Repast (Mikio Naruse, 1951)
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@brcketted
Repast (Mikio Naruse, 1951)
what if when royce lost the fight and was put in the transistor, he’s like. standing in the field of wheat, and for a moment he feels at peace. and then from behind him, mr. nobody is like
Bernard Tschumi, Advertisements for Architecture (1976-1977)
royce bracket could like poetry if he actually thought about anything except for the process. or science. or math.
Someone managed to dig out all the audio files from the game, and it turns out that there were a LOT of lines that were cut from the game, including this interesting little monologue from Royce Bracket about the Transistor. (Do listen right to the end, his last lines are hilarious because he sounds so vaguely affronted.)
𝐈𝐒𝐂𝐍𝐓𝐅𝐂 𝐀𝐒𝐊𝐄𝐃 : ’ you realize this can only end one way? ’ / royce @ red :)c
barely made it , barely survived . the process is contained it can no longer consume the rest of the barren city . they remain at a stand still . red ‘ s arms wrap around the transistor seeking warmth , but only feels the cold shell . royce ‘ s voice has become something along the likes of nails on a chalkboard / grating and frustrating . he sounds so sure of himself . he sounds as if he won ‘ t fail and die like the rest . red knows he will lose she knows that he will taste the bitter essence of defeat and loss . even if she had a voice , she ‘ d remain silent . red knows he will lose , but does not forget that just because he will lose / it doesn ‘ t mean she will win .
𝐏𝐑𝐎𝐌𝐏𝐓 . & 𝐀𝐂𝐂𝐄𝐏𝐓𝐈𝐍𝐆 .
𝐈𝐒𝐂𝐍𝐓𝐅𝐂 𝐀𝐒𝐊𝐄𝐃 : ’ you realize this can only end one way? ’ / royce @ red :)c
barely made it , barely survived . the process is contained it can no longer consume the rest of the barren city . they remain at a stand still . red ‘ s arms wrap around the transistor seeking warmth , but only feels the cold shell . royce ‘ s voice has become something along the likes of nails on a chalkboard / grating and frustrating . he sounds so sure of himself . he sounds as if he won ‘ t fail and die like the rest . red knows he will lose she knows that he will taste the bitter essence of defeat and loss . even if she had a voice , she ‘ d remain silent . red knows he will lose , but does not forget that just because he will lose / it doesn ‘ t mean she will win .
𝐏𝐑𝐎𝐌𝐏𝐓 . & 𝐀𝐂𝐂𝐄𝐏𝐓𝐈𝐍𝐆 .
Tonight at work I asked this man how he was doing and he responded with “That’s a personal question” and like wow what a mood
I hate it when people ask “do you trust me” like …don’t call me out like that ……..the answer is no
Junot Díaz, The Brief Wondrous Life of Oscar Wao
when people get upset over you trying to destroy and rebuild an entire city to fit your vision:
asked by @lavening : ❛ this is it then. ❜
breath is taken and then released as smoke, the cigarette clasped between fingers tapping against the edge of the banister. high above the crowd, they face the stage, awaiting one final performance. one final performance for beloved fans. ❝ well, yes… yes, i suppose… ❞ he trailed off, missing the resigned tone that laced sybil’s voice. all too suddenly, he wishes he was still back at his desk working out equations as silence falls once more. he doesn’t miss the awkwardness that pervades the space between them, finds himself scrambling for something to fill it. the hand that doesn’t hold his cigarette twitches against his lap. ❝ i’ve heard she’s a good singer, ❞ he strains out, ❝ very…very, ah...quite a nice voice she’s got, supposedly. that true? ❞
hey there ! do you like scientists ? perhaps rat bastard ones ? maybe even ones that like to think they have over a 1000 IQ ? if you’d like to write with royce bracket from transistor, who qualifies for all these things, then like or reblog this post !
I’ll be honest. Killing you? Is hard. You know what my days used to be like? I just tested. Nobody murdered me. Or trapped me in a sword. Or fed me to the Process. I had a pretty good life. And then you showed up. You dangerous, mute lunatic. So you know what? You win. Just go.
