Italy
seen from Türkiye

seen from Canada
seen from Vietnam

seen from T1
@blurryeuphoria
Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)
Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)
Shelley Duvall glamour shots, early 1970s 🕯
Duane Michals, Shelley Duvall, 1980
Kenneth Cobonpue: Bloom Chair (2009)
all about lily chou-chou (2001)
Sogumm & Keumbee: 소금비 (Salt Rain)
she's in a better place now (her bedroom)
青空の下で
Björk (2000) Ph. Warren du Preez
Fenton Handpainted Glass Fawn
in the mood for someone to be gentle and sweet with me
Gab Bois: Film Collection (2022)
sissy spacek in carrie (1976) dir. brian de palma