Unexpected Lift (A Nice Catch) by Gil Elvgren, 1961

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@californiafouroclock
Unexpected Lift (A Nice Catch) by Gil Elvgren, 1961
What an unbelievable privilege to finally hold @hellbox’s book.
The books are in, and the books are going out.
Did you know about the release party, Wednesday October 7th at Mercer Street Books in Seattle
https://www.facebook.com/events/946265738763580/
Bill Medcalf pin-up art
People used to like driving Wilshire. Talk to a modern day Angelino, and avoiding that bogged down boulevard as much as possible means you get where you are going faster.
In my book, Wilshire plays a vital role, as the main thoroughfare into Santa Monica. This picture, from about the time the novel is set, gives a feeel for what driving it in the fifties would have felt like. At least, at day.
My book is set in Los Angeles, but how can I resist publishing this amazing footage of my home Seattle in the same year my book was set? Seattle was a port city, much sleepier in this age, before the Seattle World's fair seven years later built the Space Needle and gave us an international reputation.
Amazing, crisp 16mm footage here. Beautiful.
(via ▶ Seattle 1955 HD - Home movies by land and sky - YouTube)
Delores and her family may have driven a Chevy 210, but they eat at restaurants that appear in Cadillac ads.
In the book, Delores is on the cusp of turning thirty. They celebrate the occasion with a night out at Perino's, one of Los Angeles' nicest restaurants at the time.
The restaurant was badly damanged in 1954 by fire, so 1955 the fresh pink interiors would have been new and novel. It was a good place to look for celebrities. If you could afford it.
Here's a great piece on Alexander Perino by Hadley Meares, and another from the LA Times when the resaturant's fixtures went on the auction block.
A 1955 Chevy 210, fresh off the lot, is the car that gets the most attention in my book. Why this car? The Bel-Air was a better seller, and some of the other models had more style.
But the work-a-day 210 was a classic nuclear family vehicle. Four door, big bench seats, and a V-8 that had some kick to it.
When I was in high school, I got to ride in one all the time. A friend's Dad had a midnight blue 210, and for some reason unfathomable to me, he let us take it out at night and cruise around. We'd listen to Sally Jesse Rapheal on the AM radio, and smoke cigarettes with the windows rolled all the way down so that he wouldn't smell them. He never did -- or at least he never complained.
But once I told a math teacher of mine about the car, and he reminisced about the 210 his dad used to drive. He and his buddies would take it out cruising, in the late 50s when the car was nearly new. Like us, they'd roll down the windows to keep it free of smelling like smoke.
One time, doing this, my teacher tossed his cigarette butt out the window, not knowing that it blew in the back window. The burning cherry landed on the back seat. He parked the car in the drive, rolled up the windows, and never noticed the little black-fringe hole that had appeared behind where he had been sitting.
Down into the cotton batting it went, where it smoldered and caught the filling on fire. But the car didn't go up: it just ate away the entire stuffing of the back seat.
The next day was his Dad's turn to drive the carpool. He and his neighbor, in suits of course, got in the front seat. Man, what was that smell? That stupid kid was probably smoking in the car again.
But then they pulled up to get the three fellows who were going to sit in the back. All of them climbed in, sat down, and the seat collapsed, springs coming through the vinyl. Black charred cotton coating the suits of these finally dressed gents, filling the entire cab with ash.
Let's just say the teacher never got to drive his dad's car again.
As for my friend and I: we'd cruise Bellingham, Washington, pull up to the water's edge, and look out at the bay. We never did anything too bad. Maybe we were guided by the wisdom of Sally Jesse.
Dennis Hopper at Musso & Frank, 1955
This photo is by Frank Worth, and can be bought from him here.
A scene in the book also takes place at Musso & Frank, right around the time this photo would have been taken.
I hate solitude, but I am afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or café will provide. I have never wanted a communion of souls. It’s already hard enough to tell the truth to oneself.
Iris Murdoch, Under the Net (via sterlingfink)
Under the Net is Iris Murdoch's first novel, publishined in 1954. That's the year before the events in California Four O'Clock. In fact, one of my characters is reading Under the Net in a scene later in the book.
Murdoch is one of my favorite writers, and a real influence on many of the interactions and relationships you'll see in my book.
Pablo Picasso with French model Bettina Graziani in his Cannes Villa, La Californie 1955
I’ve just launched the Kickstarter for my novel California Four O’Clock.
It’s a novel about the lore of pin-ups. It’s about a photographer in 1955, the daughter of a famous pinup painter, who decides to shoot pictures of her father’s favorite model. And maybe, along the way, seduce her.
If you’re interested in pinup culture, cars, vintage clothes, or the mid-century in Los Angeles, I think you’ll find something to like in this book.
Dawn Richard
Adam vol. 1 no. 11; 1957
Lauren Bacall and Humphrey Bogart arrive prior to the 27th Annual Academy Awards, photographed by George Silk, 1955.
Skipping ahead, we are now in a position to tell you what is in store for you. August, the invasion month, is a cutie lying prone a beach, covered slightly by a transparent hat. October, when the sky may be full of bombers, is a slip of a girl bared from toe to hip, shooting an arrow. November, when the mists may be rolling over the Channel, perhaps as a shroud, will be a blonde in a dress as tight and as white as the skin over the knuckles of your fist. What may be the end of the world will be marked by a nice thigh, the beginning of chaos by the lift of a pretty hip. That’s the year ahead of you, gentlemen. Feel it quiver. Set it to the music of a slow drum.
From Talk of the Town, the New Yorker, January 11, 1941, talking about Alberto Vargas’ pinups in Esquire. Taking them to task, for frivolity on the eve of war in Europe. (via hellbox)
Los Angeles & San Diego 088 (by no body atoll)
Bear Facts, by Gil Elvgren, 1962