Lint Roller? I Barely Know Her
One Nice Bug Per Day
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@capitaineconor
luciennepicouâ:
God, he was fussy. She had probably been around Italian and Black men too long but admitting this much vulnerability was certainly not something she was used to finding in her representations of masculinity. It took all kinds, she supposed. There was a value in being careful. She was careful too, just not cautious to the point of exhaustion.Â
âMy mistake, I failed to mention the sewer entrance, didnât I?â She rounded the bar and removed a rug to expose a near seamless trap in the floor. âHad it installed just last week. Iâm told it goes straight to the river but figured you know best.â She grinned like the Cheshire Cat and let the door fall again.Â
âI would put security wherever you wish and however you wish. Itâs your operation. I am only a very interested buyer.â Very was an understatement. She was a ruthless buyer and a hungry one. Lucienneâs specialty ever since sheâd been small was numbers. Finances. Opportunities and patterns. She saw them everywhere and she practically itched to fix them at their most efficient point. The longer she stayed in Paris, the more missed opportunities she saw. She laughed at the protests of the Chicago Outfit that they âran this town.â Cities were not run by Cosa Nostra. They were protected by them. They provided order to chaos, made everything flow smoothly. There was so much to smooth here. So much to fix. There were soldiers in need of opium and sex workers in need of condoms and rich people in need of a little humility. She enjoyed watching the privileged bleed, whether it was pride, blood, or money. And Lucienne would provide.Â
But that returned her to the unfortunately named Irishman, who looked like the wind had been knocked out of him at the very prospect. âReally, Captain, if you find it too daunting, I can offer to buy you out entirely. But I donât think thatâs what you want.â Was it a threat? Was it benevolence? Did it matter?
She couldnât have been at this for long. Christ, to look at her - couldnât be thirty, even. Couldnât have been at anything for long. But Miss Picou was so sure of herself. That. That scared him witless, more than her easily spent money, more than whoever might be standing in the shadows, behind all this. Because there had to be someone. Didnât there? Wasnât likely to find out tonight, anyway. As it was, Conor gave the trapdoor a short scoff. âOh, right. The sewer entrance. Changes everything, that.â Built in nicely, at any rate. Everything was, around here. Style didnât mean substance, though. Heâd seen too many men shot through nice uniforms, sharp suits, to mistake the one for the other.Â
Wherever and however. Promises, promises. Either she didnât see the scope of the thing, or... she had too many toughs at her beck and call for him to be entirely pleased at the thought. If it came to that - fuck, Conor didnât have an army. He had crews. Rough men, but not soldiers. Not anymore, if they had been. Too old or young for it, if they hadnât. And none of them, armed for that. Conor took another deep drag, brushing a hand over the roulette wheel, watching the red and black pockets spin, spin, spin. Not a squeak to be heard, all smooth. No surprise. But no comfort, either. This, this was all too perfect. Too tidy. Nothing too good, too straightforward, too easy to be true ever was. Learned that one the hard, bloody way, hadnât he? Ought to know better.Â
Still. A load of Lucienneâs boys, between his and the milieu, and the fascists, and the anarchists, and the Russians, and so on; thatâd be something, wouldnât it? If she could deliver. Picou was baiting him, now. Or something like that. Hard to say, actually. âDaunting. Thereâs a word for it.â For all this intriguing. None of his deals - for more dangerous goods than what Lucienne was after, for the moment, anyway - had ever involved such an opening play as that little stunt sheâd pulled at the races. Itâd done the job, small as it was. The job being to leave him wondering. Conor gave the roulette another whirl. Then, as it ticked to a stop, talked terms. âIâll meet your security, before I take them anywhere of interest to me.â Even then, not everywhere. Had to keep a burrow or two to yourself.Â
âAnd youâll pay double, yeah. On top of which youâll cover the cost of care, if any of my men are damaged moving your goods. They die? You cash out all unpaid earnings, and a lump sum, in compensation, straight to their families. If theyâve any. In Paris, or further.â An important stipulation, one he leaned into. Most of the lot, they were leftovers. Soldiers left, over, after the war. With an old da in Dublin or a widowed sister someplace around Cork. Maybe grandparents, still fishing off St. Johnâs. Just because Conor couldnât say the same didnât mean he couldnât honour the fact of it, now that he had the means. â And if theyâve no-one, you split the same across the crew. Even cuts. For doing a dead manâs work, while I find a replacement.â He spun the roulette again, circling round that pretty table, eyes traveling along the glittering bar. âI donât know you, or how you do things, in America. Or how youâd like them done, here. But that much, itâs non-negotiable. Company policy,â he underlined. Deadly serious, as the saying went. âYou want to do business, thereâs my price.â Lucienne was the one talking as if she had the cash to burn, anyway. If she wanted the damn opium, well, she could have a fight, or pay. And save them all the trouble.Â
inspecteurbrannonâ:
Another survivor. It was all he could do not to ask the questions, check in with every other veteran heâd metâdid it fuck you up too? Are you carrying socks right now? But to acknowledge it felt like weakness; and especially here, watching men beat each other down in aggressive displays of masculinity, wasnât the time or place.
