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@bombayharambee
The vivid spaghetti western design penned by Fayetteville artist Gustav Carlson (Backwood Goat, Tourist Unknown), recalls a derailed train in the high buffalo era. The liner note treasure map twists Little Rock to invite a closer look. Goldmine tells a story which may evade dot-connection on the first listen, and that may be the point.
http://www.maxrecordings.com/collections/frontpage/products/goldmine
Next show is in Fay with almost all our buds. #thehardcrouchbunch
Extra dry
FORTHETIMEBEING EP produced by Idle Kid, Mach Soul, Yung Leo & OHMI recorded by Robert Marcus & Kyle Ross mixed by Kyle Ross assisted by Robert Marcus (2016) www.forthetimebeingep.tumblr.com AINTNOWA
Sup Goon Des
Sup @backwoodgoat
Goldmine, an album by Bombay Harambee on Spotify
Hey this is a link to our album “Goldmine” on Spotify. Click and play and listen and tell your friends!
We had really great release shows last weekend. Our next show is Sunday, March 13th with Guerilla Toss and Sharkmuffin. They’re rad as they wanna be.
They’re heading to SXSW and need some $$$ to get through Austin’s gauntlet. So bring some money for merch. They have cool new stuff available. We’re going to record again really soon. Go see the Uh Huhs in the showcase in Little Rock on Friday. - ATJ 2/24/16
Loaded in at @smokeandbarrel so come on down! Order is Ten High, us, then Pagiins! Show starts around 10. $3 cover #fayetteville #arkansas #garagepunk #smokeandbarrel (at Fayetteville, Arkansas)
Hey everyone! 10 days left on the awesome Kickstarter for oyr comic anthology, Poor Wayfaring Strangers. It’s a collection of wild and weird western comics from all kinds of awesome talent. They even were kind enough to let me sneak into the book with a little horror comic. Check it out and tell your friends!
kck.st/1SesEdU
#comics #webcomics #art #illustration #Kickstarter #drawing #horror #supernatural #fantasy #western #cowboy #weirdwest
GO GUS GO
Tomorrow at 8:45 a.m. we play on the local news!
Single #2 is Stringing Sentences. It debuts tomorrow at noon via NEW NOISE.
Starting today you can stream Interval here: http://groundsounds.com/2016/01/25/rock-rockers-bombay-harambee-premiere-interval/
We’re very excited to release our first ever LP Goldmine on Feb 19th via Max Recordings! So close now!
Interval opens the album. It sets the tone. Play it loud.
And the Stars Look Very Different Today
One of my earliest memories is of a darkened classroom, where a substitute teacher told me and a dozen other first graders to lay down on the floor beneath our desks while she played “Space Oddity” by David Bowie through her computer speakers. At the time, the five-minute song seemed longer and more vivid than any movie I’d seen (think of a small child experiencing an unfamiliar room as a mysterious landscape with a forest of human legs), and I zoomed through a dreamlike journey behind the control panel of gum globs that dotted the underside of my desk. It’s hard to imagine a more enthralling experience for a kid whose ideal future was employment as either an astronaut or a rock star. Looking back, I’ve often wondered whether that teacher was stoned, or hungover, or just a Bowie-loving weirdo. But, regardless of her motivations, that experience cemented Bowie as a part of my learning and self-exploration for years to come.
As I grew and changed throughout my early life, the music of David Bowie was never far away. Covers of Bowie songs by Kurt Cobain and, later, Seu Jorge, shaped my adolescent sensibilities. “Suffragette City” blared through my car speakers on repeat as I left home in Alabama to move to Arkansas for school. Hunky Dory provided the soundtrack for my walks to work while I lived in Brussels for a semester, and, after graduating from college, Young Americans was the most-spun record in my first Little Rock apartment. On a recent tour with my band Swampbird, we wore out The Rise and Fall of Ziggy Stardust and the Spiders from Mars (one of three albums available offline on my phone) in the van as we traveled up the East Coast. Each period of my life for the past decade, certainly my most exciting and transformative to date, has its own inextricably associated Bowie album.
Though I cherish my particular experiences of David Bowie, his opus approaches a universality that is rarely achieved in pop culture. His aesthetic was ambitious and cosmic, weaving androgynous futurism with kabuki theatrics and countless other global tropes. Bowie embraced this fluid self-presentation, famously claiming that he re-invented himself so often that, “[he] was in denial that [he] was originally an overweight Korean woman.” And his other-worldly charm continued to the end of his time on earth, moving from outer space to the afterlife in his latest studio release, Blackstar. The album’s second single, “Lazarus,” whose video was released two days before Bowie’s death, opens with the somber suggestion, “look up here, I’m in heaven.”
Among all the mourning that I’ve seen and heard today following Bowie’s death from cancer, I’ve sensed an undercurrent of gratitude. Millions of fans around the world (and across generations) are grateful to have experienced his music, his personality, and his expansive imagination. He displayed unmatched talent, unflagging energy, and unwavering courage throughout nearly five decades of creative endeavors. For me and many others, he was a hero and a genius who will be, and is already, sorely missed.
by Z. Hale
#bowie #overunderground
February 19th on Max Recordings
Last Show o’ 2015
Hey we’re releasing our debut record via Max Recordings on February 19th, 2016. We’re going to play one last show beforehand. It will take place Thursday at White Water. We’re playing with Dylan Earl’s new band.
Five bucks and show starts around 9.
Updates on the album forthcoming.
Playing Hi Tone in Memphis tonight w/ Seratones and wARM. Tell all your friends and bring some spare cash to help our gas bill.
