Published: April 23, 2011
Poems by Kiki Petrosino, Ellen Bryant Voight, Li-Young Lee and Billy Collins on spring fever — twig to bud to blossom to pollen — to hay fever.
RMH
trying on a metaphor

Andulka

❣ Chile in a Photography ❣

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untitled

bliss lane
Aqua Utopia|海の底で記憶を紡ぐ

oozey mess
ojovivo
I'd rather be in outer space 🛸
Not today Justin
Keni
YOU ARE THE REASON

pixel skylines
sheepfilms
Sade Olutola

Kiana Khansmith

Origami Around
Game of Thrones Daily
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@boro5live-blog
Published: April 23, 2011
Poems by Kiki Petrosino, Ellen Bryant Voight, Li-Young Lee and Billy Collins on spring fever — twig to bud to blossom to pollen — to hay fever.
Published: April 24, 2011A relationship with a bus driver, an ode to the M.T.A. in haiku, a popular Greenwich Village coffee cart and other tales from the city.
"41" by Carlos Andrés Gómez. Another poem about Amadou Diallo, but not "some Diallo poem." Listen and you'll get it.
Uptown Train (by: Pedro Pietri)
I predict that at exactly 10 to 10 it will be 10 to 10 again then at exactly 10 after 10 it will be 10 after 10 once again until the hands of time change the subject at which time I will make another accurate prediction for the science friction public I predict that if you are caught in a sudden violent rainstorm & you don't have an umbrella available you will get soaken wet I predict that if you forget to brush your teeth for one week your breath will smell worse than all the sewers of the universe I predict that if you wake up late in the morning you won't get to work on time & be deducted & instructed to be punctual or else find yourself another fulltime job to pay for a decent funeral I predict that the more you demonstrate the less you masturbate your demands will be met after you forget what your demands are I predict that after friday night it will be saturday morning I predict that if you don't put gasoline into the engine of your car you will have a difficult time getting out of your garage I predict that if you stop wetting the bed you will become senile I predict that if you blow your nose snots will come out of them I predict that if you can't sing you can't sing if you can't act you can't act if you can't dance you can't dance & if you can't lose weight you can't lose weight & you must love or hate yourself I predict that if you have nothing to say you have nothing to say I predict that if you go away & don't return & leave behind no forwarding address your mail will be returned to the post office & discarded into oblivion if not claimed by anyone within thirty days
Alphabet City Serenade (by: Diane Burns)
Once they built the railroad
the buffalo split
past the horizon line
once they built the railroad
now it's done.
Brother, can you front me a dime?
I'm down and out in Loisaida
I'm out of smoke in Loisaida
I'm out of tea in Loisaida
I'm out of luck
I'm out of mind
all at the same time
in Loisaida
Oh East Village ai yi yi yi yi yi yi.
I'm American royalty
walking around with a hole in my knee
I'm a hopeful aborigine
trying to find a place to be
Oh East Village ai yi yi yi yi yi yi.
Back home now I'd be at the pow-wow
I'd be drinking herb tea and eating deer meat.
Maybe smooching in a blanket with a Potawatamie.
But here I am on Avenue D
Sacrifice of Manifest Destiny
Oh East Village ai yi yi yi yi yi yi yi.
I'm not your steppin' stone.
Hey man, can you spare a cigarette?
Do you know of a place to sublet?
Do you know where I can cash this check?
Do you know, do you know that
I hate Chevrolet
I hate Doris Day
I hate Norman Bates
And I'm at war with the United States
Oh East Village ai yi yi yi yi yi yi.
East Village ai yi yi yi yi yi yi.
Oh, so you want to talk about gentrification, huh?
Harlem (by: Langston Hughes)
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
"First Writing Since," by Suheir Hammad.
Submission: Photography Show
We were turned on to this awesome photography show at the Terrain Gallery in Soho.
This Great, Diverse City: How Should We See It? Contemporary Photographs of NYC http://www.terraingallery.org/NYC-Photoshow-2011/index.html
Check it out!
A Sewerplant Grows in Harlem, Or I’m A Stranger Here Myself When Does The Next Swan Leave (by: Audre Lorde)
How is the word made flesh made steel made shit
by ramming it into No Exit like a homemade bomb
until it explodes
smearing itself
made real
against our already filthy windows
or by flushing it out in a verbal fountain?
Meanwhile the editorial They—
who are no less powerful—
prepare to smother the actual Us
with a processed flow of all our shit
non-verbal.
Have you ever risen in the night
bursting with knowledge and the world
dissolves toward any listening ear
into which you can pour
whatever it was you knew
before waking
Only to find all ears asleep
or drugged perhaps by a dream of words
because as you scream into them over and over
nothing stirs
and the mind you have reached is not a working mind
please hang up and die again? The mind
you have reached is not a working mind
Please hang up
And die again.
Talking to some people is like talking to a toilet.
New York City 1970 (by: Audre Lorde)
How do you spell change like frayed slogan underwear
with the emptied can of yesterday’s meaning
with yesterdays’ names?
And what does the we-bird see with
who has lost its I’s?
There is nothing beautiful left in the streets of this city.
I have come to believe in death and renewal by fire.
Past questioning the necessities of blood
or why it must be mine or my children’s time
that will see the grim city quake to be reborn perhaps
blackened again but this time with a sense of purpose;
tired of the past tense forever, of assertion and repetition
of the ego-trips through an incomplete self
where two years ago proud rang for promise but now
it is time for fruit and all the agonies are barren—
only the children are growing:
For how else can the self become whole
save by making self into its own new religion?
I am bound like an old lover—a true believer—