He hadnât gone out looking for a fight, but heâd found one. Tom knew this was a little reckless, but it was all in good fun. A legitimate gym, a public challengeâall above-board. A casual sparring between strangers, former soldiers, testing out a friendly theory.
You might be the biggest. Tom smiled, suddenly back in the alleyway talking to his friends, the same adolescent part of him that used to brawl in the streets wanting to add another comment on size. He was old enough now that he felt it, coupled with those moments/flashes of his younger days to highlight just how long heâd lived, how far heâd come. He may have outgrown the crude commentary and the need to talk about his manhood, but was apparently still down for a fight.
âAlright. Youâre on.â This would be interesting. âGloved,â he added, for a bit of additional clarity. The Irish were a rough crowd, and he had enough of people trying to take a swing at him as they fled crime scenes. He wasnât a kid anymore, and bare fists held no appeal.
Big men came in three types, broadly, Conor had found; and sure enough, his view on the whole thing might be a bit skewed, given the low angle. But how it seemed was this - big men, the three sorts. The first, they couldnât be big enough for themselves. Always out to be louder, rougher, meaner, more, to prove the point. The second, those never grew into the size. Strangely sorry for it, trying to draw down, slouch out of sight. Even if they didnât realize thatâs what they were up to. And the third, someplace between the other two. Knew their strength, minded it. Didnât need a show. Didnât have to apologize. Conor had met more of the first, over the years. Flattened a fair few of them, got dropped by the rest. As for where Tom fell, in all that? Theyâd find out, wouldnât they? Things shook out of a man, when he had his fists up. And his kidneys beat in.Â
This Tom, here, he was game, at least. Americans always were, werenât they? Conor lit up, chuckling - then groaned, as they got to making rules. âAh, Christ. You wonât go toe to toe then, will you? Shame.âÂ
That mightâve been a joke. Mightâve. Hard to say. Shaking his head, he blew smoke at the last of that brawl. What a mess it was. Bright red, browning across the canvas. Thatâd been an eyetooth, maybe, clattering around. And it wasnât over, yet. Nearly. So very nearly. Suddenly, Conor grimaced, and howled with the rest, as Bellerose fell hard enough to shake the ropes. The count started - and finished. There it was. One big man down. One to go. Ashing his cigarette into the well-trod floor, he grinned, something foxish to it. âAs you like. Gloves. But weâll manage, eh?â Conor raised a hand, rubbed his fingers together. A sign that reached across the Atlantic, sure. âWhatâs our wager? Donât go thinkinâ Iâll risk this pretty face, here, for the thrill of your fine company.â No, he wouldnât, not when a battered-shut eye or broken jaw could make a hell of a difference on the docks. Besides, old habits - making a bit of coin whenever he could - died hard. Not that thereâd be any of that, tonight. Just a bit of fun. Â
I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it calls itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use -- silence, exile, and cunning.
