halandil fang 🤝 teor pridesire 🤝 azune nayar: what the FUCK has my rogue-coded sibling been doing since the rebellion
art blog(derogatory)
The Stonewall Inn

Product Placement
d e v o n
Interview Vampire Daily

Origami Around
official daine visual archive
Xuebing Du
No title available
𓃗
occasionally subtle
ojovivo
Cosimo Galluzzi
No title available

pixel skylines
PUT YOUR BEARD IN MY MOUTH
No title available
Cosmic Funnies

tannertan36

PR's Tumblrdome

seen from Saudi Arabia
seen from France
seen from Chile
seen from United Kingdom
seen from Singapore

seen from United States

seen from South Korea

seen from South Korea

seen from Singapore

seen from United States
seen from Oman
seen from Türkiye
seen from Pakistan

seen from Canada

seen from United States
seen from South Africa
seen from United States
seen from United States
seen from Argentina

seen from Bangladesh
@buniven
halandil fang 🤝 teor pridesire 🤝 azune nayar: what the FUCK has my rogue-coded sibling been doing since the rebellion
thoughts and theories from the end of act 5
curse you insertdisc5 for the familyquests, i knew it was coming in some way but this hurt so good :(((( ough
damn i didn't know the king was legit a bad guy, really felt so betrayed that last time
oof the room switching around was really something, took away my false sense of security on learning the map of the place through loops
loop helping the party felt a bit deus ex machina, idk how to feel about this, or maybe it just shows that siff is just deus ex machina level stubborn (?)
as a fan of really dark, angsty character developments, i kinda wanted to see siff getting looped back and breaking down in front of everyone, maybe even using dagger in dormont
some parts still dont make sense, which is prob what act 6 is gonna be abt (hopefully)
how is it only siff's own wish that caused the loops? and how is it that the loops just end now?
and the loops are somehow connected with the world breaking apart with the red crack?
wdym the head housemaiden just "felt compelled" to recite the script? sus...
the king is "killed" in a different way now, is that relevant?
so siff is actually super powerful for his mental state / magic to physically affect the house structures?
thoughts and theories from the middle of act 2
i love the breathing in and out that siffrin does, i sometimes follow along
everyone is so cute??? i love the party dynamics
especially the kid (why are you here, you're a literal child) and actual adult (can't trust saving the world to a bunch a kids)
loop might be siffrin from the future? or at least from the same place
still kinda confused about how the looping and saving works with the skills/levels/location/craft??? (help)
loving the end of the world appropriate crash outs
you can loop from emotional damage????
siffrin is from the country that disappeared, hence memory problems?
maybe siffrin was also looping before this?
maybe the king froze time to save vangaurde from another danger?
Feeling like I watched a very glorified PowerPoint presentation and came out with nothing
No shade to the animators
ALL THE SHADE TO GEGE
physically shaking
wdymmmm
wdymmmmmmm
this episode was crazyyy
so much implications
so much art, so little time...
damn you rich autistic people!!!
first few chapter of house of leaves:
Navidson trauma dumping -> cuts to Zampanò Truant trauma dumping -> cuts to the editors
its honestly funny
reminds me of the whiplash of eva episode 1 when bio mecha gore -> cuts to fly me to the moon
so far so good
the one and only thing I love about all these AI companies ads is the amount of incompetence they make the people in it.
"hey meta, how do i make my son eat breakfast?" "he likes silly faces"
like... damn father of the year i guess
"hey chat, I need some acidity. any ideas?" dude, you just figured you needed acidity, try using a lemon? or your brain?
gosh people, I really hope we aren't that stupid
but the truth is probably a feedback loop, where the more we rely on it, the more incompetent we become
when chatgpt first came out, i kept trying to tell everyone that it is NOT a search engine, a futile effort to say the least
even though we have had a popular search engine that had 2 decades to perfect, it even revolutionized the global language and became a verb "google"
and we decided to trust an underdeveloped machine full of misinformation all because it "talks to you"
damn humans and our tendency to anthropomorphize anything
jd vance should run for pope so we could live action conclave 2 electric boogaloo
rip.
the inherent eroticism of being a failure
GET THEE TO A PSYCHIATRIST
I think it's funny how the fandom is split between romantisizing Jinmao's every interaction and those who find them toxic and problematic. e.g. The thing about the age gap (practically non-existent btw they are ONE YEAR APART). If the show wants to show you problematic, they WILL shove it in your face. If the show is gonna show you pedophilia, they WILL and DID, along with discussing the countless horrific repercussions that come with it (see: The Former Emperor episode). Why bother looking for a problem that doesn't exists when it's right there in the other room?