to this city’s death by accretion and slow ritual,
and I submit to its penance for trial
as new steel is tried
I submit my children to its death throes and agony
and they are not even the city’s past lovers. But I submit them
to the harshness and growing cold to the brutalizations
which is survived
will teach them strength or an understanding of how strength is gotten
and will not be forgotten: It will be their city then:
I submit them
loving them above all others save myself
to the fire to the rage to the ritual scarifications
to be tried as new steel is tried;
and in its wasting the city shall try them
as the blood-splash of a royal victim
tries the hand of the destroyer.
II
I hide behind tenements and subways in florescent alleys
watching as flames walk the streets of an empire’s altar
raging through veins of the sacrificial stenchpot
smeared upon the east shore of a continent’s insanity
conceived in the psychic twilight of murders and pilgrims
rank with money and nightmare and too many useless people
who will not move over nor die, who cannot bend
even before the winds of their own preservation
even under the weight of their own hates
Who cannot amend nor conceive nor even learn to share
their own visions
who bomb my children into mortar in churches
and work plastic offal and metal and the flesh of their enemies
into subway rush-hour temples where obscene priests
fingers and worship each other in secret
and think they are praying when squat
to shit money-pebbles shaped like their parents’ brains—
who exist to go into dust to exist again
grosser and more swollen and without ever relinquishing
space or breath or energy from their private hoard.
I do not need to make war nor peace
with these prancing and murderous deacons
who refuse to recognize their role in this convenant we live upon
and so have come to fear and despise even their own children;
but I condemn myself, and my loves
past and present
and the blessed enthusiasms of all my children
to this city
without reason or future
without hope
to be tried as the new steel is tried
before trusted to slaughter.
I will walk down the withering limbs of my last discarded house
and there is nothing worth salvage left in this city
but the faint reedy voices like echoes
of once beautiful children.
"The Newer Colossus," by Karen Finneyfrock. A response to Emma Lazarus' "The New Colossus," posted earlier.
Poem for Amadou Diallo (by: Uchechi Kalu)
night fall foot step creep
cop shoot blast life sweep
bow head turn walk pray
cry count dead black heap
CULTURAL CROSS-CURRENTS: A TRANS-ATLANTIC CONVERSATION IN VERSE
New York City
CULTURAL CROSS-CURRENTS: A TRANS-ATLANTIC CONVERSATION IN VERSE Greg Delanty, Nuala Ni Dhomhnaill, Galway Kinnell, Heather McHugh, Dennis O’Driscoll, and Jean Valentine
Three American and three Irish born poets celebrate influential bards from the other shore, exploring the relationship between the Irish and American poetic landscape. This event will also feature a premier performance of a 19th C. song in honor of St. Patrick, drawn from the collection of diaspora music at The New York Public Library of Performing Arts, with specially commissioned lyrics by Pulitzer-Prize winning poet Paul Muldoon.
Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.
Admission is free.
Bruno Walter Auditorium 111 Amsterdam Avenue and 65th Street
Where to hear poetry & spoken word in NYC.
To Brooklyn Bridge (by: Hart Crane)
How many dawns, chill from his rippling rest The seagull's wings shall dip and pivot him, Shedding white rings of tumult, building high Over the chained bay waters Liberty-- Then, with inviolate curve, forsake our eyes As apparitional as sails that cross Some page of figures to be filed away; --Till elevators drop us from our day . . . I think of cinemas, panoramic sleights With multitudes bent toward some flashing scene Never disclosed, but hastened to again, Foretold to other eyes on the same screen; And Thee, across the harbor, silver-paced As though the sun took step of thee, yet left Some motion ever unspent in thy stride,-- Implicitly thy freedom staying thee! Out of some subway scuttle, cell or loft A bedlamite speeds to thy parapets, Tilting there momently, shrill shirt ballooning, A jest falls from the speechless caravan. Down Wall, from girder into street noon leaks, A rip-tooth of the sky's acetylene; All afternoon the cloud-flown derricks turn . . . Thy cables breathe the North Atlantic still. And obscure as that heaven of the Jews, Thy guerdon . . . Accolade thou dost bestow Of anonymity time cannot raise: Vibrant reprieve and pardon thou dost show. O harp and altar, of the fury fused, (How could mere toil align thy choiring strings!) Terrific threshold of the prophet's pledge, Prayer of pariah, and the lover's cry,-- Again the traffic lights that skim thy swift Unfractioned idiom, immaculate sigh of stars, Beading thy path--condense eternity: And we have seen night lifted in thine arms. Under thy shadow by the piers I waited; Only in darkness is thy shadow clear. The City's fiery parcels all undone, Already snow submerges an iron year . . . O Sleepless as the river under thee, Vaulting the sea, the prairies' dreaming sod, Unto us lowliest sometime sweep, descend And of the curveship lend a myth to God.
Utopia Parkway (by: Julio Marzan)
Airport fumes always transport me to that island no longer mapped, and my wheels touch that life always dreamed from New York, where on clear days when no overcast traps fumes, my bones remind I am from nowhere and from there I write about me.
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Julio Marzan was named the 4th Queens Poet Laureate in 2007 by the Borough President's Office.
Emma Lazarus's famous poem "The New Colossus," written about the Statue of Liberty:
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Not like the brazen giant of Greek fame With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame, "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore, Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!"