finally 30. thank god.
my best friend is the best. btw.
almost home
ojovivo
Peter Solarz

JVL
Sade Olutola
🪼
NASA
KIROKAZE
RMH
art blog(derogatory)
todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
cherry valley forever
One Nice Bug Per Day
h
$LAYYYTER

Product Placement

titsay

oozey mess
seen from United States

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seen from United States

seen from Germany
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seen from Malaysia
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@brokenheartedcubscout
finally 30. thank god.
my best friend is the best. btw.
you spill dr pepper on the concrete and a single perfect rose pushes up out of a crack
i'm bored let's remember why we reach out to each other
they will kill you for having fun on the internet
I Still Know What You Did Last Summer 1998, dir. Danny Cannon
NAOMI OSAKA — outlander magazine.
The embrace that feels like home
kitty su by rielle oase
HAROLD PERRINEAU as Mercutio | ROMEO + JULIET (1996)
PinkPantheress by @mircybr on Twitter/Instagram
Something I really struggle to get people to understand is that like. Sometimes there was no intentional homoerotic subtext, the author was just extremely misogynistic. Sometimes the author wasn't "secretly shipping" those two men, the author literally just hates women so much that they see them as being literally incapable of relationships with depth. Like this is kind of a big thing with misogyny actually. A lot of extremely misogynistic people truly believe that a man can only have meaningful and complex relationships with other men because they literally just think women are so inferior they only exist to birth children and clean the house. It's like when people say along the lines of "no one worships exclusively men quite like straight men do". It's just that phenomenon actually. That happens to be manifesting in a raging misogynist's writing. Writing a man character who literally only puts effort into his friendships with other men while completely ignoring his literal girlfriend or wife is actually an extremely straight thing to write. And that doesn't mean you can't ship those men or that there are no stories with actual intentional homoerotic subtext. I just think it's important to be able to recognize extreme misogyny in writing and acknowledge it without brushing it off and assuming good intentions when literally all evidence is screaming that this was a misogynistic writing choice and not a representing gay men choice.
im in a very vulnerable state if any hot lesbian wants a turn at ruining my life
Hereditary | 2018 dir. Ari Aster
Luca Ponsato - Does Anyone See My Suffering
5/19/24 supercell near Russell, KS
“I mean, for me, I could love someone even if I, you know, wasn’t paid for it. I love you, and… you don’t pay me.”
My Own Private Idaho (1991) dir. Gus Van Sant