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Tumblr is the most chill social media and is far better for my sanity than Twitter so I'm just going to use this site as my personal diary and journal.
Nymphaeum, a shrine to nymphs
Casa di Nettuno e Anfitrite, Herculaneum
Stunning Tang Dynasty Murals in a Tomb Unearthed in China
A Tang dynasty tomb unearthed in China dates from the 700s, and the murals on its walls give an unprecedented view of daily life at the time.
Archaeologists in northern China have unearthed a centuries-old tomb decorated with stunning murals portraying daily life during the Tang dynasty, which ruled much of central and eastern China from A.D. 618 to 907.
The tomb includes never-before-seen depictions of daily life, including men threshing grain and making noodles.
One of the murals also depicts what appears to be a "Westerner" with blond hair and a beard who probably hailed from Central Asia, Victor Xiong, a professor of history at Western Michigan University who wasn't involved in the discovery, said in an email.
The tomb was discovered in 2018 during roadwork on a hillside on the outskirts of Taiyuan, the capital of China's northern Shanxi province, but archaeologists only reported on the completed excavations last month.
According to an article from China’s government-owned news agency Xinhua, an epitaph in the tomb states it was the burial place of a 63-year-old man who died in 736, as well as his wife.
The tomb consists of a single brick chamber, a door and a corridor. Scenes from life during the Tang dynasty adorn the walls of the tomb, the door, the corridor, and the platform on which the coffin was placed. The domed ceiling of the chamber is painted with what may be a dragon and phoenix.
Tomb guardians
Several figures painted near the door represent the "doorkeepers" or guardians of the tomb; they are wearing yellow robes and some have swords at their waists, according to Xinhua. Other murals portray natural landscapes, as well as men threshing grain, women grinding flour, men making noodles and women fetching water from a well.
They are rendered in the traditional "figure under a tree" style that was popular in the Shanxi region at the time, the South China Morning Post (SCMP) reported. As its name suggests, the style features people carrying out activities underneath beautifully depicted trees.
Many of the figures in the murals look like the same Chinese man and woman, and archaeologists think they may have been the two people buried in the tomb. The woman, in one scene, is dressed in a colorful gown and is leading four horses, alongside a bearded man holding a whip.
Other murals show mountains, trees and camels, and the series of paintings around the coffin may represent the Chinese tomb owner at different stages of his life, Xinhua reported.
Traditional style
The murals in the tomb appear to be well preserved. "The most familiar theme depicted in these murals is that of human figures under trees — a tradition that harks back to the Han dynasty [206 B.C. to A.D. 220]," Xiong said. Similar murals had been found in China's Xinjiang, Shandong, Shaanxi and Gansu regions.
He noted that the blond "non-Han" man leading camels has distinctive clothing. "Based on his facial features and outfit style, we can identify him as a 'Westerner,' likely a Sogdian from Central Asia," Xiong said. (The Sogdians were a trading people along the Silk Road routes between Asia and Europe at the time, living mainly in what are now Tajikistan and Uzbekistan.
He added that many of the murals gave "never-before-seen" representations of daily chores and labor during the Tang dynasty.
By Tom Metcalfe.
Source: Sogdian Sash; Sogdiana, sixth to eighth century. Bonhams, 2026.
Two Sogdian swords based on art & excavations
Source: Child’s Coat with Ducks in Pearl Medallions (雙鴨圓形紋兒童外套); Sogdiana, eighth century. The Cleveland Museum of Art.
The First Awakening of Eve (1889) by Valentine Cameron Prinsep RA (British, 1838 – 1904), signed and inscribed 'Eve. by Val Prinsep. RA RA Exhibit - £CHH' (on an old label on the stretcher), oil on canvas, 44 7/8 x 53¼ in. (114.1 x 135.3 cm), Private Collection
Electric power generation for data centers is a threat to water supplies even in states outside the arid Southwest, according to a report pu
“The water that data centers use for electricity generation in just the top 7 states with the most data centers is the equivalent of 12-times the annual water use of Los Angeles, Phoenix, and Washington, DC, combined.”
Holy shit??
I also scoff when I see particularly privileged people claiming that the answer to homelessness is simply housing people. I have known SO many homeless or formerly unhoused people due to my time in AA, the mental hospital, and addiction treatment programs. Homelessness obviously doesn't exist in a vacuum, and it takes on many forms. But imo the most surefire way to get the most vulnerable homeless off the street is to treat them mentally (usually so they can make the decision to get clean), and then set up sober living houses. Not an expert that would be my idea.
There is no one size fits all for homelessness. There's many homeless people that have severe mental health issues and drug problems and no desire to work and can't manage money and don't want to be out of the situation. Then there's a significant minority that are otherwise decent sober functional people but they don't have any family safety net and can't afford a place on their own because the economy is terrible. Government programs that mix the later group with the lowest common denominator are a disaster and drag people down rather than lifting them up.
RIP Dolly Parton 🕊️
Listen: what this means is that in honor of Tim Curry and Dolly Parton we have to be gaudier and kinder than ever before. That’s what the world needs most of all. Get out there and be yourself.
The Horizon. Silvano Mattesini. Italian. 1950 - acrylic on canvas.
http://hadrian6.tumblr.com
Blooming wild peonies in the Khomutovskaya steppe in Ukraine.
The kiaha, a carrying basket, was made by both the Pima and Papago. From the magazine Arizona Highways; July 1975 on archive.org
"The Lenten Spring" by Father Thomas Hopko