Harrow: There is a master key and a spare key. Harrow: I have them both. Palamedes: What if you die? How will we get in? Harrow: If Iām dead, you guys have been dead for weeks.
trying on a metaphor
i don't do bad sauce passes
we're not kids anymore.
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Sweet Seals For You, Always
Claire Keane
DEAR READER

Origami Around

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⣠Chile in a Photography ā£
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Kaledo Art
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I'd rather be in outer space šø

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Andulka
cherry valley forever
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@celestialdonught91
Harrow: There is a master key and a spare key. Harrow: I have them both. Palamedes: What if you die? How will we get in? Harrow: If Iām dead, you guys have been dead for weeks.
The more I think about it, no, I don't think John or Harrow took Gideon's heart.
I think it was Ianthe.
And I'd really love a scene in Alecto the Ninth where everyone is trying to steal it back and there's lots of tossing and kicking and dropping the slippery thing and almost losing it, like a bank heist by the most inept thieves ever, only the team is Pyrrha, Paul, Pash, Aiglamene, and Noodle (who almost eats it).
A Harrow montage for pride month because while she is a tiny angry lesbian I also lowkey headcanon that sheās on the ace spectrum šš¤š©¶š¤
Miss my girl
This is pretty close to how I imagine gideon
They could never make me hate you, complex female character whose reaction to trauma was not pretty and digestible like how people think it should be.
happy pride to girls who didnāt know that women could be nice to you, inscrutable polycules, straight people in forbidden marriages, body snatchers who kiss their own reflections, poets obsessed with long-dead warriors, predatory cougars, lesbians who are in fact the problem, and girls who are in love with a corpse
happy pride to these idiots š
(I'm thinking about drawing Ianthe and Camilla as well? we will see, we will see)
happy pride month to whatever they had going on
oh gideon you useless, useless dyke. fawning over dulcinea like an idiot. this is wonderful
She's just so pickupable
Bonus nona spoiler sketch
kind of weird how parts of your soul are left in various locations without any warning⦠like yes iām always at the top of that hill, sitting at the bus stop, in the cool light of the Japanese restaurant, standing at the pier etc etc
cytherea tarot i did as a commission for @powerbottomblake <3
i know weāre both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what iām saying is that i love you but i think we both drive over the speed limit when itās raining. what iām saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what iām saying is that iām here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isnāt even pronounceable - the tenacious, soundless blankness. survival isnāt just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also havenāt picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you canāt tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you werenāt crying about the broken glass. i know about feeling like all the roads have closed their exits, that you arenāt supposed to still-be-here - and yet.
i am still here, and still yours, and i havenāt forgotten. what iām saying is if any hope is calling to you - i know itās hard, but you have to listen. iām saying keep driving, but slow down the car. sit down in the shower, iām not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. iāll be waiting for you.
and when the train is coming - please move.
the ninth
the locked tomb is one of my favorite series ever in recent history and the horrific, agonizing grief and loneliness that permeates every scene is deepened for me when you realize the humans that still exist worship john gaius only because he is their only context for humankind.
all culture, language, style, religion, dance, music, food, philosophy, art, and music are gone, save for what is filtered through his experience. most if not all of the main cast are mÄori but they have no thread connecting them to their cultural experience except for john gaius.
the narrative is haunted by the entire world and i can confidently say i have not experienced many pieces of fiction even in apocalyptic future settings that communicate that so effectively.
I know you meant it figuratively but. The narrative is quite literally haunted by the entire world as well
Whenever I am thinking very hard about The Locked Tomb, I find it important to remind myself Tamsyn Muir did compare the series to the KFC Double Down.
https://clarkesworldmagazine.com/muir_interview/
Never NOT reblogging this every time I come across it
The swords in The Locked Tomb make sense. Listen to me. Liste - no, I'm not crazy. Or I am, but this isn't crazy. No seriously.
In the extra material at the end of Harrow the Ninth there's this document. "Blood of Eden Memorandum for Record." It explains everything their enemies know about necromancers, cavaliers, and how to fight them. And one paragraph perfectly explains why the people with swords keep winning hands down against the people with guns.
The relationship between necromantic abilities and death by bullets has been both overstated and understated by most personnel. It is certainly not the case that necromancers cannot be harmed by bullets. On the other hand, firing on House troops without proper advance reconnaissance is extremely unwise. The ādeath senseā is not only applicable to the enemy gaining intel, but is sophisticated enough that the death of a minion can be used to create a connection between the gunner and the necromancer. The perfect sniper round that kills a necromancerās minion will not only tell the necromancer exactly where the sniper is, but give them a conduit to kill or disable the sniper directly. A necromancerās range has been clocked at three thousand metres using this method.
So basically: If you're a cav and the enemy takes you out, your necromancer can instantly retaliate and kill your killer with their brain. And also they just gave their position away and can be tracked using that thanergetic link for quite some time after.
To effectively fight Cohort troops, BoE needs to move with absolutely no detection (which with necromancers means no killing anyone) until the instant they can attack and take out all the necromancers. If there's a single necromancer left alive, the person who delivered the critical strike is as good as dead, and an active threat to anyone around them.
Jod's empire equips cavaliers with swords because the necromancers are the guns.