Royce Bracket (via incorrectsupergiantquotes)
supergiant games sentence starters.
the goal with these is to be a mix of possible threading material or even just action-y type starters; some may be lyrics from the game soundtracks as well. most of the ones from pyre are taken from trailers and the pax east gameplay preview. also, these are just some lines or lyrics and i tried to steer clear of spoilers.
bastion —
listen, all this takes a lot of gettin’ use to, and you do get used to it… after a while.
there’s three things i’ll always miss though: one? not havin’ to watch my step all the time. two… ah… forget about two, and three… i miss the songs.
so, build that wall and build it strong ‘cause we’ll be there before too long.
i set my sail, fly the wind, it will take me back to my home, sweet home.
i see your star, you left it burning for me.
gods ain’t gonna help ya son, you’ll be sorry for what’cha done.
they ain’t gonna catch you when you fall.
you’ll be pleadin’ while you’re bleedin’.
they ain’t gonna heal ya son, don’t care about what’cha done.
no matter what happens now, you done good kid.
now… there’s something i want you to see.
did anyone else survive?
if i could be anyplace i wanted… i’d stay right here — we could go anywhere in the world.
nah, i’m just foolin’.
— i’d hate to be in your shoes.
well… it’s a touching reunion…
glad you showed up…
sometimes ya just need a drink.
right back at’cha!
get up, kid!
c’mon, that ain’t funny… i said get up!
you’re a mighty fast learner.
the dead? the dead ain’t gotta worry about this mess.
i ain’t one for long goodbyes, so here’s the deal —
although, after talking it out like this? … guess i’m beginning to have my doubts.
our world? she’s done… but there’s a way to put it back together, so better get ready.
together, we’re gonna build something grand.
— and remember… you ain’t in this alone, that’s a promise.
proper stories are supposed to start at the beginning… ain’t so simple with this one.
transistor —
hey _____ — we’re not going to get away with this, are we…?
together again — heh. sort of…
yikes…! found us already.
they want you back i bet… well, so do i.
ok, let’s go!
look, don’t fret, just… do something?
hello world — look at all that.
we’re on the edge of town, a hundred blocks away.
still too close to it, we better get as far from there as possible.
… i’m so sorry, _____.
i couldn’t stop them…
s/he’s tracking us?
ok, side street due east — through there.
i think i know a place where we can get a ride.
this didn’t used to be here…
look, whatever you’re thinking, do me a favor; don’t let go.
it’s just skin and bones.
you always go, walking on coals.
i hear you buzzing, a fly on the wall, in through the window and up through the hall… flying in circles just trying to land.
maybe you’re looking for someone to blame, fighting for air while you circle the drain.
never be sorry for your little time.
it’s not when you get there, it’s always the climb.
but i won’t save you.
when you speak i hear silence, every word a defiance.
think i’ll go where it suits me, moving out to the country.
you tell yourself that you’re lucky.
lying down never struck me as something fun.
i won’t become a number in the system. zeroes and ones? not me.
i will always find you like it’s written in the stars… you can run, but you can’t hide — try.
pyre —
let’s get down to business, chum!
hey chum, you know how to read, or what?
you may call me _____.
see — right on schedule! what’d i tell you?
you told us we’d find someone alive…
someday! i said we’d find someone alive someday… just not today i guess, but don’t be glum.
you know, i see you frowning underneath that mask!
it looks like s/he’s breathing.
broken, shaking, starving, probably diseased… yeah, good luck with that there, chum!
you have an hour at best.
i won’t be long.
don’t care who you are or what you did, none of that matters anymore — all of us? we’re equal nothings here.
turns out you’re tougher than you look.
what!? then what are we waiting for?
silent treatment, huh?!
now now, don’t you play dumb with me here, understand?
i ask you for something simple in exchange.
— sorry to put you on the spot like this, friend.
that horrifying petrified mountain thing that no one with a lick sense goes near? … great.
well — this ought to be good for a few laughs at least… what do you say, _____?
i’m counting on you, friend.
it is safe enough for us to travel by the light of day, but at dusk? we stop.
you could join me for a little stroll if you’re feeling up to it.
in any case… i do what i can to stay busy — it keeps the sense of isolation well at bay.
i see that reports of your demise have been exaggerated, just as we were beginning to think you were gone for good…
i trust you remember my face, though you must have assumed to never see it again after last time…?
never had i come so close to freedom, only for you to dash my hopes.
