You (and most comics writers) juggle a bunch of projects at once, do you have any advice on how to manage that, both in a practical (e.g. scheduling) sense and in terms of making sure your brain has the bandwidth?
I’d strongly advise you over-estimate how much time everything takes. You know your work-rate? Never plan to operate at your max work rate for any extended period of time.
(Me? I don’t schedule to work on the weekends. So Every 7 days I have 2 days which can be used for panic mode shit-hits-the-fan if I need to. Ideally, I don’t, which helps avoid burnout. In practise, most of my relaxation is work of a different kind, but that’s me.)
So - between the above, it means you can practically be sure you manage all this.
I plan for a minimum 5 pages of new draft (or equivalent) every day. In practise, that can change, and on a good day you write more, but that is a steady and sustainable pace which leads you to produce at least four scripts a month. Even if you’re being slow, that’s a script a week - and “A script a week” is a good and useful way to thinking about scheduling. “This week is about this.” This also helps on cognitive load…
Changing gears between projects is the hard thing. This is, in my experience, primarily in the generative side of things. In non-generative work, the load in switching between projects is much lower.
My usual day is “generative work in the mornings, all other work in the afternoon.” This is a plan, and rarely completely sticks, but if it does, it’s a good structure.
Generative work is anything entirely new - mainly first draft scripts, the aforementioned 5 pages.
All other work is obviously the usual busy work (e-mails, etc) but also includes things like edits and even polishing early drafts into scripts I can show an editor. If the underlying work is solid, I find polishing not as cognitively demanding.
(Sometimes less essential generative work goes in the afternoon too, though usually affecting it in some way. If you want a reason for messiness in my Newsletters (usually written right at the end of a work day) then that would be it.)
Returning to the switching gears in generative work, this is where you get absolutely crushed. If I’m working on one project and I have to deal with ANYTHING else from another project, no matter how small, it involves downloading everything you were doing, picking up the whole other project, solving the problem, and then reversing the process. I lost two hours to this the other week, when I had to switch from Spangly New Thing to WicDiv to give a new interstitial for issue 39. The result of all that effort was the word “LOW.” Obviously for a less demanding project than WicDiv that would be easier, but with a super-structual fucker like this god book, I need to think how it reflects with literally the whole thing.
This is the other advantage of doing things week by week. You know this week is for generating a certain project. On Monday you start writing it. You upload that project into your head. You live with it for the week. By Friday, you’ve finished it. You download the project, reset on weekend, and repeat the process next week.