[LOUD OBJECTIVE FAVORITISM]

Sagittarius. Recovering art major. Tired™. Here until the eventual heat death of the universe. This week’s theme is: I developed terminal brain rot over Croatia’s national team captain last november and it’s just something we all have to get through.

[toyastales]

Art Nouveau Door Szedő-ház, Hungary 1904–1905

[passtheseppie]

the most important part of sports enjoyment is to learn how to eroticize failure and loss

[dogpuppy]

[sm64mario]

can we'a skip the impeachment and just shoot him in the head

[sm64mario]

AND NOT MISS

[rylandsgrace]

Sinners (2025) dir. Ryan Coogler

[mhevarujta]

Annie is a force of nature when she challenges Cornbread. She is the gravitational point for all the other characters. Cornbread tries to move around her, to address Smoke, because it's Elijah who is considered the weaker link, not she. Yet he does not succeed because Annie's concerns are not dismissed. She is the carrier of knowledge, of tradition. All the characters in that room have her in high regard. She is LISTENED to and she is never treated as some paranoid, hysterical woman. I found it refreshing.

[userdrama]

5 DAYS OF HORROR 2025 EVENT BY @usermovies day three: movie about a creature(s) (vampires, werewolves, zombies etc.)

SINNERS (2025) dir. Ryan Coogler

[whenimgod]

Something I love about the Sinners movie is it reminded me that some of the best stories are "one night" stories. There have been so many long con world ending save the universe humanity at stake the villain is the government stories for a while that I lost sight of one of my favorite stories- where some fuck shit goes down for One Day maybe One Week with a small crew of people Inextricably Familiar with each other and the end is like "ay that shit was crazy"

Thanks for the reminder Ryan Coogler

[nerdreamer]

[tam--lin]

I can't get over how Sinners is such a rich text on assimilation and whiteness and the dangers of "civility" and music as a way to look both forward and back

And it's also a phenomenal vampire movie where a lot of hot people get covered in blood and there's a B plot about eating out girls

[ava-deb]

SINNERS 2025, dir. Ryan Coogler

[polari]

mind you before sinners we didn’t have definitive proof that it was possible to successfully make a movie in 2025

[carouselshotgun]

we had vampearline for 5 seconds but i would die and also kill for her

[romchat]

In general, Sinners has great cinematography, but I think this tracking shot that follows Lisa Chow across the street from her parents’ Black storefront to their White storefront is one of my favorites:

Look at how it immediately establishes the rules of the movie's setting.

This is Jim Crow Mississippi where Black and White residents essentially live in different worlds. The continuous take forces us (the audience) to experience that segregation in real time as we walk behind Lisa crossing the street. There are no cuts or edits to interrupt the discomfort of having to witness all those visual reminders of racism against Black Americans.

I think it's also significant that it's Lisa, an Asian American woman, who the camera follows. As someone who exists outside the Black-White racial binary, she’s able to traverse these two worlds but the bright red of her shirt still demarcates her as a conspicuous outsider amidst all the blue and brown on both sides, representing the uniquely precarious position of Asians in the U.S.’s racial hierarchy.

[wawa-evg]

«Run, Breeze»

A postcard of He Xuan and his bone fish

[angelicguy]

dressing and acting like bruno mars for 8 days straight grinning and laughing dancing and twisting being all sexy and short until i pass out from dehydration/exhaustion with no prior signs of distress

[angelicguy]

im in the middle of going Girl you're amazinggg just thr way you arre and i completely ragdoll and hit my forehead full body weight on the edge of a granite coffee table

[tyger-land]

ᴍᴀʀᴠɪɴ ɢᴀʏᴇ Los Angeles, 1973.