MINDENKI JÓL FOG KINÉZNI! https://www.facebook.com/events/276801399178630/

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Kiana Khansmith
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祝日 / Permanent Vacation
occasionally subtle
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Janaina Medeiros
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@borsoslorinc-eng
MINDENKI JÓL FOG KINÉZNI! https://www.facebook.com/events/276801399178630/
Accumlation of Matter / group show
5-20 ferbruary, 2015 LEHRTER SIEBZEHN Lehrter Straße 17, 10557 Berlin, Germany
Exhibiting artists: Lőrinc Borsos (H), Nemanja Cvijanovič (HR), Mark Fridvalszki (H), Janez Janša (SI), Szabolcs KissPál (H), Krisztián Kristóf (H), Laci & Balázs (H), Little Warsaw (H), Svätopluk Mikyta (SK), Cristian Rusu (RO), OHO Group (SI), Gábor Ősz (H), Société Réaliste (FR/H), Marko Tadič (HR), Gábor Csongor Szigeti (H), We didn't do it! Crew (H) + archive posters, audio records; Guy Debord: Le Jeu de la Guerre (boardgame) Common physical processes occurring in nature used to inform discourses on society, ever since the reification of the "human material" set up a disciplinary subject. These dynamics like accumulation, layering, stratification, consolidation or crystallization of raw materials are also engineering their way around how we think about the constructedness of grand narratives (class, nation, culture, ideology etc.) in human history. With the act of translation between the two domains (anthropologisation of natural materials and naturalization of communal matters) however, true knowledge on the mechanics can get lost, deliberately obscured and re-purposed by any powerful will. Accumulation of Matter features artistic projects that open up an interplay between intrinsic organic formations and interested human agents. The once neutral ‘earth-old things’ newly re-framed as national heritage, tourist site, battlefield, ethnic land, destination of group pilgrimage or party emblem easily conform to institutionalized geomythologies. Contemporary artists - taken up the role of social interaction designers - infuse their praxes to survey the socio-spatial terrain. The exhibition invites to (re)discover these ideological landmarks inscribed on the highest peaks of the Carpathian Basin (Alps-Tatras-Carpathians). curated by Szilvi Német presented and sponsored by Art Quarter Budapest http://www.aqb.hu/ further supports: Collegium Hungaricum Berlin, Slowakischen Instituts in Berlin, Embassy of the Republic of Croatia, Plan B Gallery Opening: 05.02.2015 (Thursday), 19:00 - Live act Palmovka (SK), Mike Nylons [The Corporation] (H)
Tightrope Walk
December 5. 2014 – January 23. 2015 Chimera Project
Klauzál tér 5, Budapest, Hungary, 1072 Participating artists: Adrián KUPCSIK, Géza PERNECZKY, LŐRINC BORSOS
Protekt
Studio Gallery, 1077 Budapest, Rottenbiller utca 35. On view until 5th December, 2014
Exhibiting artists: LŐRINC BORSOS, Csaba Árpád HORVÁTH, Judit Lilla MOLNÁR, THAT WASN'T US CREW
Curated by: Ferenc MARGL & Vanda SÁRAI Opening speech: Zoltán LAKNER, political analyst Opening: 18.00, 18th November, 2014
„The social complexity in society is reduced to a set of simple contrasts.” /Thomas Hylland Eriksen/
PROTEKT reflects on the many parallel narratives of deeply fragmented Hungarian society, which never seem to cross in an intersection. These incompatible ways of thinking, interpretations and misconceptions are constituted by the fields of party-political commitments, quasi-ideologies and personality cults.
The focus of the exhibition is the manifold phenomenon of protection: what are the things we should preserve, what we should transfer, or rather what are those we should promote to be forgotten before long. What historical moments deserve a monument, what poems should we recite on national holidays, what artworks shall be presented in our museums. Who are the examples that should be followed and who are those who we evoke only as deterrent? When posing the questions of who/what, from what and how should be protected, the possibly given answers provide clean-cut images of enemy construction and concrete suggestions how these issues could be solved. These answers function as the cohesive forces of different groups of society, and they constitute the masses out of the separated individuals. At the same time these cohesive forces also determine who and on what purpose would be excluded from a given community.
