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Giuseppe Randazzo of Novastructura
A Meditation on Algorithmically Generated Stones
Stone Fields - algorithmically generated formations, by Giuseppe Randazzo
Stone Fields is a project by Italian designer Giuseppe Randazzo whose website, novastructura, features a number of algorithmic works. Inspir
“Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it. Where is there a place for you to be? No place. Nothing outside you can give you any place... In yourself right now is all the place you've got."
-- Flannery O’Connor, from Wise Blood
Almandrade, Untitled, (India ink on paper), 1973 [Poema Processo arquivo. © Almandrade]
Maria das Neves Cirne, Untitled, (pen and ink on paper), 1960s [Poema Processo arquivo. © Maria das Neves Cirne]
Maria das Neves Cirne, Untitled, (pen and ink on paper), 1960s [Poema Processo arquivo. © Maria das Neves Cirne]
“The high luxury of not having to explain…”
— Virginia Woolf, from a diary entry (via liebesfraulein)
The Nightmare (1781) — thought to be a symbolic depiction of sleep paralysis — one of the best known works by Swiss artist Henry Fuseli, born #onthisday in 1741.
More dreams in art here: https://publicdomainreview.org/collection/the-art-of-dreams #otd
Etel Adnan, from Celestial City, in The Elders Series #5: Etel Adnan, Lyn Hejinian, Jennifer Scappettone, «Belladonna» 122, Belladonna*, Brooklyn, NY, 2009, p. 21 [© The Estate of Etel Adnan / Adagp, Paris / ARS, New York]
I write because I don’t know what I think until I read what I say.
Flannery O'Connor
“I write to discover what I know.”
-Flannery O'Connor
The novels of Ernest Hemingway, as well as most fiction of the twenties, thirties, and forties, are no longer obliged to do the technically
Flannery O’Connor was an American author who was born on 25 March 1925 and died on 3 August 1964. She wrote two novels and 32 short stories, as well as essays, reviews, and commentaries. In this post, we share 12 writing tips from her.
Guerlain, 1937
Victorian sexuality is often thought synonymous with prudishness, conjuring images of covered-up piano legs + ankle-length skirts. @drmatthewgreen uncovers a quite different scene in the sordid story of Holywell St, 19th-century London’s epicentre of smut https://publicdomainreview.org/essay/the-secret-history-of-holywell-street-home-to-victorian-london-s-dirty-book-trade
Our perceptions of the external world are habitually clouded by the verbal notions in terms of which we do our thinking. We are for ever attempting to convert things into signs for the more intelligible abstractions of our own invention. But in doing so, we rob these things of a great deal of their native thinghood.
— Aldous Huxley, essays from 1956
It would be absurd to go to war against power in general. On the contrary, certain types of politics of power, certain types of arrangements of power, certain uses of language, notably national languages, are normalized in the context of an historical situation, which implies the seizure of power by a certain linguistic caste, the destruction of dialects, the rejection of special languages of all kinds -- professional as well as infantile or feminine--I think that is what happens. It would be absurd to oppose desire and power. Desire is power; power is desire. What is at issue is what type of politics is pursued with regard to different linguistic arrangements that exist. Because -- and this seems essential to me -- capitalist and bureaucratic socialist power infiltrate and intervene in all modes of individual semiotization; today, it proceeds more through semiotic subjugation than through direct subjugation by the police, or by explicit use of physical pressure. Capitalist power injects a microfascism into all the attitudes of the individuals, into their relation to perception, to the body, to children, to sexual partners, etc. If a struggle can be led against the capitalist system, it can only be done, in my opinion, by combining a struggle -- with visible, external objects -- against the power of the bourgeoisie, against its institutions and systems of exploitation, with a thorough understanding of all the semiotic infiltrations on which capital is based. Consequently, each time one detects an area of struggle against bureaucracy in the organizations, against reformist politics, etc., one must also see just how much we ourselves are contaminated by, are carriers of, this microfascism.
Felix Guattari, "Desire is Power, Power is Desire" from Soft Subversions, pg. 19-20