𝙏𝙍𝘼𝙉𝙎𝙄𝙎𝙏𝙊𝙍 𝙎𝙀𝙉𝙏𝙀𝙉𝘾𝙀 𝙎𝙏𝘼𝙍𝙏𝙀𝙍𝙎 .
‘ we ‘ re not going to get away with this , are we ? ‘ ‘ together again . ‘ ‘ you ‘ re still in one piece , that ‘ s all that matters . ‘ ‘ look , don ‘ t fret just do something okay ? ‘ ‘ i ‘ m so sorry , ____ . ‘ ‘ you met these things . they do not have a sense of humor . ‘ ‘ do me a favor – don ‘ t let me go . ‘ ‘ wish we could just sit and watch the world go by . ‘ ‘ still here for now , don ‘ t worry . ‘ ‘ think i ‘ ll go where it suits me . ‘ ‘ don ‘ t be gone , please don ‘ t be gone . ‘ ‘ look if she ‘ s / he ‘ s / they ‘ re hurt i ‘ ll … i ‘ ll what ? i ‘ ll nothing . ‘ ‘ you ‘ re alive . ‘ ‘ hey say something already . ‘ ‘ i see you hurting . ‘ ‘ i do what i can . ‘ ‘ but i won ‘ t save you . ‘ ‘ maybe you ‘ re looking for someone to blame . ‘ ‘ don ‘ t know what i was expecting but … not this . ‘ ‘ everything ‘ s like we left it . ‘ ‘ the sky looks blue because we want it to . ‘ ‘ i want to go fast and i want to go far . ‘ ‘ best view in town . ‘ ‘ it ‘ s strange coming here . like this . ‘ ‘ can ‘ t imagine what it ‘ s like for you . ‘ ‘ i ‘ m starting to lose you . ‘ ‘ when i look up to where the sky should be , i see you . ‘ ‘ i know you can hear me . ‘ ‘ that ‘ s my star . ‘ ‘ you could always handle yourself just fine . ‘ ‘ i love you so much ____ , you know that right ? ‘ ‘ you see her / him / them / it out there and punch her / him / them / it in the nose for me , will you ? ‘ ‘ seems you ‘ re safe . i take full credit . ‘ ‘ look , we ‘ re going to get ourselves out of this , okay ? ‘ ‘ you just try to hold on , alright ? ‘ ‘ you have to hold on . ‘ ‘ i ‘ m going to find the thing that ‘ s doing this and i ‘ m going to break its heart . ‘ ‘ when everything changes , nothing changes . ‘ ‘ maybe there ‘ s still time . ‘ ‘ see you in the country . ‘ ‘ remember me ? the guy you killed the other day ? ‘ ‘ you ‘ re all i have . ‘ ‘ will i ever see you again ? ‘ ‘ i want you to know … i meant it . ‘ ‘ hello world . ‘ ‘ everyone always said you could be whatever you want in this town . ‘ ‘ this is it for me . ‘ ‘ this is it then . ‘ ‘ you know what you have to do . ‘ ‘ what do we have to lose ? ‘ ‘ i love you . you know that right ? ‘ ‘ i will see you again . ‘ ‘ i won ‘ t let you go . ‘ ‘ stay with me . ‘ ‘ no , it can ‘ t be gone . ‘ ‘ i ‘ m still with you . ‘ ‘ don ‘ t you do it . don ‘ t you dare . ‘ ‘ don ‘ t do this . please . ‘ ‘ i will always find you . ‘ ‘ i will always find you like it ‘ s written in the stars . ‘ ‘ we can run but we can ‘ t hide . ‘
" royce look at me. bitch. " from sybil 😳
❝ you think you can get away with saying that to me? think again. as we speak i am contacting the camerata and you better prepare for the storm. if only you could have known what unholy retribution your little ‘clever’ comment was about to bring down on you. you’re dead, kiddo. ❞