inspired by: the cheshire cat (alice’s adventures in wonderland) & the emcee (cabaret) & dionysius (greek god of madness)
one and one and one is three. got to be good looking ‘cause he’s so hard to see.
chess is neither here nor there. not up or down or left or right. he is always exactly where he needs to be, hiding in plain sight. names, favorites, occupations - these are all formalities that do not matter in the grand scheme of things. chess will find you when they need to find you - and if they don't need to find you, well ... good luck. | he/they.
Stay with me here, but I’d like to get us started with a mini dissertation comparing the recently closed revival of Cabaret at the Kit Kat Club to our beloved Alice in Wonderland.
Lewis Caroll sets a painfully average scene at the beginning of Alice’s Adventures in Wonderland. We meet a little girl who is quite fond of her cat - so much so that she doesn’t really speak of much else. Unassuming in nature, it takes her literally falling down a rabbit hole and into an alternate dimension to realize that something might be odd. In Cabaret at the August WIlson theatre, you become immersed in this experience right away. As a spectator, you become part of the spectacle - and the general vibe is not normal, but it is pleasant. Alice exploring this world in the beginning, with singing flowers and a rabbit who somehow understands the concept of time, is incredibly reminiscent of the pre-show. And then who comes in to fully set the scene?
It’s the Emcee. The Cheshire Cat. Wilkommen, bienvenue. We are all mad here.
Similarly to the emcee - the moment we meet this character is almost normal. He is quite perched up behind a person and watching silently, as cats are wont to do, except direct eye contact with Alice causes him to grin in a way she immediately questions. But otherwise, he is just a cat. It is easy to convince a little girl of that - and they do. In fact, they gaslit, gatekept, girlbossed all the way into convincing her all cats grinned that way.
It’s not until we see this particular cat later in the forest, iconically, where he reveals the truth of the situation. At least - he reveals the beginning of truth, only providing the information he feels is necessary in the moment. We aren’t exactly revealing *ahem* arm bands, so we’ll stop the comparison there - but what I’m taking from all of this is the idea that the purpose of this character is to guide the spectator’s descent into madness. Normalize the weird and guide them so far into it, they don’t know up from down. The Cheshire Cat is the only character to admit that everyone is insane, and he also encourages the reader to embrace that.
So - what does this mean for Chess?
The loss of Wonderland feels incredibly profound to me for an entity that exists outside of the physical plane. Nothing is normal or of a certain status quo in Wonderland - but as Chess slips through the cracks and lands in Elias, there’s a new sense of normalcy to interact with and learn. They are powerful, sure - but in the spirit of “knowledge is power”, lack of knowledge will cause constriction. The man behind the curtain is no longer pulling strings, no longer narrating the story. While the Queen of Hearts is, of course, the puppeteer of Wonderland in a certain way - Chess was the puppeteer of his own life and landing in Elias feels like the strings were cut. They are displaced in a way that feels, at this moment, unfathomable. Chess must pick himself up, collect his broken strings, and find a way to orchestrate the show without a working puppet.
The challenging thing about all of this is that Chess’ motivations are not clear - not to me, not to you, and not to themself. All whims are fleeting and this character is born to chase them, much like a cat with a mouse. He is everything and nothing at the same time. He is a physical embodiment of the fourth wall - omnipresent and not present at all. The one thing they would want would be to return to Wonderland - but since that is not possible, the only thing that they can do is adapt and try to regain literally any sense of control. Once settled in, he can watch and he can wait.
For me, the story starts after this point. Chess has gotten somewhat comfortable in Elias and, much like the bio suggests, has found their way into Donald’s good graces. Wonderland is seeping into literally everything - in ways that are subtle and in others that are obvious - and to Chess this feels like a challenge, a puzzle to be solved. It is not his job to solve it, of course - but lying in wait has its perks. Chess is watching the show and will surely live to tell the tale - life is a cabaret and all that.
Don’t pay the man behind the curtain any mind until he rips the curtain away. And pay attention to when he pulls the curtain away - although there may be a negative impact, the intent is never malicious. But you never know who may trap you in a burning building with the intention of starting a campfire. Chess doesn’t mean to do harm, but harm will be done. And once the situation is twisted into a positive, they will require a ‘thank you’.
connections
ariel nystrom + mavis vaduva - the two who have claimed him as the grotto's shop cat ( the caveat - must interact with them in cat form ) | alias: potato chip
















