Harry at Farm Boa Vista in Porto Feliz, Brazil last Sunday - July 19, 2026 (via carasbrasil)
NASA

PR's Tumblrdome
noise dept.
The Bowery Presents
đȘŒ
Lint Roller? I Barely Know Her
No title available
untitled
I'd rather be in outer space đž
PUT YOUR BEARD IN MY MOUTH
taylor price
Monterey Bay Aquarium

â
Mike Driver
TVSTRANGERTHINGS

No title available

Product Placement

bliss lane

titsay
trying on a metaphor
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@cherriesncrystalballs
Harry at Farm Boa Vista in Porto Feliz, Brazil last Sunday - July 19, 2026 (via carasbrasil)
Your Bag Will Be Last (Raya Harry)
New York gets smaller in the rearview mirror, London is older and wetter than you expected, and Camille packed something in your suitcase that she absolutely should not have.
word count: 5.3k
authors note: cover photo by @zclhes
You wake up on Wednesday with nowhere to be.
That's the thing. You lie there waiting for the alarm. It doesn't come because you turned it off last night for the first time in six years. The morning just sits there, open and entirely yours. You stare at the ceiling and think: okay.
Okay.
You lie there longer than you normally would. Not because you're tired, just because you can. Nobody needs anything from you this morning. No piece waiting to be filed. No planning committee meeting on Thursday. No opening sentence to rewrite for the fourth time. You let the morning just be a morning.
Eventually you get up.
You make coffee slowly, actually waiting for the water to reach the right temperature, standing in your kitchen in your socks with your hair still doing whatever it wants. You think about how many mornings you've stood in this exact spot rushing. Six years of rushing through this kitchen, coffee in hand before you've even properly woken up, already thinking about the first thing on the list.
You are not thinking about a list this morning.
You take your coffee to the couch, pull the blanket up, turn the television on. Something comfortable, something you've seen before. You sit there and drink your coffee and let the morning happen around you.
It's nice.
It's also a little strange.
TO LOVE TO LET GO pairing: current older boyfriend! Harry Styles x fem! reader summary: At your friendâs wedding, you and Harry come to a conclusion that your relationship maybe canât work the way you want it to word count: 8.6K contains: age gap (Harry is 32 & reader is 23), angst, sad emotional stuff, fluff, smut â soft dom! Harry, kissing, oral (f!receiving), fingering, unprotected and rough-ish? sex (wrap it before you tap it!!!), size kink if you squint, aftercare, praise, talks about marriage and kids a/n: After binge watching Friends a few months back, I got inspired by the Monica and Richard trope so here is mine âadaptationâ. A little emotional piece. I wrote it mostly on my daily walks (girl needed to finish her apple fitness circles). Also kinda disclaimer, Iâve never been to a wedding so I was writing this with a google tab âhow weddings workâ open the whole time hahaha click here for â” MASTERPOST âË à±šà§ â.Ë comment here to join â” TAG LIST âźâË: ALL MY LOVE & TPWK, E
Harry Styles - Together, Together Tour - SĂŁo Paulo Night 1 - July 17, 2026 (via thehsbrasil)
Harry on his way to night one of Together, Together SĂŁo Paulo - July 17, 2026 (via quem)
BABYYYYYYY
Golden Was The Coast - Series
Part I â The Girl Who StayedÂ
Warnings: slow burn, emotional exhaustion, fame, summer romance, soft angst, strangers-to-something-more. Mini summary: Y/N never planned to stay in San Fiora after her Erasmus ended, but the little Italian coastal town gave her something she had not known she was looking for. Then, one hot July morning, a man in sunglasses walks into CaffĂš Lucia asking for coffee, water, and a quiet corner. She recognises him immediately. She just chooses not to say it.Â
Breastfeeding in Public Gone Wrong (Angst/Fluff)
AN: this is partly inspired by that lady who made the tiktok video saying she was told to breastfeed in an airport bathroom but refused. i just put my own spin to the story. i don't write a lot of angst but for this blurb i decided it needed a little to make it complete. hope you enjoy and remember to leave feedback. xoxo (ps, this has been in my drafts since last september and i'm just now proof reading it to post.)