Connecting to the word ‘protection’, our goal is to point out the absurdity of the lack of the ability for starting a dialogue in our society, and to do so, we exhibit artworks related to the topics of education, collective memory, cultural politics and everyday life highly burdened with ideology.
Why don´t you go play with brother?
Trafo Gallery, Kurta Konráda 1, Prague 9. Opening: 29th October 2014 at 7.30 pm
Private Nationalism, Dresden (DE)
"The “Private Nationalism” project got a lot of attention from the visitors. In this process a public voting was organized to find out the most popular artwork of this part of the exhibition. We are glad to inform you that from over 2,000 ballots your artwork “Immovable Land” got 174 votes and won the 3. prize. As a compliment we would like to give you the possibility to present you also at the Ostrale´015." Ostrale - Centre for Contemporary Art, Dresden
Grund
2 of october - 22 of november, 2014 Gallery of Miskolc
Durch die Blume / Language of Flowers
14x14 Survey of the Danube Region. Individual View Edwin Scharff Museum, Neuulm / 16.05.2014 curator: Borbála Szalai
BORSOS LŐRINC is a fictional contemporary artist, brought to life by the artists János Borsos and Lilla Lőrinc in 2008. BL has a dual interest, which is characterized by a desire towards conceptual clarity and at the same time by a free and expressive way of manifesting itself.
At the centre of the exhibition at Neuulm, there is a mysterious and intimate garden, with flowers in it, which have played a crucial role in past historical events, or which have other related symbolical meanings or historical references. The artist guides the visitor around this garden through stories built up from fictional and real elements. Among the different layers of meanings overlying the flowers, in the garden one can also find the self-reflective hesitations of the artist about the real motivations behind an artistic topic, about the real or presumed expectations of the art world, about the possibilities of connecting otherwise not compatible dimensions, or about the question whether a contemporary artist in 2014 can allow him/herself to paint 'only' flowers 'solely' because of the pleasure of beauty?
Private nationalism / Pécs
The Approach Art Association and Zsolnay Heritage Management Nonprofit Ltd. invites you to
PRIVATE NATIONALISM - PÉCS
nemzetközi kiállítás- és programsorozat megnyitójára / Opening of the International Exhibition and Programmes
Locations
Zsolnay Cultural Quarter, Pécs Gallery m21, 21. Major str. Pécs Swanhouse Gallery, Pécs, Király str. 15.
Opening
2014. május 8. 16.00 / May 8th, 2014. at 4 p.m., HattyúHáz Galéria 2014. május 8. 19.00 / May 8th, 2014. at 7 p.m., Zsolnay Kulturális Negyed, Pécsi Galéria m21
At the opening:
contemporary dance, slam poetry, D.O.G. Delusions of Grandeur concert
In line with its chosen name, the Private nationalism Project does not plan to focus on moments of high political drama, but rather on the process by which these moments are so naturally absorbed and embraced by ordinary people. It thus concentrates on the solid texture of ordinary people’s everyday experience and involvement in setting in motion the machinery of nationalism. The project will scrutinize our banal clichés, labels and stereotypes about ourselves as natural members of our nation and about those who are excluded from it. The aim of the collaborative project is to shed light on the overlooked issue of the daily routines of nationalism, the subtle process by which its ingredients infiltrate and are absorbed into citizens’ everyday lives.
This project has been funded with support from the European Commission, Visegrad Fund, National Culture Program.
Private nationalism / Kosice
Private nationalism is a series of international art and cultural programs supported by the European Union Culture 2007-2013, Visegrad Fund and local sponsors, to be realized as a collaboration of eight institutions from six countries, a team of art professionals, and several artists from Central-Eastern Europe and its buffer zone. The aim of the collaborative project is to shed light on an overlooked aspect of the daily operation of any kind of nationalism, namely the subtle process of absorption and infiltration of its ingredients into citizens' everyday lives, that is, the very process of its interiorisation into the private life.
