Chino Amobi at Fitzpatrick Gallery
No title available
art blog(derogatory)
ojovivo
RMH

blake kathryn

@theartofmadeline
Xuebing Du

❣ Chile in a Photography ❣
Acquired Stardust
Game of Thrones Daily
occasionally subtle

izzy's playlists!
NASA
sheepfilms
2025 on Tumblr: Trends That Defined the Year

No title available
tumblr dot com
Mike Driver

No title available
"I'm Dorothy Gale from Kansas"
seen from United States

seen from Italy

seen from Norway

seen from Iraq

seen from Malaysia
seen from Germany
seen from Malaysia
seen from South Africa

seen from United States
seen from United States

seen from Chile

seen from United States
seen from United States
seen from United States

seen from France

seen from Türkiye

seen from United Kingdom

seen from United States
seen from United States

seen from United States
@carving
Chino Amobi at Fitzpatrick Gallery
Calvin, II, 2025 Satin digital inkjet print, pvc frame with acrylic glass 24 x 36 x 1 inches
Daniel Hud
5U Space is pleased to present its eighth exhibition, Daniel Diasgranados, Dust: A Wandering. Drawing from ongoing projects begun during the COVID-19 pandemic, seven photographs confront a moment in US history defined by rupture and disorientation. Here, memories of an adolescent past, spent carefree in public parks, are revisited and re-visioned in present-day Maryland, Virginia, and Florida. Friends appear outdoors, shuteye, or in thought — powerful acts of resistance against a world demanding productivity, attention, and obedience. Rather than comply, the artist offers stillness; rather than resolution, the images hold space for ambiguity and reflection.
Central to the work is an ongoing inquiry: how does a place change over time, and how does memory shape our continued relationship to it?
Start by heading out the door and down the steps Make a sharp left, then continue past the driveway and toward the sidewalk Head toward the playground behind the shopping center Continue straight For 6 blocks Take a right Continue 100 feet Make a left and you’ve arrived.
Y. Malik Jalal caught only a glimpse 2024 Pantyhose, copper mesh, newspaper clipping from Challenger explosion, DC travel card, forged steel 41 x 58 x 10 in.
Played some of my dads records at serpentine on Sunday for Peter Doigs house of music check it out if in london. Many thanks to D.S.P london for sound system. V fun
Cristian, July 2018
Youssouf Doukanthi by Osma Harvilahti for SSAW Magazine , Summer 2021
Installation view of Freedom Square: The Black Girlhood Altar at the Chicago Cultural Center
The exhibition at the Chicago Cultural Center opens with the installation “Homegoing.” The work is a suspended image depicting a screenshot from Ma’Khia Bryant’s personal TikTok. In the photo she’s laying her edges, her jet-black hair shining, her baby face clean and free of makeup. Below the printed photo is a collection of candles, stuffed animals, and a bouquet. On April 20, 2021, Ma’Khia was killed by an Ohio police officer in what was later determined a justifiable homicide. She was 16 years old.
In the gallery titled Rest and Recess: The Courtyard, the exhibition transports the viewer to the Caribbean where Black girls play together unburdened and hopeful. A tree, sculpted by Robert Narciso and made from branches from Rekia Boyd’s family home, sits in the center of the room casting a protective shadow over everything. From its branches hang yellow paper hearts scribed with the hopes and dreams of little Black girls. The sound of their joyful cacophony activates the space.
[ x ]
DUST: a wandering
Feb 21st opening 5-8pm
Runs feb 21-march 21st
5926 Germantown Ave Philadelphia, PA
Widline Cadet, Nou se moun ki te toujou genyen (We're People Who Have Always Had), 2020
“People forget that music should be artful. There is a difference between artists and stars. For me, what comes first is music. I want to make dope music. It’s been like that from the beginning and it’s going to stay like that.”
D’Angelo by Beth Herzhaft ‘00.
fireflies in a cemetery in queens
chino amobi, chuquimamani-condori and xiu xiu at the knockdown center on sunday
it's encouraging to be around people who imagine a bigger life for themselves, whose only desire is to collaborate harmoniously with others, see opportunity instead of obstacle, people who remind you that life is about seeing how far you can go and how much fun you can have...real life enjoyers
Carved out of my experiences growing up as a photographer within the D.M.V., my studio operation of art direction for the artists I’ve had the honor of collaborating with, the visceral experience of interrogating gaze, the sublime experience of being bleacher-side watching an older brother football for an HBCU in the South, notes on questioning beauty and aesthetic within symbols and motifs, video game culture, notes on masculinity, dirtbikes, barbershop experiences, remixes of paintings in art history, 3D printed necklaces and everything in-between, Voyager:deconstructionist tactics is an autobiographical and communal documentary project I worked on from early 2018-2019 between Prince George’s County, MD, and Richmond, VA with a group of friends and collaborators. Within these images are photographs of friends, family members and objects within the alternative universe that is Voyager. Voyager was birthed out of a collage of psychological space, a culmination of socio-cultural experiences and an urgent need to see the people in my life see themselves and at an honest level of representation, beauty and honesty I felt missing from the contemporary canon of photographs and images within both art history and the digital realm. Foundationally structured from filmmaking practices, Voyager: deconstructionist tactics is a photo-based psychological map loosely rooted from NASA’s 1977 probe of the same name that left Earth to explore Outer Space. On this probe was the Golden Record, a 12” phonograph record that carried sounds and images portraying life and culture on Earth in case intelligent life were to discover the probe. Within my own images are photographs rooted in portraiture, still lives and images that serve as “scores of production”, building a constellation of these psychological spaces, collages and experiences. This body of work is a step towards a spatial agency i’ve been trying to both create, preserve and archive. I’ve always felt that photography has an inherent need, desire, responsibility and urgency to “show people another way of being” – When we make images of people in our lives, we are showing “A way, the way, and another possibility”, and Voyager’s goal has been to create that energy – for myself, my friends and everyone within that experience. This work would not be without the countless people who helped in the creation of this so i say thank you. gang shit. 2018-2019
danieldiasgranados.com/voyager