honestly big shout out to snoopy to be honest

if i look back, i am lost
NASA
Show & Tell
let's talk about Bridgerton tea, my ask is open
Color Me Curious
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KIROKAZE
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EXPECTATIONS

gracie abrams

romaâ
RMH
Noah Kahan
Cookie Run:Kingdom Official!
Cosmic Funnies
đ©” avery cochrane đ©”
Monterey Bay Aquarium
seen from United States
seen from Indonesia
seen from United States

seen from Malaysia
seen from Brazil

seen from United States
seen from Colombia
seen from United States
seen from Brazil
seen from Pakistan
seen from Brazil
seen from Argentina
seen from United Arab Emirates
seen from Germany
seen from Brazil
seen from Iraq

seen from United States

seen from Argentina

seen from Portugal
seen from Morocco
@buggers-and-astronauts
honestly big shout out to snoopy to be honest
no alcohol in this flask girl this is miso soup
Building a home for a toadlet
(via)
NOTHING will prepare u for how tiny this guy is
Me watching the prep: Thatâs gonna be WAY too small for him to live in!
Me seeing the amphibian: Objection withdrawn.
American Psycho (2000)
| BLACK FAIRIES |
âĄÂ FUNGI âĄ
tw: mentions of sexual harassment, body image
i recently discovered that i enjoy wearing revealing and form-fitting clothing. i'm someone who's been scale-stepping since the first grade, avoiding the mirror since god knows when. i grew up begging my future self to "fix" the way i look, because no one found grace in my body. now, strangely, i want to look at myself. i hate the way i look in oversized clothesâand as a person whose curves are as uniform as a pop star's voice without autotune, that's most of what i own. they hide me from myself, telling me the more i look like a potato sack, the less people will acknowledge my shape. but that's the trick, isn't it? it's always about other people. because, of course, how could a body not be public property in the middle of the sidewalk, on the train, in the library (/s)? how could i exist in public spaces and expect to maintain ownership of my time, my choices, my pride (/s)? as i process the trauma of existing under misogynoir, i begin to understand that i belong to myself. it's such a simple concept, one that no one wants you to learn. but you sit at a train station at the age of 15 in the most conservative clothes that you own, surrounded by your fellow schoolmates, and a man in his late 30s or early 40s tries his darndest to convince you to have sex with him. at 18, your dad passive-aggressively explains that because you're wearing a tank top with the mildest cleavageâin 85°F weatherâhe can't take you to your grandparents' house like he planned. even though it was your grandmother who bought the shirt for you. even though two months later, your straight-sized younger cousin wears a crop top around them and no one bats an eye. and when you arrive at his house, he tells you to put on something more conservative because there are men in the house. like him. and your brother. and your older cousins. the accumulation of tens of these eventsâsome indirect, some far more traumatizingâgrinds into your head every time you choose an outfit and wonder how you can simultaneously be unsightly and titillating. how men always find a path to objectify you, no matter what you wear. and one day, you buy a dress online that you surmise will fit you loosely, but hugs you like your great-grandaunt on christmas. and you realize, finally acknowledge, that you're the one in possession of yourself. for once in your life, you don't want to look away from your body, and you understand that you only ever hated it, feared it, because society expected you to.
Brought to you by Depop. /j
how beautiful. thank you for sharing
Mushroom Pieces by Eveline Tarunadjaja, one of my absolute favorites
âIf youâre being ignored, thatâs a good time to concentrate on finding yourself and creating your own mystery.â
â
06/24/18 (via ch10em)
The Lamentation over the Dead Christ (PietĂ ), 1565, Tintoretto
Medium: oil,canvas
Happy Together (Chun gwong cha sit) 1997, dir. Wong Kar-Wai.
Joseph Harrisonâs The Floricultural Cabinet
âA garden to walk in and immensity to dream inâwhat more could he ask? A few flowers at his feet and above him the starsâ.                                           Victor Hugo, Les MisĂ©rables
Our first post of 2020 reflects todayâs fine summer weather in New Zealandâs capital city Wellington.
Harrisonâs Cabinet appeared serially between 1833 and 1859. Published in twelve monthly issues, each with a hand-colored plate, the journal contains articles on all aspects of flower cultivation, including lists of new and rare plants, with submissions from various gardeners.
This set, recently transferred to the Alexander Turnbull Library from the National Library of New Zealand collection, begins with the journalâs first number in March 1833 and runs to October 1845. It includes many of the hand-colored plates, with occasional in-text wood engravings of propagation techniques and garden layouts.
Joseph Harrison (1798-1856) was a British horticulturalist and editor, who, along with gardener and architect Joseph Paxton (1803-1865), edited the Horticultural Register before founding the Floricultural Cabinet on his own. The new venture (and presumably the lower cost) proved extremely popular. So much so that near the end of its first year, circulation had risen to nearly 60,000 copies.
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Joseph Harrison, editor. The floricultural cabinet and florists magazine. London: Whitaker & Co, 1833-[1845], thirteen volumes, Alexander Turnbull Library, R407843 (vol. 1) to R407855 (vol. 13).
3/18/17