I’m so mad because this worked
ROGER HELP ME

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I’m so mad because this worked
ROGER HELP ME
Neneh Cherry and her mother Moki at their home in the countryside outside the small town of Hässleholm (Sweden), early Seventies.
Lola’s Place by Scotch & Soda in Amsterdam (you can rent it on Airbnb)
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might reincarnate this blog for the purpose of looking at houses
Young Agatha Christie
c. 1910
Breda Beban
Mexicana
I need ten million, thanks
Jean-Michel Basquiat photographed by Yutaka Sakano in Tokyo, 1983.
This gorgeous #1970s Turkish cotton dress is coming to @vodboutique ! #DVindallas
The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.
Friedrich Nietzsche
snek
this video explains why “hug your elbows in” might not be the best cue to get your students into chaturangas (ie. the “yoga pushup”).
He doesnt really talk about the right cues … but either way, food for thought!
What Happens to Sex Workers When the Hood Gentrifies? by Shanna Collins
“For sex workers, the added criminalization that comes with gentrification only exacerbates the already abusive history that exists between them and the police. “While not every person who engages in street sex trades experiences police brutality, reports and studies from around the world indicated that law enforcement is the ‘Big Daddy’ of perpetrators,” Chateuvert continues. “Profiling and violence also encourage modern-day vigilantism, creating a climate for ordinary citizens to stalk, threaten, and harass sex workers on the street.” Transgender women of color (who are often arrested by cops on suspicion of prostitution regardless of being sex workers or not) are particularly and aggressively targeted by police.”
“We must link how gentrification, criminalization and police brutality function together. Decriminalization of sex work is not the only step in reducing violence towards sex workers. Only then can we begin developing more empowering strategies towards revolutionary countermeasures against the state by our communities. “
Ben Enwonwu in his art studio in Ikoyi, suburb of Lagos
Benedict Chukwukadibia Enwonwu was born in Onitsha at the beginning of the 20th Century and his career encompassed the major aesthetic traditions that shaped the character of modern Nigerian art. These include the indigenous aesthetic traditions of Nigeria and the European modes of symbolic communication appropriated by Nigerian artists during the colonial period. Enwonwu and four other students (collectively known as the Murray School) formed the first group of Nigerian students trained in European techniques of visual representation by the British colonial government. He become the first African to achieve international acclaim as a contemporary artist. He was active until his death in 1994. Photo: Eliot Elisofon — Ogbechie S., (2002). Ben Enwonwu; Aesthetics and Artistic Identity in Modern Nigeria Art. Nka Journal of Contemporary African Art. Number 16/17. Fall/Winter 2002