This story contains: breastfeeding in public, sexualization of breastfeeding, perverted man, comfort, angst
{ dadrry - husband!harry - softrry - au!harry }
word count- 950
You begin breastfeeding your hungry newborn baby at the airport while Harry is on the hunt for you some breakfast, when all of the sudden an older man decides to butt into your business and share his negative thoughts on you breastfeeding in public.
This marked your first travel experience since welcoming your two-month-old daughter into the world, Penny, and it'd be an understatement to say you were a nervous wreck. You were unsure if Penny would sleep soundly for the duration of the flight, or if she'd cry and bother the other passengers. The unknowing of how she'll act on the plane gave you major anxiety.
You and Harry made sure to get to the airport two hours in advance of your flight's departure time, which gave you time to have some breakfast and soothe your nerves before the journey. After going through the security checks and having your bags examined, you sat in a small seating area near your gate while Harry looked for breakfast for the two of you.
Harry in London yesterday - July 9, 2026
MY SWEET ANGEL BABY đâ€ïžâđ©č
heâs sođ€đŒđ€đŒđ€đŒđ„Čđ„Č
No Desk, No Plan, No Problem (Raya Harry)
<- Part Ten | Masterlist
You quit your job, told Priya to suck it, ate eggs alone for the first time in six years, and somewhere between the second coffee and the third one you probably didnât need, you started a travel blogÂ
word count: 4k
authors note: cover photo by @zclhes
You sit there for a second after you hang up and just look at Cami.
She looks back at you.
âSo,â you say.
âSo,â she says.
âWhat do I actually do now.â
She refills both glasses with the other good wine, settles back against the couch, and looks at you with the expression of someone who has already thought this through and is about to present it like itâs obvious.
âHereâs the plan,â she says. âYou go in tomorrow and you quit.â
You laugh. It comes out a little high. âYeah. Sure. I also have rent.â
âLive here.â
You look at her.
âIâm serious,â she says. âQuit. Stay here. However long it takes you to get to Harry, youâre here. Iâm never home anyway.â
You look around her apartment. The candle burning low. The good art on the walls. The little dish by the door. Itâs a genuinely nice apartment. It has always been a genuinely nice apartment.
âCami,â you say.
âWhat.â
âI canât move in with you.â
âWhy not.â
âBecause.â You search for it. âBecause Iâm not moving backwards. Iâm not going from my apartment to yours and then to Harry like Iâm just bouncing between other peopleâs lives. I need toââ You stop. âI need it to feel like Iâm going toward something. Not retreating.â
Camille looks at you for a long moment.
âThatâs not what this is,â she says quietly.
Camille sets her wine glass down and looks at you properly.
âI want to see you happy,â she says. âThatâs it. Thatâs the whole thing.â She pauses. âYouâre happy when youâre with me. Youâre happy when youâre with him. This is just both of those things at once for a little while.â She tilts her head slightly. âThatâs not a handout. Thatâs just me loving you.â
You look at your wine glass.
âI know,â you say quietly.
âAnd I think this is going to be so good for you,â she says. âLike genuinely, really, so good. Iâve watched you sit at that desk and come home flat for months and Iâve watched you light up every single time he calls and Iâve watched you stare at your phone after LA like someone rearranged all the furniture in your brain.â She pulls her knees up. âYou deserve the furniture arrangement.â
You laugh despite yourself.
âStay here,â she says again. Softer this time. âWhile you figure it out.â
You sit with it for a moment. The candle. The music. The second bottle open between you.
âOkay,â you say finally. âBut Iâm paying you something.â
She opens her mouth.
âNon negotiable,â you say.
She closes it. âFine. Something small.â
âSomething reasonable.â
âWeâll argue about it later,â she says, which means sheâs already won but is letting you think you havenât, which is very Camille. She picks her glass back up. âNow. Start thinking.â
âAbout what.â
âAbout what you actually want to do.â She looks at you. âNot the job. Not Harry. You. What do you want to write. Where do you want to go. Make a plan.â
You look at the ceiling. At the particular dark of a December night pressing against the windows. At the candle burning almost all the way down.
âI keep thinking about the sofrito woman,â you say.
âI know you do.â
âThere are a thousand of her everywhere. In every city. And Iâve only ever found the ones within ten blocks of my office.â You pause. âI want to find the rest of them.â
Camille is quiet for a second. Then she says: âSo do that.â
âItâs not a job.â
âIt could be.â She reaches over and tops up your glass. âStart a newsletter. Pitch it somewhere. Build it yourself. It doesnât have to be a job on day one, it just has to be a thing youâre doing.â She looks at you. âItâs kind of like working.â
âItâs kind of like working,â you repeat.
