GENEVIEVE BENNETT - an original character, taking the form of a pirate vampire.
contains themes of lost soulmates, death is not the end, revenge, solitude, bloodlust, and kleptomania.
affiliated with: @p1rat3
DOC.
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Color Me Curious
Monterey Bay Aquarium
Interview Vampire Daily
Cosimo Galluzzi
almost home

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"I'm Dorothy Gale from Kansas"
todays bird

Kiana Khansmith

tannertan36
Not today Justin
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EXPECTATIONS
Fai_Ryy
taylor price
Xuebing Du
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seen from United States
@buccaneir
GENEVIEVE BENNETT - an original character, taking the form of a pirate vampire.
contains themes of lost soulmates, death is not the end, revenge, solitude, bloodlust, and kleptomania.
affiliated with: @p1rat3
DOC.
miss bennett.
the helm sits easy between her hands. it’s a nice night, calm waters. she’s more an accessory at this moment, with little to report to the next crew member that comes to relieve her shift so she can sleep.
he does this sometimes. checks up on her even though she swears she’s well— four years into this voyage with him, she’s come to the conclusion that it’s the best balance between being a crew member on his ship, and being with him.
miss bennett. he wants something from her. or he missed her, from halfway across the ship.
“captain.” the corners of her mouth tip up. “if i may be so bold, you ought to be asleep.”
interview with the vampire (2022): episode 5, a vile hunger for your hammering heart. tw: murder, death, abuse, violence, blood, strong language, all vampire things.
* i can’t die like this!
* let my dog live.
* it’s a kill list in a teenager’s handwriting.
* i’m trying to think of something more fucked up than this.
* they’ll scale the sides of this building, force their way inside and paint the walls with his blood.
* don’t look down on them, look in the mirror.
* he’s an opinionated young man, he lives to share these opinions even when they are not solicited.
* what does he taste like?
* i didn’t ask that.
* you were thinking it.
* he tastes like honey and pineapple, he stuffs himself for days before he offers himself to me. would you like to sample?
* i care for him more than he cares for himself.
* stay out of my head.
* you wouldn’t find the corroboration you’re seeking even if you could. we burned, we buried. and a convention city is not motivated to advertise grim statistics.
* i know what i’d do, but you’ve cut my hands off.
* don’t do that, it’s private.
* what night is it?
* i couldn’t hear you over the tugboat.
* a whole lot of concern has been wasted on you these past months.
* did you read my other ones?
* well, you better hope and pray you taught me how to clean up good.
* you gonna let him do this to me?!
* i’ve read some passages out loud, i’m afraid. hurtful words for both of your guardians.
* i buried them, okay?! way out of town! nothing out there for miles, no one’s ever gonna find them except maybe criminals burying bodies of their own.
* i’m never gonna forget what happened here. i hate you.
* get out of my room!
* you want money?
* i mean, it’s always a straight line with you. yes, i am asking for your support in my campaign.
* sounds like there’s a maniac on the loose.
* don’t be too startled if the police come knocking on your door.
* i was in the middle of cleaning when they knocked.
* you often leave your daughter alone with access to illegal spirits?
* that’s my daughter’s room!
* oh, i’m getting ready for bed!
* have you lost your goddamn mind? overnight, in a jail cell, with no coffin. we all be dead by morning.
* we do not bring souvenirs into the house!
* so much wine in his blood… and beer, and whisky.
* you wanted her, you fix her!
* do you remember our life, how happy we were before her? an anvil tied around our ankles, pulling us towards the pitch-black ocean floor.
* who am i supposed to love?
* how are you gonna fix it, huh? which one of you is gonna fuck me?
* well, you’re not my type, i like a fuller figure.
* if you could find other vampires, which you won’t, they would shred you to strips because you are built like a bird, because you are a mistake.
* how about you shut the fuck up?
* he treats us like shit and you take it! why is that?
* you, as cruel as the devil ever made, to refuse me one love when you got two!
* i’ve been entertaining myself.
* i’ll kill her soon.
* don’t run off…
* why did you take me home? why not a hospital? maybe i’d have a handsome husband by now, or he’d be plain with a good disposition. that’d be fine too. i’d be sweeping floors, making dinners, nursing babies. maybe i’d go to church… you think on that some.
* i had no words for her, what words were there? “it all happened so fast”, “i was trying to save you”… “all vampires are born out of trauma.”
* poor dear. she wasn’t held enough in between ritualistic murders.
* look, charlie manson wrote a couple of beautiful songs. still, he was charlie manson.
* is that all you think of her?
* it won’t matter what your intentions are… it’s the world out there right now.
* once you put it out there, they decide what it is. it can get away from you.
* i won’t have her exploited.
* keep reading.
