www.beyonce.com
The Bowery Presents
Not today Justin

titsay
taylor price
The Stonewall Inn
noise dept.
No title available
Doug Jones
macklin celebrini has autism
EXPECTATIONS

roma★

shark vs the universe
almost home
RMH
Noah Kahan
Mike Driver
$LAYYYTER
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
todays bird

seen from Colombia
seen from Mexico

seen from United States

seen from Malaysia

seen from Singapore

seen from United States

seen from United States
seen from United States

seen from United States
seen from Malaysia
seen from United States
seen from Chile
seen from Canada

seen from United Kingdom
seen from United States

seen from United States

seen from United Kingdom
seen from Iraq
seen from Venezuela

seen from Indonesia
@ceedlune-blog
www.beyonce.com
This odalisque is only furry where it counts.
(Source: Kaye Blegvad)
Helen Frankenthaler in her Studio, 1957
Photo by Gordon Parks
Helen Frankenthaler, Indian summer, 1966
Helen Frankenthaler Canyon 1965 Phillips Collection
This summer I was a student in a community-run Latinx Feminisms course, and was given opportunity to guest lecture on labour, community, and the body as it effects the latinx diaspora. The class raised a lot of questions about the politics of caring, and the role of the self in relationships, whether it is in a workplace or in the community. This is particularly relevant in a culture where working, and its ostensible rewards, are valued above all else, including mental and physical health, social bonds, justice, and so on. How can we cope with living in a society where certain types of lives, particularly those that have been systematically oppressed, are considered unimportant, unlistenable, or replaceable? The psychic tolls of living these lives demands a regiment of self-valuation, self-desire, and self-importance, most easily accessible through the practice of self-care. I wanted to share these slides in the hopes of generating a dialogue on how latinx communities, and communities of colour more broadly, can decolonize practices and spaces of care.
Sheath 1, oil on canvas, 18″ x 24″, 2015
Brendan Austin
YAYOI KUSAMA
Compulsion Furniture (Accumulation), 1964
Photocollage and paint 8 x 9 7/8 inches (20.4 x 25.1 cm)
My queenz, all perfect Winonas 💁 (at Saving Grace)
Pasta 😗〰〰➰〰✔️👌#pasta #homemade
oh mY GOD
just tryin something out
Guys, @homegrownbowes sent me a sweet package and in it was the a shirt that shouts my daily mantra. Thanks queen! ✊ #truism #pussymaketherules #feministluv
for those of you asking/ wondering if you can buy my creations online.. well now you can!
ive re-activated my etsy account! please tell all your friends!
handmade beaded jewellery and artist edition notebooks available!