Paradox Live | what the anime’s finale could’ve been…
General SPOILERS of the events that happened during the first Paradox Live.
The finale of Paradox Live the Animation was a mess.
It was a bundle of anime original ideas that were cool on paper, but felt haphazardly executed due to the show’s pacing. There is only so much twelve episodes can do, and it seemed that it wasn’t enough time to flesh out those ideas.
I can go on about my thoughts on Allen’s conflict with his father or my mixed feelings towards the unnamed scientist’s motives, but I’m here today not to burn the final episodes to the coals. Rather, I want to explore the season finale and what it might’ve been.
Before I do just that, I need to share some context.
The drama CDs implied that a major incident happened at CLUB paradox before the events of LIVE.
While the incident in question was never explicitly explained, it did cause three major events:
It made Kanata remember Nayuta’s “death.”
It revealed that Alter Trigger not only organized Paradox Live, but implied that they intended to do something to the performers.
It made the performers realize just how powerful and dangerous phantometal can be.
What made the anime stand out at the time (fingers crossed that the manga will have its own take in the future) was how it portrayed that very incident. In the anime, Alter Trigger forced Kanata to remember his repressed trauma to turn him into a phantometal vessel that will spread the metal erosion to everyone inside CLUB paradox.
The purpose? To make everyone become one with the metal. Why? I have no idea. The scientist just said that he wanted to become messiah and to strip away humanity’s pain and suffering…or something. Okay, Haruomi did comment that the scientist just wanted puppets to control so maybe the scientist wanted to take over the world. That said, considering how everyone affected would likely die as soon as the metal reaches their literal hearts…I don’t know how the mind control thing will happen.
Frankly, I don’t know if the scientist would’ve had any control of the rampage at all. He may have started Kanata’s descent to madness, but unless he has a way to actually control Kanata himself…technically the scientist’s experiment has run wild and for all we know, Kanata might’ve just devoured the entire venue with the scientist in tow.
Other than that, I have no clue of who the scientist is as a person nor understood his implied history with BURAIKAN (except how he apparently killed Chisei or directly contributed to his death). He’s just a mad scientist who happened to conduct a similar experiment ten years ago, and then decided to do it again.
There’s just so much missed potential there.
And of course, the day was saved when BAE, TCW, and AKYR gathered together to sing a friendship rap to free Kanata from his metal-induced state. The rap was well-sung and I love the lyrics. I understand the show’s intent behind its setup, though it’s a bit hard to believe that it’s what saved Kanata considering that he and the others were barely friends but anyway—I’m not here to burn them. I did that already in other places. I am here to wrap my head around the intentions of these plotlines to find a bright side. Because when I think about it, they could’ve been quite something.
This is where I get loosely philosophical.
Based on the finale’s resolution, it seemed like the show intended to hammer in the message of how music has the power to connect people in ways that are hard to see but can be felt regardless. That’s why the scientist used Paradox Live for his plan, as well as why the characters tried to reach Kanata through music.
It appeared to be a nod to the general project as it was an outlook originally said by Tsubaki, Naokira’s wife and Yohei’s friend. She believed in music’s power to connect to others which was why she saw the potential of phantometal.
To me, this line of thinking seems to be inspired by the words of German philosopher Arthur Schopenhauer who wrote the following in his book, “The World as Will and Representation”:
Therefore music is by no means like the other arts, namely a copy of the Ideas, but a copy of the will itself, the objectivity of which are the Ideas. For this reason the effect of music is so very much more powerful and penetrating than is that of the other arts, for these others speak only of the shadow, but music of the essence.
The human will is defined as an insatiable force that drives people to act and move forward towards their goals, even though there’s no guarantee that this “goal” will be achieved. Thus, it becomes the “root cause of all suffering” but nevertheless the thing that makes us human. Therefore, it is said that in order to be at peace with one’s self—one needs to temporarily release themselves from the will by momentarily losing themselves to the arts—one of them being music.
With that in mind, Schopenhauer believed that out of all the arts music could pierce through a person’s will the most because it was seen as a direct representation of the human will. He believed that unlike the other art forms that could only capture the shadow of things, music can be presented as itself.
Okay, that sounds interesting, but how is it related to Paradox Live?
It might be just me, but as I said before, I think the finale attempted to implement Schopenhauer’s view on music in its anime-original finale.
For one, the scientist’s plan was already messed up as it is. He basically forced someone to relive their repressed trauma to cause a dangerous chain reaction that could claim the lives of every person the venue—or even the city if he’s not stopped. On it’s own, it’s clear why he needs to be stopped.
That said, if you look at it in a more philosophical lens, then it becomes more poignant as to why everyone—Haruomi especially since he’s the only one aware of what’s actually happening behind the scenes—was strongly against it.
