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2025 on Tumblr: Trends That Defined the Year
Aqua Utopia|海の底で記憶を紡ぐ
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@brightworm
nature is healing (I'm making art again and its Will Graham)
(WIPs)
Fantasy High: Oh no the teenagers need to fight a dragon
The Unsleeping City: Oh no Pete the Plug just sold coke to a transphobic mafia vampire at the pigeon wedding
this is what it looks like when i kiss my little cat's head
When you get the reputation of being the guy with the encouraging words on New Year's Eve, it can start to come through as a little pressure -- what if the situation on the ground is worse than usual? what if people are more scared than they usually are, and with cause? what use are good vibes then?
well as you might imagine, because of the way I am hard wired, I think it's good and useful to figure out a way of imagining the light at the end of the tunnel
there's no tunnel, to be clear! nor light! these are metaphors! we could as easily say: the surface above the water; the doorknob in the darkness; the key at the bottom of the junk drawer; and so on, and so on
the use of these metaphors seems limited! strongly limited! when you get through tunnel to the light: what's out there? when you find the key in the drawer: do you actually want to open that door?
but for me this is fact where these ways of describing the world become more, not less, useful and instructive. questions, rightly posed, are about possibilities, not hard stops
"possibilities, not hard stops" -- this is one reason why a recent trend in interviewing on album cycles has been kind of mystifying to me: people will ask me to sort of summarize the song. but that's not how songs work! their job begins where the tidy explanation ends!
hence the occasional usefulness, I'm told, of the phrase "if it kills me" in a song I know people play on new year's eve, for which tradition I am so immensely grateful. Thank you.
it is a contradiction! make it through or get killed: these aren't compatible, are they? but yes in fact they are and we know they are. it's easy to forget but we know.
snakes leave behind whole skins. all manner of flying creatures, not just butterflies, do them one better, whole new selves from wriggling worms. rocks into gems. mystics die to the flesh to be reborn in the spirit. rebirth is the rule, not the stray exception, if we can grasp it
we in this country (and, I'd argue, the world, but I'm not here to argue tonight) are challenged to make of our present situation something better. it's a tall order
but look at yourself, consider your life
you have done it before, squared the smooth circle, navigated the hard corner, slipped through and lived to see another day
together? in solidarity? is there anything we can't do: for those suffering in an increasingly inhuman justice system; for our trans kin targeted by this wretched government; for immigrants scapegoated by the callous and the cruel? for, in and through all this, ourselves?
no tunnel but the tunnel whose contours we identify for the purposes of finding its exit, no light but the one we follow to better times
you are here at the end of a year in which I'll bet you wondered what the point was, at some point
the point is that together we can find a way. the point is that. together.
I wish you, and me, and all of us, strength & solidarity & joy in the new year as we find our way together: which we have done this year already, and will arise tomorrow to do again. /thread
wished a customer happy new year yesterday and he responded “happy new moment! you get as many of those as you’d like :)” so we’re all gonna be okay
"Put Baby in pelican mouth" has transformed my thinking in ways I haven't entirely discovered yet. The other day at the shop I heard "just give us your ID card at the till to get 15% off such-and-such products!" And my brain went "Big Chain Store perfec/t size for give all your personal data! Deals very cheap and fun your data safe give data to Big Chain Store. Give data to Big Chain Store. No problems ever with Big Chain Store because good size and safety for ID card weak of so much yummy personal data. Abig Chain Store yes a place for data give data to Big Chain Store can trust Big Chain Store for give data to all its friends. Friend Store"
I am shocked at how many people don't have an actively hostile relationship with advertising
I am skipping your ads as fast as I can. I'm skipping past your sponsor read. I'm muting the tv. I'm muting the tab. If they get too annoying I will simply stop trying to watch.
If advertisers can use every manipulative trick in the book to get me to buy their product, I am fully within my rights to do everything I can on my end to make their job impossible
make out sonnet by F. Douglas Brown
WAKE UP DEAD MAN (2025)
Director: Rian Johnson Cinematography: Steve Yedlin
Not to put on my filmbro meta analysis hat on here but watching the knives out trilogy shows how front and centre right wing radicalism has become in the last 6 years. In every movie, there is one character who is the chronically online right wing man, but he seems to increase in importance each time.