The recent collaborative project focuses on the issue of “private nationalism” as it is seen from the perspective of socially conscious and reflective artists with critical attitudes. Instead of “canned”, ready-made exhibitions wandering in different parts of the region while being cut off from local contexts and priorities, the subsequent shows seek to remedy the problems and concerns of “private nationalism” from a different curatorial concept, each of them having its own sub-topic or approach to the “umbrella term”. Although all the exhibitions will be based on works coming from the same pool of artists and artworks sensitive to the set of related problems in the collaborating countries, each host institution aims to extend its scope by sweeping its geographical radius. Hence, different sub-regions, zones of local conflicts, political tensions and allied minority questions will be explored. In Central-Eastern Europe, characterized by historically mixed ethnic communities, the enemy is to be found beyond the border or among local minorities (Jews, ethnic minorities, Roma people, gays). Artworks are capable of interrupting the hypnosis and mass delusion by subverting the imagined naturalness of national identity, and by uncovering the process of the construction of the “other”, which plays a crucial role in building the image of a homogenous nation.
However, apart from casting light on conflicts and problems, the other side of the coin will be shown as well: the historical tradition of a transnational overarching of the borders, as well as the existence of fruitful and mutual influences in shared and neighboring territories. Cooperation of artists with different nationalities will also come into play, providing arguments and visions to promote peaceful co-existence.
As for the different sites, those with smaller spaces (Apartman Project Gallery, Berlin) are free to embrace experimental works or focus exclusively on specific, locally important aspects. The contributions of sites with bigger spaces will be the meticulous elaboration of various facets of the topic (Kunsthalle, Kosice / m21 Gallery, Zsolnay Cultural Quarter, Pécs / Bunkier Sztuki, Krakkow / MODEM, Debrecen). Ostrale (Dresden), the farthest site on the West, goes even further by reaching out for artworks produced in and related to the old Western democracies, with the aim to reveal and undermine the deep-seated belief that the fertile soil of nationalism is to be found in the eastern part of Europe. While Divus Gallery in Prague serves as a kind of flagship exhibition, providing the trailer of the whole project, Ostrale’14 in Dresden offers a kind of survey on the issue at hand. Different museum pedagogical programs and join events are intended to be connected to all the exhibitions. Parallel to the exhibitions, an international artist-in-residence program will offer 15 artists from all six participating countries the opportunity to spend altogether 15 months in four countries, a great possibility for cultural exchange and immersion into another culture. (Organizations receiving artists are: SpaceGallery, Bratislava / ApartmanProjekt, Istanbul / Ostrale, Dresden / AAA/Approach Art Association, Pécs.)
Subsequent exhibitions and programs:
February 21st-March 15th 2014 Divus Gallery, Prague, Czech Republic Curators: Lenka Klodova, Ivan Mecl
March 27th-April 30th 2014 Kunsthalle, Kosice, Slovakia Curators: Ilona Németh, Michal Stofa
May 8th- June 15th 2014 M 21 Gallery, Zsolnay Cultural Quarter, Pécs, Hungary. Curators: Rita Varga, Márton Pacsika
July 18th-September 28th, 2014 Ostrale’14, Dresden, Germany Curators: Nadine Bors, Andrea Hilger
November 9th-November 30th, 2014 Bunkier Sztuki, Krakkow, Poland Curators: Anna Lebensztejn, Lidia Krawczyk
November 15th-December 30th, 2014 Apartman Project Gallery (Turkey), Berlin, Germany Curator: Selda Asal
April 15th-July 30th, 2015 Modem, Debrecen, Hungary Curator: Edit András
Nominated for Highlights of Hungary 2013
Sent off exhibition of Borsos Lőrinc has became one of the 55 creative project, faces, institutes, places of Hungary in 2013 chosen by ten experts.