âYouâd be writing,â she says. âYouâd be travelling. Youâd be with him. Youâd be building something thatâs actually yours.â She shrugs. âSounds like working to me.â
You sit there in the soft pyjamas on Camilleâs floor with the second bottle of good wine and the nearly dead candle and the whole improbable shape of the next chapter of your life sitting somewhere in the middle distance, not fully formed yet but present, and you think about a blog post with broken photo links that youâve read twice without absorbing.
Youâre going to absorb it now.
You take the subway home just after midnight, the car mostly empty, the city outside the windows doing its late night thing. You sit with your hands in your coat pockets and your head against the glass and you think about how strange life is.
Not bad strange. Just strange. The ordinary specific strangeness of a Tuesday that started with a housing board piece you couldnât finish and ended with you quitting your job on your best friendâs floor in free pyjamas while your boyfriend listened from London. You think about the version of yourself that walked into that office six years ago with a notebook and a very strong opinion about local journalism and a very small apartment and a very clear idea of what the next ten years were supposed to look like.
She wouldnât recognize this Tuesday.
You think about the job. About what it cost to get it, the years of pitching and interning and writing things for almost nothing and finally getting the call, how you sat on your kitchen floor afterward and cried because youâd wanted it so badly for so long. You think about the first piece you filed, a small thing about a community garden in the Bronx that was being threatened by a development proposal, and how you refreshed the page seventeen times after it went live.
Itâs okay for things to change, you think. Thatâs just what things do.
You think about Cami saying the furniture got rearranged. You think about Harry saying you just have to start. You think about Mei pressing her thumb into your left shoulder and finding six weeks of something youâd been carrying around without admitting it.
You get home and change and get into bed and lie there in the dark looking at the ceiling and think about how you just paid rent a few days ago, which means you have the whole month. A full month in this apartment. Time to do it properly. Time to figure out the next part without rushing it.
That feels like something.
You fall asleep still thinking about it and sleep better than you have in weeks.
In the morning you wake up and lie there waiting for the anxiety to arrive.
It doesnât.
You wait a little longer, just to be sure. You run through the facts of the situation the way you do when youâre trying to locate something youâve misplaced. You are going to walk into your office today and tell your editor youâre quitting. You are going to give notice on the job you worked for years to get. You are going to move in with your best friend on a temporary basis and figure out how to build something new from scratch in a city youâre about to leave.
Nothing.
Just a quiet that feels less like emptiness and more like clarity, which are not the same thing and you know the difference.
You get up and make coffee and stand in your kitchen in the early morning light and look at your apartment, at all the familiar things of your life arranged exactly as you arranged them, and you think about the bathroom cabinet you reorganized at eleven pm and the bookshelf alphabetized by color and the spices in order and all the small ways youâve been trying to manage something that couldnât be managed by tidying.
You drink your coffee.
You get ready.
Youâre surprisingly ready.
Your managerâs name is Dana.
Youâve always liked Dana. Sheâs direct without being cold, the kind of editor who gives notes that actually make your work better rather than just different, who remembers the details of your stories between conversations, who once stayed on the phone with you for forty minutes when a source pulled out an hour before deadline and helped you rebuild the whole thing from scratch.
You knock on her door and she looks up from her screen and waves you in and you sit down across from her desk and she reads your face immediately because Dana always reads faces immediately, itâs one of the things that makes her good at her job.
âWhatâs going on,â she says.
You take a breath.
âIâm moving,â you say. âIâm going to have to give notice.â
Dana is quiet for a moment. She folds her hands on her desk and looks at you with the particular steadiness of someone who has had this conversation before and knows how to hold it.
âWhere,â she says.
âEngland,â you say. âItâs not a work thing. Itâs personal.â You pause. âItâs not this place. Itâs not you. I want to be really clear about that. This job has been everything I wanted it to be.â You stop. âI just want something different now.â
She nods slowly.
âHow long have you been thinking about it,â she says.
