Bosh! Chronicle

The Photography & Art of Jason Fidler

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Rogojeni: The Disappearing Village

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Aliquam vehicula id orci varius dignissim. Nam suscipit velit leo, ac porta nunc pharetra sit amet. Nunc varius, augue ut pretium accumsan, odio risus aliquet sapien, at ultrices velit orci eu dui. Praesent interdum ut tellus dictum rutrum. Ut eget sapien ligula. Vivamus a enim sed risus mattis aliquet mattis eget neque. Curabitur non felis vitae nunc hendrerit auctor eget sit amet mauris. Maecenas feugiat iaculis nisl, quis efficitur leo commodo a. Nulla ultrices pharetra justo eget semper. Maecenas sollicitudin in massa vitae faucibus. Praesent sit amet ante a tellus ultricies finibus. Sed laoreet mollis est, nec eleifend sapien lacinia at. Nam pellentesque eu quam a tincidunt. Vestibulum nisl elit, blandit vitae sem id, auctor commodo nunc.

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Georges Bataille: Eroticism

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Dynamic Symmetry, Composition & Henri Cartier Bresson

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Outside the Gates: The reinvention of Kiev’s Podil District

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On the Periphery by Sinziana Velicescu @via aint-bad.com | sinzianavelicescu.com

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On the Periphery by Sinziana Velicescu @via aint-bad.com | sinzianavelicescu.com

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Debris of the Senses Empire

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Twenty Six Gasoline Stations: Interactive presentation of Ed Ruscha’s seminal 1962 Art Book 

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Twenty Six Gasoline Stations - Ed Ruscha 1962 Twentysix Gasoline Stations is the first artist's book by the American pop artist Ed Ruscha. Published in April 1963 on his own imprint National Excelsior Press,it is often considered to be the first modern artist's book, and has become famous as a precursor and a major influence on the emerging artist's book culture, especially in America The book delivers exactly what its title promises, reproducing 26 photographs of gasoline stations next to captions indicating their brand and location. From the first service station, 'Bob's Service' in Los Angeles where Ruscha lived, the book follows a journey back to Oklahoma City where he had grown up and where his mother still lived. The last image is of a Fina gasoline station in Groom, Texas, which Ruscha has suggested should be seen as the beginning of the return journey, 'like a coda'.

Originally printed in a numbered edition of 400, a second edition of 500 was published in 1967 and a third of 3000 in 1969. Neither of these later editions was numbered. It has been suggested that these reprints were a deliberate attempt to flood the market in order to maintain the book's status as a cheap, mass-produced commodity. The book originally sold for $3.50 Of the work, Johanna Drucker said:

Ruscha's books combined the literalness of early California pop art with a flat-footed photographic aesthetic informed by minimalist notions of repetitive sequence and seriality....Thirty years later, with a quarter of a century of mainstream artworld activity between, the aspect of shock-effect and humor has diminished somewhat. But in 1962 (sic) this work read against the photographic landscape of highly aestheticized image-making.

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The Disappearing Village: Moldova’s hidden treasures

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In consectetur libero libero, quis hendrerit quam elementum quis. Praesent in erat mollis, varius magna cursus, pulvinar est. Phasellus dignissim sodales nisi, id aliquet felis volutpat a. Morbi suscipit rhoncus elit. Donec elementum sapien sed mi molestie, id blandit quam pellentesque. Morbi at sollicitudin lacus. Integer volutpat pharetra diam, et iaculis leo finibus non. Pellentesque eu orci vitae nulla sagittis pellentesque. Suspendisse vestibulum tristique elit, vel ullamcorper felis eleifend vitae. Nunc luctus massa metus, vitae pretium mi pretium ac. Aenean porta quam et tempus porta. Pellentesque sodales libero magna, non laoreet justo tempor varius. Vestibulum mi urna, egestas ut nunc imperdiet, varius interdum velit. Donec nec velit ipsum.

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Debris of the Senses - Atmospheric night photography from the margins of London’s Hackney Wick

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Integer ullamcorper augue odio, ac tristique nisi interdum vestibulum. Suspendisse lobortis quam ac molestie lacinia. Phasellus suscipit nec lacus id dictum. Nam sed ligula auctor, facilisis leo sit amet, molestie elit. Nunc rutrum tellus eget ipsum vulputate viverra. Aenean semper eros sed nibh gravida, ac tincidunt odio fermentum.

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Eroticism & Photography part 1: On Classical Pornography - Susan Sontag 1964.

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Casual Time Traveller: The sun-baked Los Angeles landscapes of Sinziana Velicescu

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Metro Portraits, Kiev.