http://www.highlightsofhungary.hu/portfolio/borsos-lorinc-kiallitas/
The Emperor's New Apparel
Karlin Studios, Prague, Czeh Republic 15.1.-9.2.2014
PARTICIPATING ARTISTS: Apparatus 22 (RO) – Borsos Lőrinc (HU) – János Fodor (HU) - Jaroslav Kyša (SK) - Péter Szalay (HU) – Karol Radziszewski (HU)
CURATOR: Borbála Szalai (HU)
In our current social discourse, the question cannot be only about who can see or who dares to declare that the emperor is naked, its rather about the multiple layers and mechanisms of such a fiction, and about its undetectable effects on an everyday level. Thus by searching for the emperor‘s new apparel, woven from fake statements, rhetoric, social conventions and fear, the exhibition considers fashion as a kind of symbolic layer to provide a new vantage point on social issues, politics and the criticism levelled against it. In andersen‘s tale, the swindler tailors fashioning the emperor‘s new clothes display a peculiar critical approach. The works displayed at this exhibition are all linked to this invisible, yet deeply revealing attitude, which seek the answer to questions such as: how can historical-, political subconscious be revealed by a piece of clothing? What kinds of fashion elements or accessories are tied to power? What ethical or moral contents are linked to the world of fashion? Are there any current fashion trends in the field of protesting or activism? How does history or a national symbol appear as fetish? And what is the undetectable power and impact of the emperor‘s new cloths?
photo by Futura
more photos
First Owner of the Official Fan Scarf
Andreas loved the gift he got so much --› andreasahlqvist.com
Send off
December 09, 2013 - March 08, 2014 Viltin Project: 1054 Budapest, Széchenyi u. 3., +36 1 787 58 66, viltin.hu
photo by Rita Somosi
exhibition view after vernissage
sharing titches and sunflower seeds at the opening
Error and co.
6.12.213-05.01.2014 Villa Vermes, Dunajská Streda, Slovakia
The Contemporary Hungarian Gallery of Dunajská Streda and the Hungarian University of Fine Arts Doctoral School cordially invite you to the exhibition Error and Co.
Opening: 19:00 on the 6th of December, 2013 at Villa Vermes, Ulica Gyulu Szabóa 304/2. Opening speech by: Dr. László Beke, art historian and Dr. Emil Molnár, mathematician, BME professor emeritus Event: Monochrome Clack – audiovisual paint-installation, live act Curator: Éva Mayer, artist
Stopped Work (The Lack of Inspiration is Compensativeable / The Lack of Inspiration is Not Compensativeable)
ArtMarket 2013, Budapest
Questions of the crew of 7x8 Curators and answers of Borsos Lőrinc:
#1 what can artists learn from collecting practices? BL: When the desire to collect is paired with passion and consistence, it – beyond existential advantages of course – can be really inspiring for an artist, especially, if it was them who this collector has spotted.
#2 What can curators do to engage larger audiences? BL: If the goal is to address a broader audience, they might consider everyday problems of „ordinary” people, and the things that concern people who don’t deal with art. They have to speak a language that is intelligible and interesting not only for professionals, but the broader layers of society. Instead of elitist or populist niches they should rather be thinking in their intersections.
#3 In what ways have you experimented with or subverted the typical artist and collector relationship? BL: Still at the beginning of our collaboration a goal we had with a project was to sell a specific picture (My Student Loan Debt in HUF), and since at the time we haven’t known almost anyone in the scene – let alone collectors – we have directly targeted the leader of the competent institution. Although the picture was eventually purchased by someone else, the project has nevertheless raised the interest of the scene, and left a strong local footprint. Inviting the most diverse participants of society to interact with our work means constant inspiration and challenge to us. Our latest action, for example, involved trusting our parents as curators of our exhibition.
#4 What drives your practice BL: Problem solving, (self-)criticism, stupidity, faith, teamwork, compensation, frustration, joy, guilt, provocation, ambition…
#5 How important is subjectivity and humour in contemporary art? BL: The answer for the previous question might be one for this one too.
#6 If there is "one contemporary Hungarian artist" then... BL: The emerging of a world famous Hungarian contemporary artist could bridge the chasm separating our country from the international art world. We think there should be one! --› vikomakt.blogspot.hu
photo by Ashlee Conery