*⠀⠀ ‘ are you okay ? ’ ⠀ & ⠀ ‘ ask me tomorrow ? ’ ⠀⠀ * mutuals may interact. * ft. @b1gerror
Sade Olutola
DEAR READER
he wasn't even looking at me and he found me

Andulka

blake kathryn

Product Placement
No title available
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
trying on a metaphor
Cosmic Funnies

titsay
i don't do bad sauce passes
Misplaced Lens Cap
Not today Justin

shark vs the universe
Keni
AnasAbdin
No title available
$LAYYYTER
seen from United States

seen from Czechia
seen from Canada
seen from Hungary

seen from United States
seen from United States
seen from Chile

seen from Slovakia
seen from Türkiye

seen from United States

seen from United States

seen from India

seen from United States
seen from United States
seen from New Zealand
seen from Bulgaria
seen from United States

seen from United States
seen from Brunei

seen from United States
@bukleup
*⠀⠀ ‘ are you okay ? ’ ⠀ & ⠀ ‘ ask me tomorrow ? ’ ⠀⠀ * mutuals may interact. * ft. @b1gerror
Jeune et Jolie (2013)
Franz Wright, from Earlier Poems; “The Leaves”
[Text ID: I really have to rouse myself, maybe / even call up a friend I have missed; / or go for a walk in my neighborhood's / shady decrepitude (where do they go / when August comes, where / do they all disappear to) … / And I fully intend to, I certainly should— / just give me a minute or two, / I am so incredibly weary / and I don't know why. I think / these leaves are wishing me / asleep.]
*⠀⠀ r. buckley ⠀ & ⠀ s. harrington. ⠀⠀ * mutuals may interact. * ft. @b1gerror
La femme de l'aviateur (Éric Rohmer, 1981)
La Chinoise (1967) dir. Jean-Luc Godard
Anne-Laure Meury in La femme de l'aviateur ( Éric Rohmer,1981)
The Aviator’s Wife (1981), dir. Éric Rohmer
LA COLLECTIONNEUSE (1967) dir. Éric Rohmer
*Still uses pinky promises as a legitimate foundation of trust*
zawn. i like steve don't even have proper words to describe how incredible you are & robin are. you are such a beautiful writer & i was so intimidated by your talent at first but i'm so beyond glad that you sent that meme & i got the chance to write with you ( even if you break me constantly ). you bring out a better writer in me by how flawless you are. everything you write is purely so robin, from twitter, to wire, to any non sense we come up with, to all your threads & headcanons. you are the robin to my steve & i am so lucky to get to even say that & build on that. what we have built / continue to do is my favorite aspect of this blog, & you get it, we get it, we are out here doing the most & i am currently in the normal people tag again sobbing, it's fine. #fuck stuart little
ANONYMOUSLY (OR NOT) TELL ME ONE THING YOU LIKE ABOUT MY MUSE/BLOG/DYNAMICS
are we loving on zawn ??? because i want in. you are one of few people i followed first on this account because i saw you & kris interacting ( and i was subjected to proof reading robin's death scene i don't wanna talk abt it ) and i'm so glad i did and that we stand where we do now because??? you continuously leave me in awe with your writing, your edits, your love & understanding of robin buckley. it's such an honor to be able to be here & to be able to craft such a wonderful dynamic. thank you ( and the group ) for welcoming me in so easily ilu !!!! <3
ANO NYMOUSLY (OR NOT) TELL ME ONE THING YOU LIKE ABOUT MY MUSE/BLOG/DYNAMICS
Source
Cinema without people: Jeanne Dielman, 23 Quai De Commerce, 1080 Bruxelles (Day three) (1973, Chantal Akerman, dir.)
A Girl Walks Home Alone At Night (2014) dir. Ana Lily Amirpour
Dial: Help (Ruggero Deodato, 1988)