As stated before, Schopenhauer believed that music can be used as a means to temporarily release oneself from the will in order to ease one’s suffering. Emphasis on temporary because while the human will can cause suffering—it is nonetheless the driving force that allows humans to overcome suffering and thus live. The arts, let alone music is never meant to be used to destroy what makes us human. It is meant to connect and inspire us to keep going—to remind us that life is worth living.
“Losing oneself isn’t salvation.”
Haruomi told the scientist during their confrontation. The scientist’s plan is the antithesis of music’s purpose. To him, it wasn’t enough to temporarily release humanity from their suffering. No, he wanted to use music to permanently strip away the human will to “save” humanity from their suffering. And by doing so, he essentially took away their will to live, and thus their sense of self. How is that any different from being dead?
There’s this other cool detail I noticed, and it’s probably there for drama and stuff, but when Kanata was turning into the vessel fake BURAKAN told him this:
“Change the world with your screams!”
On one hand, it’s villain dialogue but on the other hand it could’ve been another nod to how the scientist’s plan was the antithesis to what music is. They could’ve said, “Change the world with your song!” or somewhere along those lines. After all, Kanata’s chosen because of his music (also the fact that he won by default which is a questionable writing decision for the anime).
So why screams? If music is perceived as the closest representation of the human will, then it can be argued that Kanata lost his music the moment he lost his will to live. It kind of happened in the LIVE drama. After remembering the truth of his situation, Kanata lost his reason to live which led him to lose his reason to sing and thus he couldn’t create illusions.
Just a quick tangent, this seems reminiscent to what happened to Allen in the season finale—when he lost his ability to use illusions. Could it be that because his will has been shaken by doubt, it affected his music and thus his phantometal? If it weren’t for the choice to make cozmez win by default, then I would’ve been sold on this plotline.
In context with the anime’s finale, it seems have happened again when Kanata transformed into the phantometal vessel. By forcing him to confront the reality of Nayuta’s “passing,” Kanata has lost his reason (Nayuta) to sing or live, and by having his will snuffed out—so does his music. And by being possessed by the metal, he’s forced to snuff out the will of others in turn.
That’s why CLUB paradox was filled with static, screams, and whimpers. By using music to snuff out the will, music has unsurprisingly died with it. That sounds so cool, and I wish that the anime fleshed out that concept.
Actually, come to think of it, I wonder if the way Kanata remembered Nayuta’s “death” would have affected the severity of the incident.
In the anime, Iori made a comment that Kanata’s metal went berserk due to its owner’s memories being forcibly opened—implying that Kanata’s state of mind made the situation worse. The original project has yet to reveal how Kanata exactly remembered the truth, but the manga did show that illusion Nayuta disappeared on his own without any prompting from other forces (in the anime, illusion Nayuta disappeared because fake BURAIKAN’s pushed Kanata into a corner).
If illusion Nayuta is a piece of Kanata’s subconscious, and he disappeared in his own accord…does that mean that Kanata felt that he’s ready to let go deep down? But again, it’s still unclear if the manga will adapt its own take of the incident so whether Kanata’s mental state affects the incident itself is still up in the air.
Back at the topic at hand, there’s also the Friendship Rap—the resolution of the story. I think its main issue was in its execution because story-wise it makes sense. The show has established that music has the power to connect to others, and philosophically music is the closest representation of the human will. Therefore, gathering together to sing their hearts out in hopes to reignite Kanata’s will makes a lot of sense.
“Remember cozmez’s music and our sound!”
That’s what Allen pleaded to Kanata. By remembering the music he made with Nayuta, as well as the music that drives him to get better at his craft, Kanata was finally able to regain his sense of self.
When he was struggling near the end of Last Verse (the moments before Allen summons his phoenix illusion), I want to believe that it’s Kanata fighting the phantometal with everyone too. He wanted to live. He wanted to be saved. He wanted to face life head on, even if Nayuta won’t be there with him (Nayuta’s alive in the end, so lucky him).
And so, in the end, the scientist plot—and in turn his warped philosophy was thwarted. He was literally beaten up by Haruomi and figuratively defeated by the characters’ strong bonds (or at least, they would’ve been strong bonds if the show didn’t pace it in a way that makes it feel like a gathering of acquittances).
And that’s how I think the show would’ve been.
With more time, Paradox Live the Animation would’ve been a fun yet compelling exploration of the power of music and its connection to the human will. They could’ve fleshed out the scientist’s motives and his history with BURAIKAN, as well as show more moments of Kanata bonding with the others in order to make the Last Verse more poignant in its message of human connection.
But alas, the show is already over and we can only think about it in retrospect. Regardless, the show will always hold a special place in my heart for its quirks and I hope that a season two will be greenlit. Like please! I want more ParaLive anime content!
That’s all for now. What are your thoughts on Paradox Live the Animation? Share your thoughts in the comments below. Thanks for reading!
