blvrred

‘i am making a self, in great pain’

[quiet-nostalgia-deactivated2021]

Franz Kafka, Diaries, 1910-1923

[altered-statuses]

The Mystical World (Leading you on travels in a mysterious and visionary world). From Taiwan.

靈異世界 [導引您做一趟神秘奇幻世界之旅] （台北：將門文物出版有限公司，1990）

[existential-celestial]

“What I know about living is the pain is never just ours. Every time I hurt I know the wound is an echo, so I keep listening for the moment the grief becomes a window, when I can see what I couldn’t see before through the glass of my most battered dream I watched a dandelion lose its mind in the wind and when it did, it scattered a thousand seeds.”

— Andrea Gibson, from “The Madness Vase”

[thunderstruck9]

Andrew Wyeth (American, 1917-2009), Elsie’s House, 1983 . Watercolor and pencil on paper, 20 x 28 in.

[bobdylan-n-jonimitchell]

Visit Original Link

July 25, 1965, at The Newport Folk Festival.

[nymphlight-deactivated20210518]

William Eggleston, Untitled, Biloxi, Mississippi, 1974.

[gaysie]

footnote to howl makes me crazy. thank you mister ginsberg

[yama-bato]

Paul Strand 1890 - 1976

Farmhouse Window, New England Date: 1945

[portalibis]

Man And His Counterpart Woman Or The fifty gates of understanding 

By Aleta Blanche Baker

Order of the Portal 

Art by Gibbs Mason

[thefugitivesaint]

Edmund Henry Garrett (1853-1929), “Legends of King Arthur and His Court” by Frances Nimmo Greene, 1901 Source

[moradadabeleza]

Bang Sanghyeok

[pixandum]

2.15.21

[lessfilmss]

“Une femme sans amour, c'est comme une fleur sans soleil.”

Amélie (2001)

[nemfrog]

Photo-grid to illustrate, “Plants of Ancient China.” Architectural digest. July-August 1972.

Internet Archive

[arpeggia]

Haruna Kawanishi - Call sign, 2008

See more Haruna Kawanishi posts here.

[nobrashfestivity]

Alexander Calder, Slender Ribs, 1950s

more

[breathtakingdestinations]

Rhossili - Wales (by Michael Gwyther-Jones)