âHonestly?â You look at your hands. âA while.â
Sheâs quiet again. Outside her office the floor hums along at its usual morning pace, phones and keyboards and someoneâs very loud coffee order from the kitchen, and you sit there in the chair youâve sat in for six years worth of pitch meetings and performance reviews and one very memorable conversation about the zoning amendment series and you feel something in your chest that is sad and right at the same time.
âOkay,â Dana says finally. âLetâs talk about the transition.â
You stay in her office for twenty minutes. You work out the notice period, who picks up your current pieces, how to hand off the sources youâve built relationships with over the years. Dana is professional and warm and at one point puts her hand briefly on yours across the desk and says she thinks youâre going to be fine, and you believe her.
You walk out of her office and close the door quietly behind you.
Priya is at her desk.
She looks up the second she sees your face. Her eyes go wide. She looks at Danaâs closed door. Then back at you.
âI knew it,â she says. âI knew you werenât going to last.â
You stop. You look at her. You think about three weeks of her watching you stare at a second tab and delete four hundred words and come in carrying something you couldnât put down.
âSuck it, Priya,â you say.
She laughs, loud and genuine. âGo live your life,â she says.
You point at her. She points back. You walk out.
You push through the front doors and the December air hits you and you just stand there for a second on the pavement outside the building you have walked into five days a week for six years.
You quit your job.
You actually did it.
A woman walks around you with her coffee and her headphones and her very purposeful Tuesday morning energy and you step to the side and just breathe for a second. The city keeps going. A cab. A delivery bike. Someoneâs dog pulling very hard toward a lamppost. All of it completely indifferent to the fact that you just walked out of your career.
You start walking.
You donât have a destination, not really, just the general direction of away, and you walk through the December morning with your hands in your coat pockets and the cold air on your face and something in your chest that feels like a window being opened in a room thatâs been closed up for a long time.
You think about Harry.
You check the time. Just past ten. Which means itâs just past three in London. Heâll be in something, a meeting or a session or one of the things he mentions in passing without explaining, but thereâs a version of right now where heâs between things, where his phone is in his hand.
You stop at the corner and look at his name in your contacts.
You think about calling. You think about hearing his voice, the warm tired end of his afternoon, telling him itâs done. You think about how heâd say it simply, the way he says most true things, and how that would be exactly what you need right now.
You press call.
He picks up on the last ring, slightly breathless, like he stepped away from something to answer it.
âHey,â he says. âEverything okay?â
âI quit my job,â you say.
Silence.
Then: âYou quit your job.â
âThis morning. I went in and I told Dana I was moving and I gave notice and then I told Priya to suck it and I walked out.â You pause. âIâm standing on a street corner.â
âWhich street corner.â
âDoes it matter.â
âNo,â he says, and you can hear the smile in it. âAre you okay?â
âI think so.â You start walking again, slowly, no direction. âI donât know. Maybe it wasnât the best move. Maybe I should have thought about it longer. Maybe I should have had something lined up or a proper plan or at least waited untilââ
âWhy,â he says.
You stop. âWhat?â
âWhy should you have waited.â
âI donât know,â you say. âWhat if itâs too quick? What if I wake up next week and realise Iâve just blown everything up on a feeling?â
Heâs quiet for a second. Not a worried quiet. Just the listening kind.
âAre you happy?â he says.
You think about standing on the pavement outside the office with the December air on your face and the window opening feeling in your chest.
âYes,â you say.
âAre you excited?â
You think about Manchester in February. The market. The pub. The park where he used to sit and think. The sofrito woman in a hundred different cities.
âYes,â you say.
âThen it wasnât a mistake,â he says simply. âIâm happy and Iâm excited too. Thatâs enough.â
You walk another half block and let that settle.
âI was thinking,â you say, carefully, âabout maybe finding a flat in London. While I figure everything out. Just somewhere small, somewhere thatâs mine, so Iâm not justââ
He sighs.
Not an annoyed sigh. Just the particular sigh of someone who is about to tell you something obvious and is being patient about it.
âWhy,â he says.
âBecause I donât want to be a bother.â
A beat.
âNow youâre just being silly,â he says.
âHarryââ
âStay with me,â he says. âI mean it. Even if you want your own room, fine, you can have a room, but youâre not getting a flat in London by yourself when I have a house with rooms in it that nobody is using.â A pause. âYouâre not a bother. You could never be a bother. I want you there.â
You stand at a crossing and wait for the light and think about a house with rooms nobody is using and a man on the other end of a phone who sighs like that when you suggest inconveniencing him.