James Joyce
Mucking About
@capitaineconorÂ
It was rare that Cora would ever hide anything from Tom - he was her brother, after all, and they were very close. But she usually kept him out of anything forgery related anyway, out of respect for him and what he chose as his line of work. Then again, even if it had nothing to do with forgeries, someone inviting her to the Moulin Rouge, of all places, would be something to hide from her brother. Itâs not like she feared his disapproval, or anything - they were both adults, older brother or not. But she preferred to avoid any teasing.Â
As much fun as it was to tease the Captain, she was perfectly well aware it was just a game. Same as always, really, in that sense. Cora was always very good at flirting, at playing, but going further was never an option, not unless she wanted to completely lose that person. And she could use business of a steadier sort. One off forgeries were all well and good, but having a more consistent need would be helpful.Â
Regardless - the meeting place was a good one, fell neatly in line with what she used herself. Loud, dark, and with an excellent source of almost constant distraction. Not to mention the fact that barely anyone would look another in the eye there, or look too closely - it invited the chance of being recognized in turn. And few liked to look a woman who was actually clothed in the eye, there. The French were far less prudish than Americans, certainly, but they still had their moments. God bless the sense of Catholic shame. Cora was all too pleased that her own faith had lapsed long ago. Burdensome, that. And she had enough burdens to weigh on her as it was.Â
The forgery itself, now - that was almost disappointingly standard. Bunch of bureaucratic bullshit, fancy language that boiled down to something that couldâve been said in a sentence or two rather than a whole page. The signatures, stamps, and seals werenât even particularly challenging. Still something to be careful about, of course - boring wasnât an excuse to be careless, after all. But it only took a few tries to get it right.Â
She mucked about with it easily enough - the comment still rang in her head, amusing and irritating her in turns. Still wasnât sure if the good captain actually put much stock in forgeries or simply saw her as a necessary evil, but time would tell enough there. He was guarded as all hell, but she was fairly certain sheâd managed a crack or two - easy enough to keep pushing, just a little. Try and catch him without that guard, so she could get a better feel for exactly who she was working with.Â
Forgery and original carefully tucked away, Cora went inside the cabaret only a few minutes early - enough to scope, as she saw it, but not suspiciously so. Too early would make her seem eager or nervous, neither being a particularly good look for her. But just a little early only made her seem punctual, which worked well enough.Â
Taking stock of the room, Cora took note of Conor quick enough - recognizable, despite the dark interior. She glanced to verify no one was paying over much attention to her and was satisfied with the lack of it before winding her way around the room. No straight lines for her, of course. Stopped at the bar, ordering a drink for herself to create a little more distance, before going over to the table where her potential client sat.Â
She took the seat across from him and tossed over her journal, where both papers stuck out just enough to be recognizable - âAnd there you are - muck about with that, see if you can tell which is which.â The smile she had very clearly showed she had remembered his phrasing, had saved it just for this. âUnless you wanted to linger on pleasantries? I can tell you about my week, if you like. Cute choice of place, by the by. Trying to send a message?â
The Moulin was an old standby for a reason; for Paris, broadly, and Conor, too. The rough-and-tumbleness, all jostling strangers and noise, made it easy enough to go unnoticed. Even as an Irishman, meeting an American. A beautiful American, at that. In a city known for pretty sights, Cora Brannon stood out by a league; unfortunate, for a woman who traded in forgeries. Being unremarkable mightâve made her job all the easier. Then again, Conor had to wonder at the fact that the distraction might be his alone, at least tonight. Nobody else seemed to take notice, somehow, as Cora wove her way through a careless crowd. All too busy watching the can-can - heâd never acquired whatever taste that was. An awful lot of skirt and stocking in the way, seemed like.Â
And here she was. Christ, maybe all it took to turn his head was a pair of eyes like that, and a bit of Gaeilge. Not like either were an everyday sort of thing, in his defense. With a quick catch across the tin bucket between them - full of melting ice and an unopened bottle of ginguette, he wasnât about to drink before seeing to the business at hand - Conor had her book in hand. The work, done, it seemed. He raised an eyebrow, recognizing the echo; seemed Cora was the type to hold a grudge.Â
But, so was he. Wouldnât hold it against her, holding things against people. Him included.Â
âCanât say I mind lingering, at all. Never been one to rush a pleasant thing.â With a sliver of a smirk, Conor cracked the journal open. âSeems a shame.â Sure had, under the swaying trees of Merlin Woods, dappled by the thin Irish sun. Sure did, laid out on crumpled sheets in the back of some club, passing cigarettes. Then, a life ago, a boy on the loose in Galway; now, a grown man left to his own devices in a town like Paris. He hadnât changed so much, after all, had he? Always liked to take his time, when the going was good. When he had time, in the first place, to spend as he liked. So much of it, these days...Â