Secondly, I don't really agree when people say Jinmao's relationship is completely healthy. It's a whole journey to reach the point where it is TRULY healthy. They have miscommunications. They make each other angry. They hurt each other. And if you think that scene in the cave is problematic then oh boy you got a thing coming in future arcs. They're young adults who make mistakes and trying to deal with inner conflict and pressure from those around them and each other. Sexual assault? Yes I can see why it looks like that. But I don't think the creators intended it so. Like I said, if it's problematic I'm sure the show will shove it in our faces. He acknowledged his actions, apologized afterwards and did his best to not make her scared and uncomfortable. Jinshi's not a total green flag and Maomao isn't a defenseless child.
yep yep yep
what happened to nuanced characters and media literacy?
stories aren't meant to be spoon fed to us, and characters certainly don't owe you perfection
jinshi and maomao are great for each other because they cause each other to grow while trying to understand each other
the main commentary about their relationship should be about the power hierarchy in place, (which the show touches on plenty btw) and how they navigate their relationship through it
THAT'S why jinshi is so stressed about telling maomao his position, AND why maomao is so in denial. jinshi wants their relationship to overcome the difference in power while maomao knows that knowledge comes with danger
mr. milkshake: the character of all time
zero work/life balance
has kind eyes
wrangling children
doing calamitous projects
dance with so much soul in a soulless place
refuse to speak monosyllabically
gets gifted blackface paintings
10/10 chefs kiss
I feel like typically the "dead wife" montage does nothing for me, even when executed very well, because it's often just like "here's this woman you'll never get to meet, she only matters because a man loves her so much and now he's sad."
But the montage wasn't just Mark's recollections. It was her perspective too. He's her dead husband. He's her Eurydice as much as he's his own Orpheus.
This isn't humanizing Gemma for Mark's sake. This is humanizing Gemma for Gemma's sake and it's there not for us to root for Mark, it's there for us to realize we're rooting for Gemma. Every moment Mark reaches out for her, she's reaching back.
The dead wife montage normally deprives a woman her agency, making her a tool for a man's arc, but this episode fully restored Gemma's agency. She's fighting back, she's yearning too. She hurts, she aches, she angers. She fights, she bleeds, she gets frustrated too. And has been before she was ever Ms Casey,
I've never seen a show restore a character's humanity as fully as this single episode did for Gemma. She went from an abstract concept--a wife, a severed employee, a ghost--to a tangible person.
And this was realized so literally as well. We literally see her bleed, we literally watch her eat, her hands cramp up, her teeth ache. It's like watching a hologram become flesh muscle by muscle, bone by bone.
I'm in awe of what they were able to do for her in just 50 minutes. In many ways, I feel I know Gemma better than I know half the cast.
ouch.
thank you for putting my complicated, heavy feelings into words after that episode
im gonna go cri now
Regarding your post about Anora, I did appreciate how they dealt with it. It's clear what Ani is afraid of during the home invasion scene. We know subconsciously it's not going to happen because it's not that kind of film, but the way it plays out shows that Baker takes those fears seriously, he doesn't dismiss the very real danger she's in as a sex worker.
yes yes yes!
also side note: i went in blind so i didn't know how the movie would go and what tone it would take. I was fully expecting it to turn very dark somewhere
the fight scene was the turning point of the film: ivan's responsibility finally catching up (introducing the other half of the main cast)
it is very plausible for Anora to become a gritting dark comedy film at that point
the whole reason the fight scene turned out so funny is that Baker didn't want it to be dark, which is why Ani kept on disarming the 2 very large men and beating them up
the thing that i love most about Anora is that Ani was never raped
that rape conversation with Ani and Igor was so very important
this calls out all the people who says rape culture is inevitable, or men just can't help themselves, or rape is deserved because of the victim's job or clothing
throughout the film, Ani is continuously overpowered and her status as a sex worker is belittled, but she doesn't get raped
why? because Igor is not a rapist
in a film about sex and power, I really expected Ani to get raped
but her power and autonomy of her own sex is never taken away
and instead reinforced in the final scene when she USES it to take back her sense of control