Kitchen window - Veronika Danielsson. , 2021.
Swedish , b. 1980s
Oil , 60 x 60 cm.
he wasn't even looking at me and he found me
Cosimo Galluzzi

Origami Around

JVL

❣ Chile in a Photography ❣
noise dept.
tumblr dot com
Peter Solarz
No title available

blake kathryn
PUT YOUR BEARD IN MY MOUTH

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
Misplaced Lens Cap
Today's Document
I'd rather be in outer space 🛸

shark vs the universe
Three Goblin Art
seen from United States

seen from Italy

seen from United Kingdom

seen from United States
seen from United States
seen from Italy
seen from United Kingdom

seen from United States
seen from Brazil

seen from Japan
seen from Türkiye

seen from Australia
seen from Dominican Republic

seen from Türkiye

seen from Austria
seen from China
seen from United States

seen from Türkiye
seen from Dominican Republic
seen from United States
@bringajacket
Kitchen window - Veronika Danielsson. , 2021.
Swedish , b. 1980s
Oil , 60 x 60 cm.
Eucalyptus - Floris Verster , 1896.
Dutch , 1861-1927
Pencil and chalk on paper, 50.2 x 40.7 cm.
Whitewood Road - Martijn Hesseling , 2024.
Dutch , b. 1971 -
Newspaper with industrial lacquer on plexiglass , 95 x 126 cm. Framed
Émotion — 1966, dir. Nobuhiko Obayashi
Rice fields in the Mazandaran Province, Iran. A. Abbas
The Cure - Gig poster- 20th June 1980
X-Ray-Spex - Oh Bondage ! Up Yours !
Amy Winehouse, V Magazine, 2007
me not understanding a movie: wow… the cinnamon tography
“1970 (Showa 45). Due to business difficulties, the Tokyo Design College, a cartoonist training technical school, has decided to close it. Some of the students who were informed of the school closure are standing up at the school and protesting. It is a stray cat picked up by students that sleeps on a futon.”
Vivienne Westwood Spr/Sum 2012
Poison Ivy / Cramps
Halloween 2006
David Bowie Pulling off Mask, 1973 - Ph. Mick Rock
Debbie Harry (Blondie), New York City and the Punk Scene in the 70’s, 1970-1980 - Ph. Chris Stein
Gérard Ernest Schneider (Swiss, 1896–1986), Opus 55L1976, 1976, 73 x 92 cm
The Clash - Stay Free (1978)
Give ‘Em Enough Rope was a bit of a let down - second albums are often difficult. Sandy Pearlman’s production was cleaner than the debut LP, but it was the songwriting which really lagged. Safe European Home and this great tune, are the clear standouts.
Cause years have passed and things have changed