Conor set those papers side by side, almost absentminded, carrying on the small talk as he did. Drawing no attention to them, cautious, even here. From a quick glance - all youâd need to get by, sometimes - sheâd done a hell of a job. âBefore you get into your memoirs and all, though.â His eyes slipped up, from the documents, to Cora, down again. âWhat message might I be trying to send, do you figure?â He was curious to know, frankly; wise to make the most of your chances to find out what people expected of you, when they came along. Assumptions. Told you plenty about a person, didnât they? Not all heâd like to know, maybe, in this particular case. But a fine start.Â
having a good time, having a bal
Itâd be a lie to say Conor hadnât seen parties so entirely off the walls as those at the Montagne-Sainte-GeneviĂšve; but, heâd be hard-pressed to think of any that looked like more of a genuinely fine time, good craic, all the way through. And he wouldnât just say so because the bals made such brisk business for him. Though, heâd got used enough to their particular seasons so as to start marking the calendar, and stocking up, in advance. Theyâd want loads of champagne, and plenty of absinthe; with a bit of that calvados, brought special for DaniĂšle. (The old stuff with the pears, from Domfront. A lady of taste.)Â
Sheâd swanned over all a-glitter, leaving a pucker of lipstick on his jaw and sweeping the gift aloft, tilting the bottle this way and that under the light like it were a whole string of pearls. âAh, mon mignon! You spoil me. Terrible. Youâre terrible.â A neatly varnished nail pushed into his shoulder, not a moment wasted. âYou will be staying, wonât you? Last year doesnât have a thing on tonight.â Now, that was saying something, wasnât it? Conor shrugged, loosely. âA bit, anyway. Outdone yourselves again, yeah?â Madame Messire scoffed, ferociously. âAlways. Youâll see. Just spectacular. Phenomenal. Beyond compare - oh, thereâs Gigi. Carry on, Captain, and Iâll see you. Iâll see you!" Off she went, wagging a finger. Serious, like.Â
Couldnât go letting DaniĂšle down. Shrugging out of his jacket, Conor sighed, started up a smoke, and helped himself to some of that bubbly. He picked at the foil, smiling to himself as the lights went up and the streamers were tossed down, all a-tangle. Grand way to spend a sticky summer night, wasnât it? Ah, it would be.Â
@fancyfleurishâ
Whatâs this? A special treat on the table?Â
Itâs Monday, but our feature isnât the usual fare! Take a good, long look at the list below; consider this a buffet of upcoming muses. Weâre pleased to ask you, all of you - members and spectators alike - to pick and choose!Â
As always, Meme Monday is not mandatory. But if youâre eager to help us plan our next spectacular spread, please select TEN morsels from the menu and share your choices here, or, for our wonderful members, in a post tagged af.meme. Youâre welcome to explain your choices, suggest faceclaims, or propose connections, too! And, if youâd like, feel free to reblog this post elsewhere and share it around!Â
Now, without further adoâŠ
The ACTOR-MANAGER. Â performer
The AUTEUR.  artist
The BOOKWORM. Â public
The BRUISER.  rogue
The COMPOSER. Â artist
The CONSERVATOR. Â artist
The DEBUTANTE. Â society
The DREAMER.  public
The DRESSER. Â public
The EMCEE.  performer
The EXILE. Â public
The MAGICIAN. Â performerÂ
The NEWSIE. Â public
The PRETENDER. Â rogue
The PROFESSOR. Â society
The RETAINER.  public
The SOLOIST. Â performer
The TRAVELOGUE. Â society
The VISIONARY. Â artist
The WATCH.  public
We canât wait to hear from you, and will be tallying the results this Friday! Until then - dig in, darlings!Â
Choices! The worst. Looking around at the muses we have, and the plots weâre cooking, Iâve got to go with the following, in no particular order...
The BRUISER. Weâve got all kinds of work for an up and comer with a solid hook. Iâm torn on whether theyâd be more fun as an older, experienced character, or a young hotshot; either way, I look forward to seeing what sorts of friends (and enemies) they might make!
The DREAMER. Trying to balance wide-eyed wonder and day-to-day necessity is just too darn relatable. Plus, I kind of adore toying with tropes - instead of your typical grizzled bartender, the Bal has a quick-on-their-feet kid, eager to learn all they can from the kaleidoscopic crowd they see every night. Whether youâre the type with just a toe in the door, or a regular known to dance the house down, youâve got the Dreamer in common. And theyâve got you. At least for a few rounds.Â
The CONSERVATOR. I love art. I really do. And I love people who love art, which is the heart and soul of this skeleton. Their relationship with the chaotic creative energies of this period and place is going to be fascinating, Iâm sure!
The NEWSIE. No matter how you play with the idea of a journalist set loose in interwar Paris, itâll be fun. This is somebody whoâs always in the know, or thinks they are, at least - a potential plot engine, if Iâve ever seen one. They have the potential to slip between all sorts of social settings, which makes for a very chameleonic, flexible character, the kind others might have a hard time reading. Until they pick up the next issue, of course, hot off the presses...
