Life is so awesome because there are so many great mangas that could one day be made into great animes. But then there are also the horrors
RMH

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$LAYYYTER

blake kathryn
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Game Changer & Make Some Noise
todays bird
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open

tannertan36
occasionally subtle

roma★
hello vonnie
TMBGareOK. The Official They Might Be Giants tumblr
Keni
The Stonewall Inn

izzy's playlists!
noise dept.
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taylor price

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@boku-no-anime-phase
Life is so awesome because there are so many great mangas that could one day be made into great animes. But then there are also the horrors
I hope they'll be fine 🥰
Background paintings by Shichiro Kobayashi:
1. Revolutionary Girl Utena The Adolescence of Utena (J.C. Staff, 1999).
2. Revolutionary Girl Utena The Adolescence of Utena - Ohtori Academy (J.C. Staff, 1999).
3. Revolutionary Girl Utena The Adolescence of Utena - Rose Garden Platform (J.C. Staff, 1999).
4. Revolutionary Girl Utena - Anthy's Greenhouse Background (J.C. Staff, 1997).
RGU analyses be like:So yeah Utena pararells Anthy who pararells Saionji who pararells Touga who pararells Nanami who pararells Miki who pararells Juri who pararells Shiori who pararells Kozue who pararells Wakaba who pararells Kanea who pararells Mikage who pararells Dios who pararells Akio-
What kind of face is that? My face has always looked like this.
Seihantai na Kimi to Boku Episode 18: Taira & Azuma
Hey, Taira… You tend to hold back laughter, don't you?
Seihantai na Kimi to Boku Episode 18: Taira & Azuma
When I tell you I was SCREAMING,,
a world where we can meet
AU where everything is the same except coco is the handsome girl and agott the cutesy princess. Walk with me
Hello Polar Opposites fandom
I just got caught up on the show and I'm struggling to maintain my composure. RAAAAUGHHHHH SOME OF MY FAVORITE SCENES HAVE BEEN ANIMATED!!!! I'M SOBBING!!!!!!!!! The diner!!!! I could die happy i tell you 😭😭😭😭😭
I’m not gonna lie very little has been going according to keikaku these days
you cannot headcanon your way out of overt thematic structures on which the entire narrative is built
Science Saru's Naoko Yamada along with Abel Góngora were discussing about adapting Jaadugar: A Witch In Mongolia. You can read about the interview here.
(alt text in images)
I have nothing against Farcille, genuinely. But it’s been very interesting seeing that a fandom mostly defined by a femslash ship for once can get just as brainwormed about their OTP to the point of ultimately and fundamentally misunderstanding/mischaracterizing the entire thing as any other fandom dominated by mslash.
“everything in dunmeshi only happened because of marcille’s love for falin!!!!”
literally untrue. literally SO untrue in fact that you have completely misinterpreted this entire body of work, its themes, and its narratives. you in fact did that so badly you have invented an entirely different fucking piece of art.
“if marcille hadnt used the red dragon to resurrect marcille etc etc” is still even then patently untrue. the point is that laios would do anything for his sister with or without help. the point is that chilchuck would do anything for his friends despite how loudly he’d complain. the point is that izutsumi doesn’t need any of these freaks but she chooses to join them long after she realizes they can’t help her break her curse because she recognizes they need her. the point is that you can argue that SENSHI is the only reason that the entirety of dunmeshi happens because otherwise the group would be malnourished and fucked up and be no better, or even worse than, toshiro’s party.
the point is that complete strangers are drawn into resurrecting this one girl. kabru’s obsession with laios invites the canaries’ involvement. the captain of the canaries finding meaning in his relationship with kabru involves him. the empathy and kindness laios feels for the denizens of the golden kingdom has them get directly involved as well. the entire island, by the end of the manga, become directly a part of this quest to bring falin back to life, and it isnt just because marcille is in lesbians with her.
it’s because to exist, to live, is to connect and be connected to other people in an endless web of desire and need and want. to be a person means to be a person with other people, no matter how distant or detached you think you ever are. to be loved enough and known by a single person is to be loved and known by hundreds, thousands of people through the spiraling tangle of connections. the point was never and could never be “it’s because of marcille”. the point was always “it’s because everyone is in this together and the most profound connection everyone shares is the need to eat to live and live well.”
Well said.
I think my favourite concept in Dunmeshi is that... There is an urgency in most of us to sacrifice our peace of mind when push comes to shove. Perhaps to worry means that you care about the emergency at hand (whatever level of emergency that is subjectively) and we pinpoint focus on the task and everything else disappears. Our sleep and diet patterns change even though these activities are pivotal for our dopamine systems and functionally make us feel healthier and help us think clearer. It's self-punishing, the "grind" so to speak: to persevere we have to forget the self and think solely of the object.
But Dunmeshi doesn't let you get away with that. These people's friend is captive in a monster's body, their world is literally ending, and still they sit down to eat. To eat is to live. Only living things eat and it is the privilege of the living. Yes, there is a crisis. Yes they are upset and heartbroken and distressed. But they still focus on the food: the very thing that sustains you and gives you energy to think, to move, to keep going. A moment of gratitude offered to life by actually, consciously indulging in it. They aren't bad people for eating while Falin's suffering, no. It is simply unfeasible to give parts of yourself to a situation while hoping to gain twice as much back. Just take the time to make food, think about how delicious it looks, and eat. Even if you fail, you need to eat. Even if you succeed, you need to eat. You need to live life no matter what. You need to enjoy it no matter what. It is never "inappropriate" to just live your life.
I've been thinking a lot lately about how Kabru deprives himself.
Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
...but he doesn't get to enjoy it like he wanted to.
Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
Meals are the privilege of the living.
Marcille (late gift art) also Dungeon Meshi season 2 when!??? it's been 84 years TAT