âOkay,â you say.
âOkay?â
âOkay,â you say again. âYour house. A room.â
âOur house,â he says. Quietly. Like heâs trying it out.
The light changes. You cross.
âYouâre not a stranger,â he says. âYouâre not some guest I have to be polite to.â A pause. âAnd honestly Iâd be sick if you moved all the way over there and I didnât get to steal all your time.â
You laugh, properly, standing on a street corner in December with no job and nowhere to be.
âAll of it?â you say.
âAs much as I can get,â he says. âYou can write from the house. You can have your space. Iâm not going to hover.â Another pause. âIâll try not to hover.â
âYouâre going to hover.â
âA little,â he admits. âBut nicely.â
You smile at the pavement. At the city moving around you, completely unbothered, all its usual Tuesday noise. You think about six years of walking into the same building and sitting at the same desk and writing about the same ten blocks, and you think about a house somewhere in England with a room that could be yours and a man who will hover nicely and steal your time whenever he can.
âOkay,â you say. âOur house.â
âOur house,â he says again. Like he likes the sound of it. Like he could say it a few more times and not get tired of it.
You stand there on the corner for a second, phone warm against your ear, December cold on your face, the whole improbable rest of your life sitting just ahead of you.
âI should let you get back,â you say.
âProbably,â he says. âAre you okay? Actually okay.â
âYeah,â you say. âActually okay.â
âGood.â A beat. âGo celebrate.â
âIâm going to go eat breakfast,â you say. âI havenât eaten anything.â
He laughs. âGo eat breakfast then. Text me.â
âI will.â
âLovey,â he says.
âYeah.â
âIâm really glad you called.â
âIâm glad too,â you say. âI love you. I miss you.â
âI love you too,â he says. âGo eat.â
You hang up.
You stand there for a second with the phone in your hand and the city going on around you and the cold December air on your face and you think about everything that has happened in the last twenty four hours. The conference room. The pyjamas. Camilleâs floor. Danaâs office. Priyaâs face. The phone call just now.
You put your phone in your pocket.
You start walking.
No destination, no desk to get to, no piece to file, no planning committee meeting on Thursday. Just the city and the morning and your own two feet taking you somewhere new, which is, you think, a pretty good place to start.
You find a coffee shop two blocks down, the small kind, the kind that knows what it is and doesnât try to be anything else, and you push through the door and the warmth hits you and you order a coffee and the eggs and you sit by the window and watch New York go past and feel, for the first time in longer than you can remember, completely unhurried.
You have nowhere to be.
You are a free woman.
You pay and leave a good tip and push back out into the cold.
You walk.
Not with anywhere to be, not with a route in mind, just the way you used to walk when you first moved here and the city was still something you were learning. You let the blocks go past. The coffee shop gives way to a stretch of boutiques and then a park and then a neighbourhood you donât come to often enough, the streets quieter here, older feeling, the kind of block that has been itself for a long time and isnât planning to change.
You think about the sofrito woman.
You think about the man and the cat outside the laundromat.
You think about all the people youâve walked past in six years of living in this city and never stopped for, all the small extraordinary ordinary lives happening in every direction all the time, and you think about how you are about to spend however long it takes finding them, in Manchester and London and wherever comes after that, and writing about them for anyone who wants to read it.
Strangers I Loved Briefly.
You say it quietly to yourself on the street and a woman walking past glances at you and you smile at her and she smiles back, a little uncertain, and keeps walking.
You find a place to sit eventually, a small cafĂ© a few blocks from the park, quieter than the first one, a corner table with good light coming through the window. You order another coffee you probably donât need and open your laptop and stare at the blank document.
You type: Strangers I Loved Briefly.
You look at it.
You type: A travel blog about the people worth stopping for.
You delete: A travel blog about.
You type: About the people.
You delete that too.
You sit back and look out the window. A man walks past with a very small dog in a very large coat. An older woman stops outside and checks something in her bag, finds it, looks relieved, keeps going. A kid on a bike takes the corner faster than he probably should.
You look back at the screen.
You type: This is a blog about strangers.
You stare at it for a long time.
You delete it.