The BOOKWORM. The Roaring Twenties tend to be remembered as a very youthful time, where young people were making the most of new sorts of freedom and living very exciting, rebellious lives - even if that certainly wasnât true for everyone, it would be really interesting to see a younger character who isnât quite going with the flow. Not yet, anyway. Whoâs their crowd? Where will they fit? Are they going to be able to get that thesis done on time? Guess weâll find out.Â
The EMCEE. Our very own legend. Need I say more? Yes. These days weâre dealing with are rich in queer history, and creating an icon of that scene will be a wonderful project. Just as the Angel personifies Le Ciel onstage, the Emcee is the avatar of the Bal when the lights go up; who are they when the night ends, though? I feel like theyâve got even bigger plans. This shining star dims their light for no one, and would make a fantastic addition to our cast.Â
The ACTOR-MANAGER. The times, they are a-changinâ, and so is theatre. Itâll be really interesting to see an old-school stage star try to navigate the strange twists and turns of modern artistry for the sake of their little troupe-family.Â
 The DEBUTANTE. A shark in spangles, sharper than anyone gives her credit for - and ready to make you pay for underestimating. I think sheâd be fun; a very modern kind of society girl, and more than meets the eye.Â
The RETAINER. This kind of character too often winds up just being about their employer; letâs see something a little more complicated! How do they understand their Society-adjacent, Public-grounded position in the world? How do they make the most of their advantages and connections to help the people theyâre not being paid to look after?Â
The PRETENDER. Grandma, itâs me - Anastasia. Letâs do it. Iâm not sure if I like this one best as an intentional, practiced con artist, or someone who stumbled into their mistaken identity. So many options, all interesting.Â
luciennepicouâ:
Boys and their toys. Lucienne sighed to herself at the sight of the weapon. She could ask Elio to take it off him, but that would show a weakness she did not want and actually did not possess. In all her strange time, her long and short twenty-five years of life, seven of them working for a very, very dangerous man, she hadnât had so much as a fist fly in her direction. Elio was good at his job and she was good at hers. If you looked like you couldnât be killed, no one tried to kill you. No one had been bold enough in New Orleans to press their luck, so she found herself wondering if the Irishman was scared or stupid. The two could certainly coexist, but sheâd give him the benefit of the doubt.Â
âFair enough, Captain.â All the other foreigners in New Orleans seemed very direct for Lucienneâs taste. She came from a culture of innuendo and ease, but it wasnât for her to tell them how to live their lives. So she went to the table, picking up a pile of chips. They made no noise until she wanted them to, clacking softly against one another as she slid them in a makeshift tower.Â
âI would like to buy all your opium in perpetuity at double your price.â Clack, slide the tower went. âThis fee would involve disclosing your client list and any competitors you might be aware of as well as introducing me to said persons.â Clack, slide. âThe arrangement would, of course, include legal and material protections for you and your men should any unfortunate events arise.â Clack, slide. âI assume greater risk for greater control and remove all your competitors from the board. We both make a good deal of money.â Clack, slide, click. She let the tower stand still, leaning back on the edge of the table. She didnât keep her eyes on him. Didnât need to. Lucienne surveyed the intricate finishings of the room, assessing every detail to make sure it was ready for the late start. Miss Brindamour had done a remarkable job. She waited for him to speak, knowing the position of power that could hold. When you ask a question, Luc, Silver Dollar used to say. Donât ever ask it twice.
She was cool as ever, wasnât she; not that Conor had expected any different, in her own house. Gambling house, that was. The sort Paris was decidedly against, far as he knew. Be a grand day for your average flic, catching wind of this not-so-little undertaking. No, not so little at all. He circled round, taking in the well-stocked bar, the roulette wheels, the rest, shaking a cigarette from his case. Wondering, again, how much velvet glove there was between him and the iron fist that mustâve punched out the room for something like this, here. In the heart of a city not short of its own kind of crime.Â
Conor had heard things, of course, about those American operations. How they were running New York, Boston, Atlantic City, Chicago. Heâd even met a few, professionally. Representatives, that sort of shite. Never negotiating from a position of strength, and clearly none too fucking pleased about it. (Still, they wanted their champagne and cognac, so. That was that. Flash tastes, theyâd get you in all sorts of trouble.) But Miss Picou, her setup - it spoke to strength. A load of the stuff, hauled all across the ocean and dug in, fortified. The Lucienne Line.Â