* keep talking.
* assume we are under suspicion. assume our finances no longer provide us protection.
* make your kills outside of the city, one a night. no persons of note… unfortunates, undesirables.
* we should leave the city, start anew, turn a betrayal into an opportunity. new york, chicago, los angeles…
* we should dismantle her room.
* she’ll be back.
* there would be no roaring twenties for us.
* we were underground for seven years.
* (name), come home. i know i hurt you. i know i can make it right again.
* little girl… i’m talking to you. now what were you doing in the library? you’re not allowed in there.
* i don’t talk to strangers.
* you can read?
* just as i thought, a little thief. you’re coming with me.
* what are you gonna do after that? after you turn her in, after it makes you feel like a big man, what’s your next move, you think?
* you’re not allowed to ride one of those on campus.
* this is our school, where is your fighting pride?
* you hungry?
* flaubert’s style is so dense. the absence of metaphor is so striking…
* should we make it a night of the two?
* you sound like every pompous sorbonne student i’ve ever eaten.
* should i do it like you instead? read the first ten pages of every book and pass myself off as cultured?
* well, at least you’re listening. i sit there thinking “light yourself on fire, see if he’ll notice.”
* you draw me into your gloom.
* it’s your fault she’s gone. if you hadn’t pushed her…
* i cannot listen to this insanity about (name) one more time.
* i got to hear my own funeral. only couple dozen people showed up, most didn’t have much to say. started talking about the weather a few minutes in.
* poor fella digging my grave lies resting on the family plot.
* what was he like, your maker?
* it ain’t like that, he’s more like a dad.
* oh, now there’s three of us.
* got me wondering what it’d be like, ride with others, hunt in a pack. a little fang gang.
* you got a name?
* you don’t kill like a (name), you kill like a killer.
* there are four pages torn out… did she tear them out? didn’t seem like something she would do…
* when you do that, when you editorialize, however noble the reasoning, it calls into question all of the other shit you’re shovelling my way.
* don’t ask again.
* it could be her, but i’m the one who is presently standing in front of you.
* so, if my considerable considerables continue to be squandered…
* hello? oh, sorry… no, it’s good to hear your voice.
* we’re headed north… crash cleaned us out. and don’t offer, ‘cause i’m not asking.
* you look good.
* don’t need that either, (name). or… whatever you are that took my (name).
* i prayed myself old, begging what to do about you. god never talked back, so… this is how it has to be, for me, for my family. you understand?
* i’ve come to apologize, i put you both in a bad spot. i wasn’t right in my head… i am now.
* apology not accepted.
* so, quick stop home to do laundry before you fuck off for good?
* perused a few folklore anthologies and now you’re going to cross the ocean to take on a society of monsters?
* if what i’ve read is lies, then tell me what’s true.
* seven years and what’s changed other than you need a housekeeper?
* the vampires out there are vicious… oh, but you know that already. who did you meet out there?
* that’s it, keep ‘em scared. that’s his way.
* we took her life from her. we cursed her.
* come with me! come with me, (name)!
* i thought i could live without you but i was wrong.
* his love is a small box he keeps you in. don’t stay in it!
* a thousand nights of sulking, and the first sight of her you’re just gonna up and leave me?!
* please, come with me! let’s be vampires worthy of your love!
* i fought myself a million times, fought my nature, controlled my temper… i never once harmed you.
* let him go… he didn’t do nothing. it’s me you want.
* i have patiently waited in vain for you to love me as i love you. just say it… i’m never going to love you. it would help me a great deal to hear that from your lips… your quivering, hateful lips.
* let go of me.
* anything for you.
i can feel this body dying all around me.
she opens an eye, regards him from where she's reclined under a tree. he looks, objectively, awful. like he's about to shrivel up and fall to pieces, like he's about to die. it scares her. but she's also still learning the idiosyncrasies of his brand of immortality— genevieve, after a few hours in the sun, would be nothing more than charred bone. colton appears to be less affected.
"you need to feed." it's not a question — it's a diagnosis. she tries not to let the worry affect her tone. he knows himself better than she does, at this point. he wouldn't stay out in the sun for too long and then leave her again. genevieve pushes herself out of her chair, flexes her toes in the grass, comes to stand at the edge of the shade. "you want me to go find you something?"