You type: I have been a local journalist for six years. I have written about city council meetings and zoning amendments and planning committees and I have loved it, mostly, until recently, when I stopped being able to make myself care about any of it and started caring very much about a woman I interviewed who had been making the same sofrito recipe for fifty years because her mother taught her and her mother taught her and somewhere in that kitchen in the Bronx was a whole history of people loving each other.
You stop.
You read it back.
You delete everything after recently.
You try again.
I have been a local journalist for six years. I have written about the city I live in and the people in it and I have loved that work. But I kept finding that the stories I couldnât stop thinking about were never the ones I was assigned. They were the ones I stumbled into. A woman and her sofrito recipe. A man and a stray cat outside a laundromat. Small things. Quiet things. The kind of thing that doesnât make the news but makes a life.
You read it back.
You keep it.
You type: Iâm about to leave New York and go somewhere new. And then somewhere after that. And I want to find those people everywhere. The ones worth stopping for. The ones youâd walk past if you werenât paying attention.
You read it back.
You keep that too.
You type: This is for them. And for anyone who wants to come along.
You sit there with your hands in your lap and look at what youâve written and feel something very quiet and very certain settle in your chest.
Itâs not perfect. It will need work. But itâs true, which is the only thing that matters, which is the thing you have always believed about writing and somehow forgot for a little while sitting at a desk on the wrong side of the glass.
You save the document.
You close your laptop.
You order a third coffee you definitely donât need and sit by the window and watch the street and think about Manchester.
Takin' It All In
summary: To an outside harry is sweet. Heâs actually quite perfect. Who is he really when the clothes come off? Is he still that sweet?
wc: 1.4k
warnings: 18+, smut , dirty talk, oral (f receiving)
ââ
To everyone, Harry was sweet. As a friend, brother, and neighbor, he was a kind young man. He was a polite actor, singer, and songwriter.
It doesnât matter what aspect of his life it was; there was nothing but praise for Harry Styles. He gets the best reviews from critics for his music, and fans always rave about his concerts, and his co-stars have nothing but nice things to say about him on set.
đ©¶ Show You Off
Summary: âKissing and I hope they caught us, whether they like or not.â // As Harryâs girlfriend steps into the spotlight, Harry is cautious but unapologetic about his love for her.
CW: slight angst (negative fan reaction, implied hate, rumors/backlash) strong language used, nicknames (sweet girl, baby, babe, pretty girl, no y/n), fluff, kissing
Word Count: 3.5k
Pairing: Famous!Harry x girlfriend!fem reader
Location: UK / USA
POV: readers, third person
Harry pic from here!
đ A/N: Hellooo gorgeous! This idea came to me while listening to Doja Catâs âAgora Hillâsâ! Fun fact â agora hill is hinted at the word âagoraphiliaââa psychological term and fetish for sexual arousal in public places or wide-open spaces. Hence the âshow you offâ type of thing but this fanfic doesnât dive into exclusively sexual contentâ Harry indeed wants to navigate his private relationship in the public eye! Even though it has to do with famous Harry/Harries, itâs all just fiction! Hope you like it! đ
Thank you so much for sharing friend!! đ©·
Too Many Things For You to Analyze
Summary: Your body doesnât bounce back after your fourth pregnancy, and Harry is there to remind you how amazing you are.
Word Count: ~900
CW/tags: postpartum, negative self image, judging own postpartum body, mentions of breastfeeding, angst, hurt/comfort, fluff
AN: based on this request that has been hiding on my page for years apparently and suddenly resurfaced
Title from âSeason 2 Weight Lossâ
-----------------------------------------------------------------------------
Youâve had kids before. Three of them in fact. You know the routine. You know the way it changes your body.
But for some reason, youâre struggling this time.
Itâs been three months since youâd given birth to your fourth baby. Your third little girl after your eldest boy. And she was tiny. The smallest baby youâd had, and the only one without a greater than 90% percentile head (Harryâs fault, obviously).
The smallest baby youâve ever had, but the one that seems to have changed your body the most.
Thereâs a voice in the back of your head thatâs telling you this is normal. Your body grew in order to create life. It needed extra space to be a home for your little girl. You know that.
And yet you hate the fact that that extra space seems to be sticking around this time.
Not only did your belly grow, but so did your arms, your hips, your legs. Itâs like every part of your body decided it needed extra weight to accommodate the baby.