His smirk, there, had a wiriness. The barbed kind. But, Lucienne talked, and Conor had come to listen, so he walked, lighting up with a pop, the comforting stink of a struck match. He waved that out to the sound of all. All the dope? In perpetuity. How long had she even been in town, anyway? To talk about perpetuity. His head had cocked off towards a frown; Conor took a deep drag, trying to gauge how much she really knew. More than sheâd let on, for certain. That the opium was his wouldnât have been hard to come by, as facts went. The competitors? Natural enough. The booze, the hash, that had gone unmentioned, entirely. So theyâd stay that way. âLegal and material protections," he echoed. Dubious, plainly. âI should fucking hope so. Doubleâs no good to the dead, and regular, bulk trade - that makes for opportunity. Makes for problems, the sort I donât have, at present.â Not for the moment, anyway. But heâd be running into more than his usual amount of trouble to keep her supplied, no doubt. LâOrtolan was a ways out of his run, far from his quays. From his boltholes. The bistro was a push through a new no manâs land, a prettier one, maybe, but not his ground, all the same. Nowhere he could hold, or wanted to.Â
Conor watched Lucienne not watch him, a moment. Then hooked his boot under the nearest chair, and took it, elbows propped against the roulette table, keeping his cigarette well away from the felt. You had yourself a seat to stay awhile, do business. Double wasnât enough to buy his confidence, no questions asked. But it was enough to sit for. Double could mean a great deal, to those crews of his - to people with families to look after. And those forgeries, they wouldnât be cheap. Shouldnât be, with all Brannon would wind up being in on. Christ. Conor sighed smoke, and, sure, pushed on. âSo. Whatâs it to be? Youâll be providing security, will you? Alongside my people, in my places?â Wasnât too fond of the idea, but sheâd had him into hers, now. Counted for something. Not much, but something. âOr, would you want to kit us out, and we see to the rest ourselves?â Didnât much like that, either. None of his boys wanted another war. Which was why he tended to make the messes, when they needed making. This - this would be messy. If he said yes. He hadnât. Not yet.Â
Mary, mother of God. He shouldnât have sat.Â
inspecteurbrannonâ:
âI went through my share of helmets.â
Movement. It was all he could do to keep moving, helmet coated in mud for extra camouflage. As First Sergeant, that had been much of his job anywayâkeeping the guys running, shootingâŠdoing. Motivator and initiator, the conduit between what the higher powers had to say and what the squad had to do. A lot of his fellow sergeants hadnât made it. When others could sit still, hunker down, hold a position, theyâd had no choice but to get up, get around, and help lead the charge over the top.
Creating fire from your fingertips. Communicating from beyond the grave. Carrying your own head through Paris. These were the kind of stories heâd been told growing up, evidence of the piety and canonization of the saints. Tom didnât know if he believed in miracles, not really. But heâd watched hundreds of men on either side of him get hit, collapse into the mud, and yet there he stood. Divine intervention to keep Cora from being left alone? Blind luck of a reckless son of a bitch? Despite the faith of his parents, he was more inclined to believe the latter.
âFirst time. At least here.â
Conor was visibly sizing him up. The Irishman was built like a brick wall. Held himself with the type of casual arrogance that enticed others to challenge him, put it to the test, and walk away as pulp for their trouble.
âIâve gone a round or two. Why? Interested in testing out that height theory?â
That had been a sound, hadnât it - the pulpy, ringing tang of a bullet popping through one of those tin hats theyâd been handed, along with the fifty, sixty, seventy, seemingly endless pounds of kit. Funny thing, though, wasnât it; those helmets. Battered and bent, and still, enough to them that they could still hold the nightâs thin, salt-heavy soup, and keep you going another day. Like a body, in that. The things a bit of flesh and bone could weather. Until you hit it just right. Until it all wore out. But theyâd both got lucky, hadnât they? Him and Tom. Seemed that way, to look at the pair of them.Â
Often did, didnât it? Looks, deceiving.Â
âBet you did.â Conor chuckled, teeth to it. âDinged a few, myself.â Who hadnât? Besides the bastards in charge. Speaking of dings - the clang of the bell rang out, their fighters pushing off each other, back to their corners. Oh, but the big fellow was weaving. The little one, though; he had his blood up, now. Could be what won him the thing. Might make him cocky, though. Wasteful. Theyâd see.
 All in all it was a better match than most, for a fresh impression of the place. An impression, yeah. DuFort and Bellerose came out swinging, both eager to end it and hitting hard, the meat of them quaking with it. His eyes swerved and snapped with the pair of them. âYeah, yeah. Why else? You wouldnât be the first.â To test him. Sure, not. Conor smiled, a broad, bright sort of glee to the thing, and sent a quick wink up Tomâs way. âBut you might be the biggest.â Didnât have to say it, did he? That bit about bigness, and falling. Tom mustâve heard it before. Whether heâd wind up on his face or his backside, theyâd settle soon enough. âItâll be a laugh. What do you say?â Â
Letâs see whatâs on the meme-menu today - bon appĂ©tit!
As always, our muse-some meme sessions are not mandatory. To signal that you are accepting meme prompts from this weekâs selection, please reblog this post. Tag your responses with #af.meme, and enjoy!
