A song about Darujhistan. Give us more!

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A song about Darujhistan. Give us more!
“A man who stirs awake the serpent is a man without fear. A man without fear has forgotten the rules of life.”
— Toll the Hounds by Steven Erikson
One of the most hated character first time, seriously. My first impression was feeling like I read about the biggest MS ever, written by obsessed Forgotten Realms fan.
But then I changed my mind.
That ending.
Also, fuck my winter exams.
"Apologies with caveats are worthless, you know."
-Sister Spite, Toll the Hounds
Steven Erikson's insanity!
SPOILERS SPOILERS SPOILERS SPOILERS
REAPER’S GALE SPOILERS / TOLL THE HOUNDS SPOILERS
BEWARE SPOILERS BEWARE SPOILERS Let’s focus on two scenes. The first is from Reaper’s Gale and the second’s from Toll the Hounds. 1)Reaper’s Gale–>Seren Pedac’s chitchat with Mockra. A character has an interesting conversation with a warren. With a magic system. Not with an animal, or a tree, or a bottle of beer. She conversates with a damn…I don’t know…energy? Magical world of peoples’ thoughts? Her own mind? And it’s not her imagination. Chapters later she mind-beats Clip into a bloody pulp. Who else can imagine,think, write and execute in paper such a conversation? It’s like a Jedi speaking with the Force (not just sensing things and stuff, but actually talk with about the contents of a magazine). It’s like a Dragonlance mage speaks with the moon from which it draws power. Is there anything like it in some other book? You have to be extremely open-minded (for a start) in order to come up with something like that. 2)Toll the Hounds–>Kadaspala'a ritual. The Tiste Andii’s spell isn’t just the muttering of some words and the waving of his hands in a specific manner. That blind lunatic had inscribed upon flesh the name of every god, godling, ascendant, spirit that ever existed. We speak of billions of names here. And not only that. He had created words which consist of words, letters that their parts are not straight lines but other words and so on. The scope is beyond imagination. This is not mere spell-creation. This extends to origins-of-languages, philosophy, arithmology, evolution and so on. The above examples show what a fantasy fiction book/story is capable of. The possibilities are endless, restrained only by imagination. And me Erikson proves time and again that his imagination is maddeningly vast. Thank God!
The end of Toll the Hounds, from the point where Hood manifests in Darujhistan, it’s just like [incoherent screaming].
Also, maybe the most chaotic convergence so far? I’m not sure I can even remember everything that crashed into Darujhistan and I just finished the bloody book. Let’s see,
Hounds of Shadow
Hounds of Light
Lady Envy & Sister Spite
Hood
Karsa Orlong
Dassem Ultor
Anomander Rake
a fucking random-ass bear god (???)
Tulas Shorn
Shadowthrone & Cotillion (though they didn’t participate much)
Caladan Brood (as above)
and also nearby,
High King Kallor
Spinnock Durav
Korlat & Orfantal
Honestly? Darujhistan is lucky to be still standing… in a manner of speaking. (I mean, a lot of it isn’t, but, you know.)
commission for @annabellarake
very happy with how this turned out!
The real cinnamon roll of the Malazan world.
Anomander Rake, Soletaken form.
by Autumn Tavern.
Okay but Anomander Rake though.
-> If anyone else had carried Dragnipur, they’d be curled up on the floor crying. He stands straight. Unbowed.
-> He’s the only one who could beat Draconus and take the sword from him (though I mean, there’s a lot of speculation about Draconus, but anyways. That’s beside the point).
-> The one Tiste Andii who decides to get his people out of Kharkanas and Kurald Galain, because he actually knows that stuff needs to change; stagnation is never a good thing.
-> He carried the burden of his people’s faith in him for centuries. Without complaint.
-> He wanted to stop Whiskeyjack from killing the Mothers of the Dead Seed out of compassion. Because he didn’t want him to carry the guilt of killing in cold blood.
-> He engineered the whole scenario with getting himself killed in order to destroy Dragnipur and get Mother Dark to turn her face back to her children.
-> He’s got a dragon lover. I mean, heck yes.
-> He is a dragon. Soletaken, but still got blood of the Eleint. And he doesn’t let it control him.
And this is seriously just barely brushing the surface of this guy.
Let me just add -and this is still me-
-> Dude was a golden-skinned blond or something back before the split of light and dark and stuff. Turns out black-skinned with quicksilver hair afterwards and looks no less bloody attractive. Yes this is superficial, no I don’t care. Guy’s a freaking supermodel and he knows it.
I often see people criticise the way romantic relationships are done in Malazan, but somehow I’ve always enjoyed most of them. I wish I could properly articulate why… but I’ll try.
Keep reading
Rallick and Murillio sketch after finishing the ‘Toll the Hounds’.
“Toll the Hounds” Subterranean Press Edition (Illustrations by Marc Simonetti)
Anomander Rake is a fucking Cinnamon Roll and that makes this all so much harder.
I’m done Toll the Hounds and can I get just one book where the end doesn’t make me die a little, too?
Rage and tell me then
Not every tale is a gift
When anguish gives the knife
One more twist
And blood is thinned by tears
Cry out the injustice
Not every tale is a gift
In a world harsh with strife
Leaving us bereft
Deeds paling through the years
And I will meet your eye
Neither flinching nor shy
As I fold death inside life
And face you down
With a host of mortal fears
And I will say then
Every tale is a gift
And the scars borne by us both
Are easily missed
In the distance between us
Bard’s Curse
Fisher kel Tath
(Toll the Hounds by Steven Erikson)
Anomander Rake was interred in darkness. Weaponless, accompanied by no gifts, no wealth, no treasured possessions. His flesh was not treated against the ravages of decay. The blood and gore covering his face was not even washed away. None of these gestures belonged to the Tiste Andii, for whom the soul's departure leaves the flesh blind, insensate and indifferent.
Dying delivers one into the river of darkness, that passes into and out of the ruined city of Kharkanas, the womb long dead, long abandoned. Into the river, and the river must travel on, ever on.
Caladan Brood sealed the barrow, and upon the capstone of bleached dolomite he set a symbol, carved deep into the stone's face. An ancient Barghast glyph, its meaning precise and yet a thing of countless layers – although this is known only to those who in life come to face it directly.
A single Barghast glyph.
Which said Grief.
Toll the Hounds, by Steven Erikson (Malazan Book of the Fallen #8)
Under the mountain.