Bob 'n' Joni

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Joni Mitchell "Lesson In Survival (Demo)" Archives, Vol. 3: The Asylum Years (1972-1975) October 6, 2023.

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Joni Mitchell, Halfmoon Bay, British Columbia—September 1972 © Joel Bernstein.

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Portrait of Neil Young by Joni Mitchell.

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Joan Baez, 1971 © Baron Wolman.

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This is interesting.

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Joni Mitchell “The Jungle Line” The Hissing Of Summer Lawns, November 1975.

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Joni Mitchell, 1975 © James Hamilton.

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“In a low-cut blouse she brings the beer / Rousseau paints a jungle flower behind her ear.” 🌺

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Joni Mitchell “The Hissing of Summer Lawns” November 1975.

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Joni Mitchell, “The Dawntreader,” Song to a Seagull, March 29, 1968.

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“Like a promise to be free Dolphins playing in the sea All his sea dreams come to me”

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Joni Mitchell “The Dawntreader” late 1967 / early 1968—Archives: Volume 2, November 12, 2021.

“This is my Fort Lauderdale standard tuning because I accidentally found it in Florida when my guitar went out of tune down there, and it went out of tune into that. This is a Fort Lauderdale kind of song, actually it’s an anywhere kind of song, and it’s called, “all his sea dreams come to me…’”—Joni Mitchell introducing the song at Le Hibou, March 1968.

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Joni Mitchell “You Turn Me On, I’m A Radio” accompanied by Neil Young & The Stray Gators—For the Roses early sessions, April 16–21, 1972.

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Neil Young “Sweet Joni” Bakersfield Civic Auditorium, Bakersfield, CA, March 11, 1973—Neil Young Archives: Vol. II, March 5, 2021.

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Neil Young: The Rolling Stone Interview

The enigmatic artist finally talks about his reunion with Crazy Horse and starting a new chapter in life

“I’ve known Joni since I was 18. I met her in one of the coffeehouses. She was beautiful. That was my first impression. She was real frail and wispy looking. And her cheekbones were so beautifully shaped. She’d always wear light satins and silks. I remember thinking that if you blew hard enough, you could probably knock her over. She could hold up a Martin D-18 pretty well though. What an incredible talent she is. She writes about her relationships so much more vividly than I do. I guess I put more of a veil over what I’m talking about. I’ve written a few songs that were as stark as hers. Songs like “Pardon My Heart,” “Homefires,” “Love Art Blues,”…almost all of Homegrown. I’ve never released any of those. And I probably never will. I think i’d be too embarrassed to put them out. They’re a little too real.”

—Neil Young “The Rolling Stone Interview” August 14, 1975.

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Neil Young on his friendship with Joni Mitchell and their first encounter—Zach Sang Show, November 19, 2022.

“I love Joni. She’s wonderful. She’s one of the greatest artists of our generation—she may be the greatest artist of our generation.”—Neil Young

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Joni Mitchell "You Turn Me On, I'm A Radio" accompanied by Neil Young & The Stray Gators—Archives, Vol. 3: The Asylum Years (1972-1975).