[borrowed from here]
What is your idea of perfect happiness?
What is your greatest fear?
What is the trait you most deplore in yourself?
What is the trait you most deplore in others?
What is your greatest extravagance?
What do you consider the most overrated virtue?
How often do you lie, and why? Are you a good liar, or not so much?
Which living person do you most despise?
Which words or phrases do you most overuse?
What or who is the greatest love of your life?
When and where were you happiest?
Which talent would you most like to have?
If you could change one thing about yourself, what would it be?
What do you consider your greatest achievement?
If you were to die and come back as a person or a thing, what would it be?
Where would you most like to live?
What is your most treasured possession?
What do you regard as the lowest depth of misery?
What is your most favourite way to spend time?
What do you think is your most noticeable quality?
What do you most value in your friends?
Who are your favorite writers, artists, and/or performers?
Who are your fictional heroes? What makes them heroic, in your eyes?
Which historical figure do you most identify with?
Who are your heroes in real life?
What are your favorite names?
What is it that you most dislike?
What is your greatest regret?
How would you like to die?
What is your motto?
mad dogs and englishmen
There was something to summer, wasnât there? Something sticky-sharp, something that got you by the back of the neck and shoved. Especially in a city so far off the sea as this. Christ - the way the air started to sit on your shoulders, some days. Like itâd crush the life out of you. The weather had been seasonable enough until the morning burned off; then, and since, it had stayed searing. And slowly, surely, it seemed to be wearing on just about everyone. Conor had passed plenty of stoops and balconies draped in sweat-slowed locals, fanning themselves with whatever was at hand. The tourists were spreading thin, too over-warm to want to crowd even for the finest sights. Him? Heâd been enjoying it, for the most part, peeled down to his shirtsleeves and pleasantly scuttered from a bottle - or two, whoâd been counting - of champagne, the real thing, fished out from the Catacombs for the occasion.Â
Which one? The deal. Their newest American deal, with their newest American friend. Conor had wanted his crews in their cups, for the announcement - thin on details as his delivery was, enough that he wouldnât have held some uncharacteristic questions against them - and itâd worked a treat. Thereâd been some curious eyes, sure enough. But they werenât the type to press, or theyâd be nowhere near his boats. And the drink had done the rest.Â
Then, well, heâd stopped off at the house, and, like usual, carried Gosse along to some patch of grass for his before-lunch stroll. (The dog needed taking out, but not on those cobbles - hot enough to melt the balls off a brass monkey, today.) All in all, itâd been a fine enough afternoon. Better than average, even. Until heâd turned like a terrier, hearing them before he saw them: English officers, unmistakably. Careening drunkenly through the Place du Tertre, dress uniforms unlaced in the heat, having a jolly old time, making a bloody fucking nuisance of themselves. Bastards. What in the holy hell were those shitehawks doing in Paris, anyway?Â
Sopping bloodied noses, now. Far behind him. As he crouched by the quayside, Conor scooped that so-familiar water up and over his head as Gosse, ears trailing, lapped a bit for himself. âSome thirsty work, that was. Good lad.â He gave the basset hound a solid pat on the shoulders, and got a stumpy, self-satisfied wag. With a sigh, and a wince, Conor pawed some more of the Seine over his solidly split lip. That shiner, too; sure to purple up nicely. Then he sat back, shaking his hair out, sweeping it back. And keeping that hand raised, shading his eyes to squint at some passerby whoâd stalled before the passing by - rather too close for comfort. âGrand old day, isnât it?â Conor tossed over, in French. As unremarkable about it as he could manage, looking as much a mess as he likely did. âJust the thing. How are you faring, eh? No trouble, I hope.âÂ
Letâs see whatâs on the meme-menu today - bon appĂ©tit!
As always, our muse-some meme sessions are not mandatory. To signal that you are accepting meme prompts from this weekâs selection, please reblog this post. Tag your responses with #af.meme, and enjoy!
[borrowed from here]
†: Describe the sound of your museâs voice. What is most distinctive about it?Â
â : What is your museâs handwriting like?
â : Does your muse prefer coffee or tea?
â : Is your muse good with keeping on schedule for meetings, appointments, or events?Â
âș : What is your museâs smile like? Do they smile often?
⥠: Did your muse have any especially powerful childhood fears? What were they? Have they grown out of them now⊠or are those monsters still hiding under the bed, in some sense?
â : How does your muse react to possibly dangerous situations? Do they face them head-on, or do they plan out their actions first?
â Â : What is your museâs favourite season? What about their least favourite season, if they have one?
â Â : Does your muse have a favourite sort of weather? A least favourite?
