Studio and Processes: Moving Images

Visual Journal

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Wayne McGregor’s Tree of Codes (Paris Opera Ballet/Wayne McGregor Company, 2017)

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“Desert Air” audiovisual | Cat Lauigan 2015

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I took a detour through Times Square the other night on my way home, and paused for a few minutes to capture Neuhaus’s subterranean installation. Here is an unedited field recording, complete with tourist banter and Elmo noise in the background – both essential aspects of Max’s unassuming piece. 

[contrafact-forbes]

music

When faced with musical conservatism at the beginning of the last century, the composer Edgar Varese responded by proposing to broaden the definition of music to include all organized sound.  John Cage went further and included silence.

[Max Neuhaus | Sound Art: Beyond music, Between categories]

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Janet Cardiff and George Bures Miller, FOREST (for a thousand years…), 2012

[visuallycurious]

Janet Cardiff and George Bures Miller

Storm Room, 2009 Materials: Mixed media installation Duration: 10:00 Dimension: Variable

Inside the gallery space, this piece is strikingly convincing.  The spatial quality of the audio – the thunder and wind – is much more compelling than is captured here.

This piece is both very intense, and more understated than much of their other work.  Less operatic or sci-fi.  The way they designed the windows to function with the water is amazing, altering the quality of light in the whole room

[jaecolober-deactivated20180708]

The Forty Part Motet by Janet Cardiff (2001) This piece has influenced me over the years more than any other piece of art. Makes me tingle every time.

[caday-movingimages-blog]

https://soundcloud.com/user-411369925/silent-sounds

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Chloe Caday is a member of Vimeo, the home for high quality videos and the people who love them.

Projects - Moving Images

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Original photograph used for the Adaptations project