This is how I originally wrote it. One of those that starts as a poem and then begs to be a song. I posted a fragment of this on tumblr a while back, but hereâs the initial piece in its entirety đ€
almost home
đ©” avery cochrane đ©”

Jar Jar Binks Fan Club
Color Me Curious
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Discoholic đȘ©

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2025 on Tumblr: Trends That Defined the Year
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izzy's playlists!

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@callmeurheaven
This is how I originally wrote it. One of those that starts as a poem and then begs to be a song. I posted a fragment of this on tumblr a while back, but hereâs the initial piece in its entirety đ€
powerful words from a powerful woman
Kenneth Cobonpue: Bloom Chair (2009)
Gab Bois: Film Collection (2022)
Siempre termina asĂ
Yo dando mi corazĂłn a pedazos
Y ellos botando las pequeñas piezas en otros labios
Me duele esta forma de amar, soy tan intensa y voraz
Quiero tenerlo todo porque lo doy todo, lo soy todo
Seré lo que tu me pidas, seré esposa, madre o prostituta
Tratame como te plazca porque nada me darĂĄ el coraje suficiente para dejarte
me dejaré a mi primero con tal de que te quedes un minuto mås
Y aunque se que mientes al decirme que me amas
Es lo Ășnico que me va a llenar
William-Adolphe Bouguereau: Biblis (1884)
Berenice Abbott: Behavior of Waves (1960)
la collectionneuse, eric rohmer, 1967
I think arguably one of the only things worse than ignoring / denying a victim of abuse is accusing them of being the abuser. Especially given the fact that most abusers use tactics like âyou made me do thisâ or the old âyou are abusing me by calling out my abuse bc it makes me feel badâ. The victims who escape those situations often face a long road in their ânext lifeâ of internally focused paranoia and constant moral inventory taking; afraid that setting a boundary, or being firm (or being in a bad mood even) is behavior that is too reminiscent of how their own abuser acted. Trauma altering the ability to differentiate. Having to muck through the dense fucking mud of âAm I a bad person, and thatâs why this happened to me? Maybe it was all my faultâŠâ A truly devastating phenomenon.
My therapist once told me, âYou are the guiltiest feeling person Iâve ever metâ and just to prove her right, I took it to heart. An astrologer said, âYou have so much water in your chart. What is it like to feel the emotions of every single person alive, everyday?â and I wept because I sensed he was displeased. A teacher told my parents âSheâs very sensitive. Far more than the other kids in her class.â I took my SATs at 9 years old, but they encouraged my mother to hold me back because of how my eyes glistened when I heard the word no. She told them to go to hell. So I cried my way through my education until high school when they said âYou take everything so personally, youâll never survive in a company environment. You wouldnât make a good employee.â So I employed myself (out of spite orâŠnecessity) and then later, I hired 200 people. A boyfriend told me âDonât be so dramatic, everything isnât a movie.â Fine, so itâll be an album then. The doctor said âThis shouldnât hurt a bit.â I tread daily on a minefield that leaves me classifying the variations in footsteps, the tonality in voice, a change in breath. âIs everything okay? You seem madâ is my pledge of allegiance to this tightly wound bundle of flesh. I am cut open, butterflied and flayed, with every single nerve exposed like live wires and, yes, they all hurt to touch. Each interaction is a litmus test of how well liked I am, and therefore how worthy to live. I wake up every morning and the moral barometer resets, T-minus 12 hours to prove to myself that I am not the bad person I believe I must be. Sleep, repeat. An amnesiac nightmare. Prometheus on a rock and the gull in my guts is myself. I once envied those with greater armor, but not anymore. âWhy do you care so much?â Guard yourself from the little grievances, but the shield does not differentiate. The space where I am vulnerable to the pain that passes through is an entry point for the microscopic good that others may miss. I live in technicolor torment. If I could do it over again and choose the comfortable grey, I would seize a knife and cut the little keyholes back into my every limb. So the light can get in.
behind the scenes IICHLIWP film, Prague 2021.
By donslens of course.
Practice, by Aidan Cullen.