In knives out, Jacob is the character defined by his right wing views. However, he is a child, he experiences pushback on his views from his family (even if it's somewhat performative) and is often the butt of the joke. He isn't shown directly influencing anyone, he is only seen engaging in petty online fights in niche spaces. Although the film acknowledges that his views are bad, and they are reflecting in the world around him (with the looming threat throughout around Marta's family being deported in a conservative world hostile to immigrants) they are not the key themes of the Thrombleys or the movie, more commenting on the ingenuity of the rich which applies to all of the Thrombleys, whether they took the left or right leaning side of the argument around immigration in that scene.
In Glass Onion, we find the character reflecting right wing radicalism is no longer a young boy who is dismissed, but a man who has a sizeable following online. Duke (I personally feel and might not be the intention of the story) is what Jacob could become when he has grown up, unchecked in his beliefs and resentment towards women (who were the primary people in his family pushing against his right wing radicalism) with money and a platform to spread these ideas that were once fringe into the mainstream. He utilises this money and influence from Miles to push this agenda, but we do not see the fallout that comes from that. Duke is also the butt of the joke for quite a few scenes he's in, he's seen by Blanc to be overcompensating for everything with his gun to not wearing masks, and even his friends, equally out of touch rich weirdos comment on his behaviour. Right wing radicalism in glass onion has been brought into the mainstream and is being invested in by the rich, however it is still seen as a joke by others. It's still something to make fun of without consequence, and the impact of this new acceptance of right wing influencers dominating so much of the political space online has not been fully felt yet as it is a phenomena only just beginning to become a dangerous problem.
Finally, in wake up dead man, we feel the fallout of right wing radicalism in local communities and regular people swept up in a craze that had been introduced into the mainstream by the rich who had control over the media they consumed whether they liked it or not. Right wing radicalism in wake up dead man is not a character, or the butt of a joke, but a fully fledged, pervasive, deadly problem that is the centre of the story. These ideas of the world being against them, the "woke agenda" was peddled by both Jacob and Duke in the previous movies, but here we see the effect this has when radicalism isn't just accepted, it's the norm. They go to Wicks' sermons expecting this rhetoric, they expect it to be received well when they repeat it elsewhere like Cy, who believed the only way in politics was that fear mongering ragebait of right wing radicalism that Jacob was doing in comment sections in the first movie. It wasn't a joke anymore, it was the norm. Vulnerable people, who otherwise would have trusted their support system, modern medicine or the rights their ancestors fought for, now believed this was the only path. Because that was right wing radicalism is: scaring people into listening to you because any alternative is simply not viable anymore.
And that's how Wicks trapped his audience, based on the acceptance of those radical scare tactics peddled by Duke, which was indulging a child's personal ignorance enhanced by his own privilege. The knives out series is a really great way of showing how right wing radicalism has changed our political climate frighteningly fast over the past few years. I want everyone here to know it wasn't like this 6, 3 or even 1 years ago. That it's changed and can be changed again. Who was the young boy online for too long mocked by his family instead of having a support system to help him out of the radical right pipeline, turning into a bitter influencer repeating all the things he read as a child in Reddit and 4chan posts with the money behind him as his scare tactics work immensely well in the rich's favour, eventually becoming a borderline cult leader, manipulating and destroying the lives of those who follow him, and crushing everyone who dares disagree. Because his way is the only way to win, right?
Thanks for reading guys, I just had so many thoughts on the changing portrayal of the radical right in the knives out series I could write a whole paper. Forgive my yapping 🙏🙏
Spoilers for Wake Up Dead Man!
One of my favorite details about Wake Up Dead Man is that Grace was never narratively “redeemed.” Yes, the tone of her scenes changes as her story was told differently, but we are never told why, never given a factual change in the story. And that stands out, not due to this movie, but because of how it defies the usual script.
We aren’t told that she had a kindhearted or desperate need for the money. (There is no surgery, no starving child)
We aren’t told that her romantic relationship was horribly abusive or ended with a tragic death, we aren’t told whether or not she was sleeping around
We aren’t even told that her living at the church, with her father, was horrible or abusive
These are all things we can fill in the blanks for, with varying results, but we’ll never actually know because that isn’t the point. The point isn’t that she deserved it through piety or need or as recompense for tradegy.
The point is probably many things and far more complex than this, but she was promised something in return for years of her life and lied to. That’s all the movie thought we needed to know.
in a beautiful and hope-filled return to form, my longest artless streak to date has been ended by Fanart Of A Guy™️, with ship art very likely to follow
i'll do it for sam
And when there was only one pair of footprints in the sand, that's when Samwise Gamgee carried me
Despite everything,