Georg Flegel (1566-1638) "Still-Life with Fried Eggs" (c. 1630-1638) Oil on beech wood
Cosimo Galluzzi
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Georg Flegel (1566-1638) "Still-Life with Fried Eggs" (c. 1630-1638) Oil on beech wood
Antti Laitinen - Self-portrait in the Swamp, 2002
Edvard Munch (1863–1944), The Kiss, 1897, oil on canvas, Munch Museum, Oslo, source
above everything by David Ignatow
[ID: poem text reading,
"I wished for death often but now that I am at its door I have changed my mind about the world. It should go on; it is beautiful, even as a dream, filled with water and seed, plants and animals, others like myself, ships and buildings and messages filling the air - a beauty, if ever I have seen one. In the next world, should I remember this one, I will praise it above everything."
/end ID]
changing is scary but so is staying the same changing is scary but so is staying the same changing is scary but so is staying the same changing is scary but so is staying the samechanging is scary but so is staying the same changing is scary but so is staying the same
Nikolay Tolmachev: Wounded II (2020)
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Tracy Chapman
european green crab
fuck it. morningstar
feeling unsettled tonight. more accurately, preoccupied. so much so that my words don't feel like they're flowing at all. rare for me. r's mom is here; her dad is/was supposed to be joining us here on friday. but his father is ill. dying.
i only met the man a handful of times and what i knew of him is that he was a good man who, like all of us i guess, was neither black nor white. i was always r's 'buddy' instead of ever being called her fiance or girlfriend. but it was an acknowledgement that he made in an effort at close to 80 years old because he loves r and started to change.
of course its a tuesday and we're thinking about death. my anxiety towards it gives me another layer of anxiety but kind of in a good way, seeing as for on and off portions of time i have had a more apathetic reaction. but that extra layer's newness is weird and i don't know how to sit with it. having a more concrete anxiety around death to me is emerging because perhaps i like my life more? i feel like i have things to lose?
the closer i start getting towards a life that i want, or one that feels safe or whatever, i don't trust it. no, that's not accurate.
the thought's gone.
the point being is that being is that of course thinking about death makes you think about life and how you behave and exist. you pause and, i mean hopfeully, are prompted to take stock. were you honest? were you happy? what kinds of things will matter in the end?
and i don't even believe that these questions will matter solely because of their impact on oneself, but rather that by responding to the world with some true version of oneself, you are also best serving the people around you by showing up as the authentic version of yourself. to tend to oneself worth in order to recognize and accept the the outcomes that come your way.
so that you can say, at the end, i tried my very best to help create a better world by working both towards my own happiness and wellbeing but that of those around me. and those relationships with people other than myself are worth pursuing and tending to because you also get to meet yourself through other people.
i'll be your mirror being one of my favourite velvet underground tracks and all.
i think caring about our relationships with others is also in many ways a commitment to ourselves. if you hold that you care about the relationship and its success, on some level that means you ought to care about yourself, being that the success is contingent on you showing up as the best version of you.
and i don't mean best as in the most capitalist productive active version of oneself. and that the pursuit of this is contingent first on a lot of material equality to be safe and housed and clothed and able to exist beyond just surviving. but best as in working through the unhealed and ignored trappings that we all bear.
this is a long and rambling post. emerging like always from a late night scroll. working through a some existential digression the only way i know how.
I love you PBS I love you NPR I love you public libraries I love you wikipedia I love you project gutenberg I love you librivox I love you libby I love you hoopla I love you openlibrary I love you internet archive I love you resources that make information free and accessible to the public
the cat came back.
things have been good lately. i feel good saying that. i am trying my best to just be. i am taking my meds. running again for a fun little 5k at the end of the month. chasing after that goal makes me good in the head again.
i find myself in little pockets of peace on my yoga mat or in doodling again in the sketchbook mom got me for my last birthday and feeling a little extra inkling of enthusiasm towards putting together an outfit.
even in writing i catch the self-editing happening before the sentence is even out. i'm trying to pause. take in a bit of the green. and truly the spring here is bolstering.
the apple trees in the front and back yard are blooming and fragrant and the sun doesn't disappear until 9. walking to work is something i actually look forward to.
i found out today at work that with an upcoming change in roles (& responsibilities) also comes an increase in salary. i'm making truly decent money. by myself as an adult. independent of a man. and in fact, in partnership a fantastic woman. i am taking care of myself and in a way that i kind of never actually thought would happen. i'm making financial plans for my future and its kind nice to not have that money thought hanging over me and being able to somewhat afford today's cost of living.
anyways the point is that i'm slowly maybe believing i'm standing on my own two feet and like managed to pull the fog from my eyes and my brain and remember the parts of living i liked????
Janet Fish (American, 1938), Honey Jars, 1971. Oil on canvas, 66 ¼ x 54 ½ in.