Introducing The New Web Wallet from Uphold on Vimeo.

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Introducing The New Web Wallet from Uphold on Vimeo.
get on your feet.mp4
THIS IS THE GREATEST THING I HAVE EVER SEEN
Mural of Ali Mustafa Painted on Mohamed Mahmoud St. from Omar Robert Hamilton on Vimeo.
Graffiti of Ali Mustafa our friend and comrade and a fearless photographer, who was killed in Syria by the Assad regime in Aleppo on March 9th 2014.
Graffiti by Omar Fathy
Images captured by NASA’s Spitzer Space Telescope. (Some images include data from other telescopes)
The Spitzer Space Telescope is the final mission in NASA’s Great Observatories Program - a family of four space-based observatories, each observing the Universe in a different kind of light. The other missions in the program include the visible-light Hubble Space Telescope (HST), Compton Gamma-Ray Observatory (CGRO), and the Chandra X-Ray Observatory (CXO).
The Cryogenic Telescope Assembly, which contains the a 85 centimeter telescope and Spitzer’s three scientific instruments
The Spacecraft, which controls the telescope, provides power to the instruments, handles the scientific data and communicates with Earth
It may seem like a contradiction, but NASA’s Spitzer Space Telescope must be simultaneously warm and cold to function properly. Everything in the Cryogenic Telescope Assembly must be cooled to only a few degrees above absolute zero (-459 degrees Fahrenheit, or -273 degrees Celsius). This is achieved with an onboard tank of liquid helium, or cryogen. Meanwhile, electronic equipment in The Spacecraft portion needs to operate near room temperature.
Spitzer’s highly sensitive instruments allow scientists to peer into cosmic regions that are hidden from optical telescopes, including dusty stellar nurseries, the centers of galaxies, and newly forming planetary systems. Spitzer’s infrared eyes also allows astronomers see cooler objects in space, like failed stars (brown dwarfs), extrasolar planets, giant molecular clouds, and organic molecules that may hold the secret to life on other planets.
Spitzer was originally built to last for a minimum of 2.5 years, but it lasted in the cold phase for over 5.5 years. On May 15, 2009 the coolant was finally depleted and the Spitzer “warm mission” began. Operating with 2 channels from one of its instruments called IRAC, Spitzer can continue to operate until late in this decade. Check out: Fast Facts and Current Status.
Credit NASA | images: NASA/Spitzer
By Cassandra Jean
FRAGMENTS from Stephanie Weber Biron on Vimeo.
Chloe, a straight talking film director, tries to convince her friend Sam to be an actor in her next short film. Just after finding out that he once again didn’t get into medical school, Sam meets Alex, a hypochondriac 18 year old. A love triangle forms in these self-reflexive, humoristic fragments filled with sex talk , set in New Orleans.
Huma Klabin from Vitruvius on Vimeo.
THE PATH TO PRECIOUS STONES from Carol Vargas on Vimeo.
A commercial video for Pettrus company showing the grandeur of nature and the exuberance of Brazilian Ornamental Stones. Our rare and eccentric ornamental stones are extracted from quarries located in the most inhospitable places in Brazil. In order to maintain the real natural beauty of these rocks, a complex and laborious process is required, resulting in products that are appealing to the eyes of designers and architectures around the world.
Directed & Produced by Carol Vargas Cinematography by Yury Aires Drone Operator: Elio Longhi Edit & Sound Design by Marcelo Moll Mastering: Josias Teixeira Trip Animator: Ilson Sandrini
sintonia fina from lumini on Vimeo.
entre a arte e o design, a nova coleção desenvolvida pela designer claudia moreira salles para a lumini é mais que especial.
FESTA ILIMITADAS from gakomartins on Vimeo.
FESTA JUNINA DOS ESCUDER
Câmera e edição: Glauco Martins Musica: Gonzaguinha - Casamento da Raposa
TWIN & nook & BTV from nook architects on Vimeo.
Danielle + Benji - Short Film from Zephyr Productions on Vimeo.
It was the fairy tale wedding you dreamed about as a little girl, have a watch as real life fable comes to life before your eyes.
Venues: Milton Park Hotel, Bowral NSW - miltonpark.com.au/ Summerlees Estate, Sutton NSW - summerlees.com.au/ Photography: Lilli Waters - igotyoubabe.com.au/ DJ: We Play Records - weplayrecords.com.au/
Filmed by Zephyr Productions -zephyr-video.com/
Wes Anderson // Centered from kogonada on Vimeo.
“I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting. That's just sort of my way.” – Wes Anderson
Music: The New Lobby Boy by Alexandre Desplat
kogonada.com
SKYGARDEN - A melhor solução em Paisagismo Sustentável, Telhados Verdes e Jardins Elevados from SkyGarden Envec on Vimeo.
SkyGarden é mais que simplesmente a melhor solução para seus projetos de telhados verdes e jardins verticais. Queremos ser seus parceiros na elaboração e implementação de edificações mais amigáveis com o meio ambiente. Mais que isso, queremos que cada projeto seja um pequeno passo rumo a um objetivo muito maior: transformar a relação do espaço urbano com a natureza nativa. Informações: skygarden.com.br
Casa Redux_studiomk27 from studio mk27 on Vimeo.
a film by pedro kok + gabriel kogan studio mk27
TERRA ESTRANGEIRA from Studio Guilherme Torres on Vimeo.
Revisitando o trabalho desses pioneiros que criaram a visão do Brasil dos “Anos Dourados”, o Studio Guilherme Torres desenvolveu o projeto batizado de “Terra Estrangeira”. Neste espaço, uma seleção criteriosa de mobiliário e arte cria uma narrativa sobre o Brasil de ontem e hoje.
Revisiting the work of these pioneers who created Brazil's vision of the "Golden Years", the Studio Guilherme Torres developed the project called "Foreign Land". In this space, a careful selection of furniture and art creates a narrative about the Brazil of yesterday and today.
VILLA DECA from Studio Guilherme Torres on Vimeo.
“Queria um espaço completamente integrado ao Jockey e de volumetrias insólitas. O fato de me inspirar no passado não leva de modo algum a uma arquitetura datada. Pelo contrário, busquei uma casa que nos atende hoje e acho que ela cumpre este anseio.”
Guilherme Torres
"I wanted a completely integrated and unusual volumetric space. My inspiration in the past does not lead in any way to a dated architecture. Rather, I sought a home that is function for us today and I think she fulfills this desire. " . Guilherme Torres