⌠: Does your muse like daytime or nighttime more?
đš Â : How well does your muse sleep? What keeps them up at night? What helps them rest?
†: What are your museâs thoughts on love? If they are not in a relationship, do they believe that they will ever find a perfect someone for them?
â : Does your muse believe in luck? How about fate?
âš : Describe your museâs relationship to âmanners.â What do they think âgood mannersâ looks like?Â
⏠: Does your muse sing well? Regardless of whether they sing well or not, do they enjoy singing? Name a favourite song or two of theirs, if you like!
đ : What subject(s) does your muse know best? How did they learn about these areas?
â : What is your museâs favorite animal? Why?
ΔŃĐ· : How does your muse feel about âcreepy crawliesâ? Are they the sort to smack a bug to bits, or help it outside?Â
â : Of the sun, stars, and the moon, which is your museâs favorite?
ă : Does your muse prefer lots of friends, or just a few close ones?
â : Is your muse religious? How do they relate to their faith, these days?
mad sweeney (american gods)
âHey, Sweeney,â said Shadow, breathless, âwhy are we fighting?â âFor the joy of it,â said Sweeney, sober now, or at least, no longer visibly drunk. Â âFor the sheer unholy fuckinâ delight of it. Can't you feel the joy in your own veins, rising like the sap in the springtime?â His lip was bleeding.
From the novel by Neil Gaiman (and the series created by Bryan Fuller, as played by Pablo Schreiber). Thereâs a lot of solid Conor inspiration here, from the weird poetic streak to the size of the fight in him. But, most of all, thereâs the âunholy fuckinâ delightâ of being alive - and the element of having run from something, abandoned a fight, a cause, his people.
Conor isnât as torn up about that as Mad Sweeney, given the circumstances. While some - including former friends, old brothers in arms - would call his departure from Ireland a kind of cowardice, Conor is too done to argue, or mind, terribly. Sure. Call him a coward. Heâd rather be that than anyoneâs soldier, at this point. Heâs no more fearless than Sweeney, when it comes to the terror of death... but that also hasnât stopped him living, yet. (Or from doing some genuinely dumb things. Like take on the milieu.)Â In the meantime, the fighting isnât over - mostly because he keeps looking for it. Too Sweeney. As the meme goes, youâve gotta pick your fights. No, not that many. Put some back.
the pĂșca
This shape-shifting, mischievous Irish fairy has always been a personal favorite. Like all fae things, theyâre mercurial, a bit mystifying. Can seem a little arbitrary, even cruel. But they have their rules, strange as those might be, and they stick to them. Conorâs meant to be a bit puckish, hard to read, prone to surprising kindnesses and shocking horrors - overall, a bit out of place, as a career criminal, or as a veteran supposedly after a change, a quieter life. How did someone like him wind up in the position heâs in? Well, mostly by accident. Once you figure that out, everything starts to make a little more sense, including the peculiar principles he runs by. Suddenly, heâs not so unpredictable at all. In fact, most of what he does is for the sake of keeping his days as predictable as possible.
Not that thatâs exactly what heâs wired for, but... still. It sounds nice. Doesnât it? Unfortunately, the pĂșca has its seasons, and so does he. Peace is just a prelude, in Conorâs experience. Thereâs always a storm after the calm, isnât there? And if it doesnât arrive? Well, he might just stir up some thunder himself. For the rhythm of the thing.
tommy shelby
Peaky Blinders. What a show. What a time. What a performance out of Cillian Murphy. Conor doesnât have quite the same kind of damage as Tommy; he certainly doesnât stock any of that frothing ambition, at all. But the nearly total lack of self-regard, the inability to really settle down into any sort of healthy routine, and the intensity of his loyalty (when itâs won, in Conorâs case) are very right.
In terms of presence, Conor has the most in common with early Tommy - where he has less to lose, and is generally at his least refined. Conor doesnât act like a man with a criminal empire on the line, because he doesnât really think of himself that way. And he doesnât know the ins and outs of polite society, but, unlike Shelby, heâs not really interested in climbing that ladder, except as a kind of personal, and very light, entertainment. Itâs funny to hang around these people, watching their strange lives unfold. Itâs all stories, to him. He sure doesnât want what they have. No thank you. But itâs interesting to visit, now and then.
Then thereâs the roiling, unaddressed amount of post-traumatic stress. Conorâs struggle is different from Tommyâs; his experience of violence was more an escalation than an abrupt change, and it dragged on a good bit longer. But theyâve both got their ghosts, and neither live in a society that knows how to handle their particular war wounds.Â