DC
Dec. 25, 2018
YOU ARE THE REASON

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Kaledo Art
we're not kids anymore.

shark vs the universe
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I'd rather be in outer space 🛸

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JVL
he wasn't even looking at me and he found me
wallacepolsom

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blake kathryn
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DC
Dec. 25, 2018
Not You (Power Circle) 2011
an angel at my table (1990)
Me in Australia in 10 days.
The very last time I met Janet was when we were shooting the film. John Maynard and Bridget Ikin, the producers, invited her to Auckland to visit our set. She travelled up from Levin with my godmother Marga, to whom I had given a small part in the film.
On our set Janet found a chair against the wall of the studio. She watched our work and me, and I watched her, grateful for her tact and the permission she gave me simply to do my best. She wanted no control; she hardly ever commented or asked for changes, not then or through the long process of the adaptation by Laura Jones. Over the course of the week Janet moved closer and closer until on the Friday, the last day of her stay, she was sitting on the couch of the film-set Frame family house in Oamaru. The pink pages of the call sheet in her hand had all the new words from our world: ‘wrap time’, ‘call time’, ‘standby props’, and ‘mag change’. She enunciated these words slowly, as if she was tasting something new and curious.
The week with Janet on set was precious to all of us and John memorialised it with a photographic portrait of the four Janets: little Janet, middle Janet, Kerry Fox Janet and Janet Frame. - Jane Campion
An Angel at My Table | Jane Campion | 1990
Nov. 11, 2018
White Material (2009)
Claire Denis
Love in the Afternoon (Eric Rohmer, 1972)
National Arboretum
Nov. 10, 2018
Hanna Schygulla
Rainer Werner Fassbinder - The Merchant of Four Seasons
(1972)
“I would call my friends on other devices;
They would be more or less mad for similar reasons.
Slowly I would get to pen and paper,
Make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
Brave, setting up signals across vast distances,
Considering a nameless way of living, of almost unimagined values.”
from “Poem (I lived in the first century of world wars)”
Muriel Rukeyser
Italiensk for begyndere (2000) dir. Lone Scherfig
- What do you want (for christmas)?
- A husband and a house and not to do out to work. Or those long earrings we saw at the shopping centre.
“Crossing Delancey” (1988), dir. Joan Micklin Silver
Amy Irving in Crossing Delancey (1988)
Direction: Joan Micklin Silver
Costumes: Rita Ryack
SF/DC
The week of All Souls