And then thereâs your breasts. Sure, theyâre feeding a fourth child, creating all the sustenance she needs to be healthy and strong. Itâs a beautiful way to connect with her, and youâre grateful every day that youâre able to produce enough milk to keep your baby fed.
But did feeding your baby really have to change your breasts so much? They used to be so full, and perky, and your nipples were a normal size. Now they feel like partially deflated balloons half the time, and your nipples are huge. Genuinely you had no idea they could get so long.
And yet, thatâs what feeding four humans does to a body.
Youâre stepping out of the shower, the first shower youâve had in three days, and youâve caught sight of yourself in the full length mirror.
The first thing you notice is the sagging. Then the stretch marks. Then your hair, so thin and scraggly, clearly suffering from postpartum hair loss.
You can't help the tears that spring to your eyes, burning as they threaten to fall in hot steaks down your face.
Itâs as your hands move to your side to feel the skin there that Harry walks in the room. Quickly you grab your robe, throwing it around your body to hide it from him.
He notices this. Of course he notices. He notices everything.
Which means heâs definitely noticed the changes to your body. This realization has the tears finally falling, and without hesitation Harry steps in to hold you.
But you donât want him touching you. Not right now. Now when you feel this way.
His face clearly shows his concern as you step away from him. You never deny his affection, so heâs worried by this reaction.
âYou okay?â He asks.
âIâm fine,â you lie.
âHoney, you can tell me whatâs wrong.â
âI feel gross,â you confess.
âOh, sweetheart, youâre not gross. You could never be gross.â
âBut look at me! Iâm nothing like I used to be! This isnât the body you fell in love with.â
âOkay, first of all, I didnât fall in love with a body, I fell in love with you. All of you. And second of all, this is the body that brought our four perfect children into the world. Itâs the body that fed and nourished them when they were little. I donât know what it is you see when you look at yourself, but I see a miracle. I see strength. I see beauty. I see my perfect wife, the woman Iâve loved for over a decade, who Iâm so incredibly lucky to have by my side.â
His sweet words bring another wave of tears to your eyes, and this time when he opens his arms you go willingly.
âYou really think that?â You ask, still feeling a bit unsure.
âI do. I truly think you are the most perfect woman in the world.â
He wipes the last of the tears from your face before he leans in for a kiss. It starts sweet, but he quickly deepens it, his tongue sliding languidly against yours.
âI can think of a few more words to describe you,â he murmurs.
âOh yea? What would those be?â
âHot. Stunning. Sexy.â
âYouâre such a flirt,â you joke, leaning back in to kiss him some more.
But unsurprisingly when in a house with 4 children under 10, you get interrupted.
âMama! Something's beeping in the kitchen!â
âComing!â You call out, but you try to have just another minute with Harry.
Only to be cut off by crying coming from the baby monitor.
âIâll see what she needs,â Harry replies. The two of you share one last peck then go off to tend to your children.
But once everything is settled and you finally have a moment to change from your robe back into regular clothes, you take a minute to look in the mirror to see yourself the way Harry does. And now all of those little imperfections donât bother you quite so much. Because yes, your body has changed. But it also brought you your children, and you wouldnât change that for the world.
Especially not when Harry continues to look at you like youâre the prettiest person on the planet, making you feel loved and desired every single day.
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AN: All bodies are beautiful btw
Thanks for reading!
HEATWAVE
A/N: i've been meaning to cook up something for the tour and also involve the heatwave so here it is! Some assistant!yn to entertain you in the heatwave!
WORD COUNT: 7k
WARNING: sexual content
SUMMARY:Â The London heatwave is bringing out the slutty little shorts and some complicated feelings between you and Harry. Then a plumbing disaster happens and you move in with him just until it's solved, however a broken AC forces the two of you to share a bed as well. A pop star, an assistant and lots of unspoken feelings in a bed. What could go wrong?
MASTERLISTÂ |Â SUPPORT ME!
London is melting. The heatwave has been pushing the temperature to extreme measure for days now and it will most likely carry on for a couple more.Â
Thatâs not stopping Harryâs Wembley residency though. Show must go on.Â
Itâs night seven and he is doing his usual pre-show shenanigans. Take a shower. Have a peek at Shaniaâs set. Get dressed while warming up his vocal chords in his dressing room. Itâs always the same.Â
on a lighter note, WAS HIS FLY OPEN THE ENTIRE TIME???? đđđ