aesthetic sideblog to @swede.

[lacetulle]

Rayane Bacha | Fall/Winter 2019

[wheel-of-fish]

Christine Daae spotlight (2/?)

Anna O’Byrne

Phantom: Australia 2009, London 2012-2013

Love Never Dies: Australia 2011-2012

[drawnby27emilys]

Just found these digital scraps from last year, I never got round to posting them... probably bc of how dodgy Christine's hair looks but anyway have some garbage 🎀🥺🎀

[letmeeeatcake]

beautiful fabrics💗

[girlgroupfilms]

lovelyz - wow (2017)

[hayaline]

[glowdetails]

mandy moore’s wedding details, dress by rodarte

[glowdetails]

hair details @ rodarte spring 2017

[a-l-ancien-regime]

Versailles la nuit

[requiem-on-water]

Luana by Claudia Colaps

[obesessedwbeautiesandbeasts]

At the Opera by Thomas-Frances Dicksee (1819-1895)

[maoyeamh]

[maoyeamh]

[allthefights]

The Phantom of the Opera is there Inside my mind

[violentwavesofemotion]

“That’s not freedom it’s indifference.”

— Anne Carson, from Autobiography Of Red  (via violentwavesofemotion)

[violentwavesofemotion-deactivat]

Alphaville (1965) dir. by Jean-Luc Godard: “Anna Karina, meanwhile, is at her most darkly luminous as Natacha von Braun, the great leader’s daughter. Her programmed responses slowly break down as the hardboiled detective gives his “pretty sphinx” a copy of poet Paul Eluard’s Capital of Pain and introduces her to the concepts of “conscience” and “love” – words with which she is unfamiliar, since they have been progressively redacted from the dictionary that is the Bible of her father’s totalitarian state. “Nearly every day, words disappear because they are forbidden,” she tells him. “They are replaced by new words expressing new ideas.” Orwell hovers around this film, along with Borges and Céline.“

[violentwavesofemotion-deactivat]

Rebecca (1940) dir. by Alfred Hitchcock