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★

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George Barbier "Egypt" illustration for ‘The Romance of Perfume’ 1928
Conant Theater Magazine - 1922
Bhaskar Roy Chowdhury - 1950’s in Surya Nrityam (Dance of the Sun God)
Eugène Druet: Vaslav Nijinsky, Les Orientales, danse Siamoise, 1910 / Courtesy Bibliothèque Nationale de France
Japanese Ukiyo-e: Swampcat the slayer. Kawanabe Kyōsai
From Wikipedia:
Itō Jakuchū (伊藤 若冲?, 1716–1800) was a Japanese painter of the mid-Edo period when Japan had closed its doors to the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.
Compared to Soga Shōhaku and other exemplars of the mid-Edo period eccentric painters, Jakuchū is said to have been very calm, restrained, and professional. He held strong ties to Zen Buddhist ideals, and was considered a lay brother (koji); but he was also keenly aware of his role within a Kyoto society that was becoming increasingly commercial.
The Gentleman in Pink 1560 Palazzo Moroni, Bergamo
~ Giovanni Battista Moroni
Léon Bakst (1866-1924)
http://bibliodyssey.blogspot.com/2013/05/bird-album.html
Rob Dunlavey via https://www.facebook.com/robdunlavey
Léon Bakst (1866-1924) via https://www.facebook.com/SlavicFolkloreDreams
The Programme Officiel des Ballets Russes, Mai-Juin 1912 featuring the costume design for Vaslav Nijinsky’s Faun in L’Après Midi d’un Faune, by Léon Bakst.
The Dying Valentine Gode-Darel, Leon Bakst