PROMPTS FROM THE LAST UNICORN * assorted dialogue from the 1982 movie, adjust as necessary
your name is a golden bell hung in my heart. i would break my body to pieces to call you once by your name.
i'm always dreaming, even when i'm awake, it is never finished.
i can't do this very much longer.
unicorns? i thought they only existed in fairytales.
why do the leaves never fall here?
i love whom i love.
i'm looking for others like me.
what is the matter with your eyes? why can i not see myself in your eyes?
take me with you. for laughs, for luck, for the unknown. take me with you.
you may come with me if you'd like.
i cannot turn you into something you are not.
you are losing my interest, and that is very dangerous.
you may come and go as you please.
i wish you would ask something of me.
i am afraid of this mortal body.
i had that dream again.
i remember you.
love is slowing you down.
come with me.
who am i? why am i here?
you can't come with us.
never run from anything immortal. it only attracts their attention.
a happy ending cannot come in the middle of the story.
what are you looking at?
please! please do something!
what can i do?
that would take a real magician with real magic, and i can't pretend anymore.
you have magic.
maybe you can't find it, but it's there.
you have all the power you need if you dared to look for it.
i was innocent and wise, and full of pain.
now that i'm a woman, everything is strange.
oh, i love you.
i will keep the color in your eyes when no other in the world remembers your name.
how'd you like a punch in the eye?
say my name. if you know my name, tell it to me.
i can never regret. i can feel sorrow, but it is not the same thing.
i love you. that's all i have to tell you.
yes, i will help you.
i know you! i almost knew you as soon as i saw you on the road coming to my door.
why must you always speak in riddles?
you can find others if you are brave.
i am listening!
i like to watch them. they fill me with joy.
you are an idiot! do you hear me?
i can feel this body dying all around me.
that was the real stuff. that was wine!
i would not be you for all the world.
you have let your doom in by the front door, but it will not depart that way.
i knew you were the last!
don't cry. if you have become human enough to cry, then all the magic in the world cannot change you back.
no, it can't be. can it be?
where have you been? damn you! where have you been?
don't you talk to her that way!
i'm here now.
where were you twenty years ago? ten years ago?
how dare you come to me now, when i am this!
it's all right. i forgive you.
you are a true wizard now, as you always wished.
does it make you happy?
men don't always know when they're happy.
i am a little afraid to go home.
i have done you evil and i cannot undo it.
i will try to go home.
it is a very rare person who is taken for what he truly is.
there are no happy endings because nothing ends.
why won't you help me?
pirates of the caribbean: the curse of the black pearl
all starters are taken from pirates of the caribbean: the curse of the black pearl. feel free to change pronouns as needed!
i think it’d be rather exciting to meet a pirate.
yes, that’s what worries me.
man overboard!
sir, the rocks! it’s a miracle she missed them!
can you swim?
pride of the king’s navy you are.
there seems to be some sort of high-to-do up at the fort, eh?
someone has to make sure this dock stays off limits to civilians.
there’s no real ship what can match the interceptor.
you’ve seen a ship crewed by the damned and captained by a man so evil that hell itself spat him back out?
it’s bad luck to have a woman on board. even a miniature one.
i intend to see that every man who wears a pirate brand or sails under a pirate flag gets what he deserves: a short drop and a sudden stop.
i can’t breathe.
women in london must have learnt not to breathe.
i’m told it’s the latest fashion in london.
are you decent?
i’m watching over you, [name].
that’s all i’ve found out.
where did you get that?
clearly you’ve never been to singapore.
you’d best start believing in ghost stories, [name]. you’re in one!
you have your trinket, i’m of no further value to you.
the code is more what you’d call guidelines than actual rules.
take what you can, give nothing back.
you’re supposed to be dead!
that’s interesting. that’s very interesting.
thank you, [name].
am i not?
parley! that’s the one!
gents, take a walk!
because it was [name] who said it.
we’re all men of our word, really.
me? i’m dishonest. and a dishonest man you can always trust to be dishonest. honestly, it’s the honest ones you want to look out for, because you never know when they’re about to do something incredibly stupid.
there be the chest. inside be the gold.
now will you shoot him!?
[name], my effects, please.
not without my effects.
i make a point of avoiding familiarity with pirates.
you seem somewhat familiar, have i threatened you before?
you’re the one they’re searching for.
just doing my civic duty, sir.
you threatened [name].
oh, so it is that you’ve found a girl!
that’s not good enough!
this is either madness or brilliance.
you are, without doubt, the worst pirate i’ve ever heard of.
but you have heard of me.
these are his, sir.
that’s got to be the best pirate i’ve ever seen.
not you, we named the monkey [name].
he strapped a cannon to [name]’s bootstraps.
i’m telling a story!
he plays things close to the vest now.
reason’s got nothing to do with it.
if he was telling the truth, he wouldn’t have told us.
unless, of course, he knew you wouldn’t believe the truth even if he told it to you.
i said no lies!
we got docs yall
KEIRA KNIGHTLEY as ELIZABETH SWANN Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Keira Knightley as Elizabeth Swann in Pirates of the Caribbean: At World’s End (2007) dir. Gore Verbinski